R. Falkener
Active Years
Min year: 1767, Max year: 1780, Max count: 1012As Printer
- 1767: A favourite song, as sung by Mr. Du Bellamy, this season, in the character of Apollo in Midas, at the Theatre-Royal, Covent-Garden
- 1770: A song for two voices
- 1770: Ode to Florimel
- 1770: A song in Comus
- 1770: The Easter hymn. For three voices
- 1770: The invitation. Sung by Mr. Vernon
- 1770: Damon, and Clora. a [sic] song for two voices
- 1770: A hymn. For two voices. From an air of Giordani's
- 1770: A two-Part song
- 1770: The cotillon
- 1770: A song. From Acis and Galatea. Set by Mr. Handel
- 1770: The twenty-third psalm
- 1770: In love shou'd there meet a fond pair. Sung by Miss Brent, in Love in a village. Set by Mr. Barnard
- 1770: The storm: or, the dangers of the sea
- 1770: A song in King Arthur. Set by Mr. Henry Purcel, and sung by Mrs Scott, at the Theatre-Royal, Drury-lane
- 1770: Gentle Damon. A rondeau. Set by Mr. Barthelemon; and sung by Mrs. Weichsell at Vauxhall
- 1770: If 'tis joy to wound a lover. Sung by Mrs. Pinto
- 1770: A song for two voices
- 1770: Will of Aberdeen. Sung by Mrs. Hudson at Vauxhall
- 1770: Chanson celebre?
- 1770: Ye sluggards. A favourite hunting song. Sung by Mr. Vernon at Vauxhall
- 1770: The Highland queen
- 1770: Constant love. Sung by Mr. Vernon, this season, at Vauxhall
- 1770: Female liberty regain'd. A favourite song. Sung by Mr. Vernon at Vauxhall. Set by Mr. Brewster
- 1770: Bibo. A favourite canzonet for two voices. Set by Mr. Travers
- 1770: Hark! Harry. A catch for three voices. Set by Mr. John Eccles
- 1770: Sung by Mr. Beard in Alexander's feast
- 1770: Handel's Water-piece
- 1770: Under the rose. Sung by Mr. Beard, in Love in a village. Set by Dr. Arne
- 1770: The macaroni. The words by Mr. Oakman
- 1770: Nymphs and shepherds. Set by Dr. Arne
- 1770: Soft pleasing pains. Set by Dr. Arne
- 1770: A song. From Acis and Galatea. Set by Mr. Handel
- 1770: Advice to the fair sex. Sung by Mrs. Hudson
- 1770: Betty land. The original song as sung by Mr. Lowe. The words by J. Ellis, Esqr
- 1770: The mighty bowl. A duett set by J. Croft
- 1770: Hymn on the judgment-day
- 1770: Love and wine. A two-part song. Set by Mr. John Eccles
- 1770: Powerful guardians. Set by Mr. Handel
- 1770: The Irish song. As sung by Mr. Moody, at the Theatre Royal Drury Lane, in the farce, call'd The register office
- 1770: Oh had I Jubal's lyre. The music by Mr. Handel, in Joshua
- 1770: A hunting song. Sung by Mr. Reinhold at Marybone Gardens
- 1770: A song in Acis and Galatea. Set by Mr. Handel
- 1770: The broom on Cowdenknows
- 1770: Cease a while ye winds
- 1770: The cobler's end. Set by Mr. Leveridge
- 1770: The request to the nightingale. Set by Mr. Handel
- 1770: To arms, and Britons strike home. Set by Mr. Purcel
- 1770: The force of music. To a favourite air in the opera of Atalanta
- 1770: A favourite glee for four voices. Set by Dr. Arne. N.B. This glee gain'd a prize-medal in 1765
- 1770: The sun gone down. Set by Mr. J. Dale
- 1770: I told my nymph. An admired song of Mr. Shenstone's. Set by Mr. Langdon of Exeter, and sung at Ranelagh by Mr. Hudson
- 1770: My banks they are furnish'd. The words by W. Shenstone, Esq
- 1770: Darby Mac'Hone, [sic]
- 1770: May-eve or Kate of Aberdeen, [sic]
- 1770: Tender virgins
- 1770: Hebe
- 1770: Sweet Robin
- 1770: A song new set by J. Alcock junr. M.B. (To the memory of Wm. Shenstone Esqr.)
- 1770: Love in disguise. Sung by Mr. Bellamy at Covent-Garden Theatre
- 1770: The meeting in the morning. Sung by Mr. Beard
- 1770: The tipler's wish
- 1770: A favourite catch. Set by Mr. Purcel
- 1770: A song. Set by Mr. Handel
- 1770: A song for two voices
- 1770: Cruel Strephon. Sung by Mrs. Weichsell at Vauxhall
- 1770: The heavy hours. Set by Mr. Jackson of Exeter
- 1770: A favourite gavot
- 1770: A song for two voices. Set by Mr. H. Purcel
- 1770: Absent jockey. Sung at Marybone Gardens
- 1770: A song for two voices. Set by Mr. Henry Purcel
- 1770: Go, rose
- 1770: In this shady blest retreat. Sung by Mrs. Weichsell at Vauxhall
- 1770: Lango Lee. A favourite Irish song
- 1770: Wou'd you gain the tender creature. From Acis and Galatea. Set by Mr. Handel
- 1770: Damon and Cælia. A two-part song
- 1770: Where shall Celia fly
- 1770: Gentle airs. In Athalia. By Mr. Handel
- 1770: The advice. For two voices. Set by Mr. Handel
- 1770: A celebrated patriotic song. For two voices
- 1770: The serenade
- 1770: Hymn to charity
- 1770: What's that to you. A favourite Scotch song. Sung by Mr. Vernon at Vauxhall
- 1770: Charity. Sung by Mr. Vernon, this season, at Vauxhall. The words by A. Smith
- 1770: A song. From Acis and Galatea. Set by Mr. Handel
- 1770: A song. From Acis and Galatea. Set by Mr. Handel
- 1770: Colin's invitation. A new song. Set by Mr. J. Dale
- 1771: How imperfect is expression
- 1771: A new song. In the comic interlude called The drunken news-writer
- 1772: Believe my sighs
- 1775: The origin of English liberty
- 1775: A celebrated gavot. By Corelli
- 1775: O sleep why dost thou leave me. From the opera of Semele
- 1775: Six sonatas for the harpsichord piano forte, and organ. Composed by Joseph Dale. Opera primo
- 1775: Sweet passion of love. Sung by Mrs. Arne in The padlock
- 1775: Blow, blow, thou winter's wind. Composed by Dr. Arne
- 1775: Fair Hebe
- 1775: The mince pye. By J. Alcock, junior, M.B
- 1775: Damon and Pastora. A new song. By J. Alcock, junior, M.B
- 1775: Damon and Delia
- 1775: Pious orgies. From Judas Maccabæus
- 1780: What bard O Time discover. In The duenna. Sung by Mr Mattocks
As Bookseller
- 1767: A favourite song, as sung by Mr. Du Bellamy, this season, in the character of Apollo in Midas, at the Theatre-Royal, Covent-Garden
- 1770: Handel's Water-piece
- 1770: Colin's invitation. A new song. Set by Mr. J. Dale
- 1770: Hark! Harry. A catch for three voices. Set by Mr. John Eccles
- 1770: Female liberty regain'd. A favourite song. Sung by Mr. Vernon at Vauxhall. Set by Mr. Brewster
- 1770: Bibo. A favourite canzonet for two voices. Set by Mr. Travers
- 1770: Charity. Sung by Mr. Vernon, this season, at Vauxhall. The words by A. Smith
- 1770: What's that to you. A favourite Scotch song. Sung by Mr. Vernon at Vauxhall
- 1770: A song. From Acis and Galatea. Set by Mr. Handel
- 1770: A song. From Acis and Galatea. Set by Mr. Handel
- 1770: The serenade
- 1770: Hymn to charity
- 1770: Constant love. Sung by Mr. Vernon, this season, at Vauxhall
- 1770: Love and wine. A two-part song. Set by Mr. John Eccles
- 1770: Hymn on the judgment-day
- 1770: Soft pleasing pains. Set by Dr. Arne
- 1770: A song. From Acis and Galatea. Set by Mr. Handel
- 1770: Betty land. The original song as sung by Mr. Lowe. The words by J. Ellis, Esqr
- 1770: Advice to the fair sex. Sung by Mrs. Hudson
- 1770: The mighty bowl. A duett set by J. Croft
- 1770: Under the rose. Sung by Mr. Beard, in Love in a village. Set by Dr. Arne
- 1770: Nymphs and shepherds. Set by Dr. Arne
- 1770: The macaroni. The words by Mr. Oakman
- 1770: Darby Mac'Hone, [sic]
- 1770: May-eve or Kate of Aberdeen, [sic]
- 1770: Sweet Robin
- 1770: Tender virgins
- 1770: Hebe
- 1770: To arms, and Britons strike home. Set by Mr. Purcel
- 1770: I told my nymph. An admired song of Mr. Shenstone's. Set by Mr. Langdon of Exeter, and sung at Ranelagh by Mr. Hudson
- 1770: My banks they are furnish'd. The words by W. Shenstone, Esq
- 1770: The force of music. To a favourite air in the opera of Atalanta
- 1770: A favourite glee for four voices. Set by Dr. Arne. N.B. This glee gain'd a prize-medal in 1765
- 1770: The sun gone down. Set by Mr. J. Dale
- 1770: Cease a while ye winds
- 1770: A hunting song. Sung by Mr. Reinhold at Marybone Gardens
- 1770: A song in Acis and Galatea. Set by Mr. Handel
- 1770: Damon, and Clora. a [sic] song for two voices
- 1770: A two-Part song
- 1770: The cotillon
- 1770: Sung by Mr. Beard in Alexander's feast
- 1770: The broom on Cowdenknows
- 1770: The request to the nightingale. Set by Mr. Handel
- 1770: The cobler's end. Set by Mr. Leveridge
- 1770: Ye sluggards. A favourite hunting song. Sung by Mr. Vernon at Vauxhall
- 1770: Will of Aberdeen. Sung by Mrs. Hudson at Vauxhall
- 1770: Chanson celebre?
- 1770: Powerful guardians. Set by Mr. Handel
- 1770: The Irish song. As sung by Mr. Moody, at the Theatre Royal Drury Lane, in the farce, call'd The register office
- 1770: Oh had I Jubal's lyre. The music by Mr. Handel, in Joshua
- 1770: The Highland queen
- 1770: The advice. For two voices. Set by Mr. Handel
- 1770: Gentle airs. In Athalia. By Mr. Handel
- 1770: A celebrated patriotic song. For two voices
- 1770: In this shady blest retreat. Sung by Mrs. Weichsell at Vauxhall
- 1770: Go, rose
- 1770: Wou'd you gain the tender creature. From Acis and Galatea. Set by Mr. Handel
- 1770: Damon and Cælia. A two-part song
- 1770: Where shall Celia fly
- 1770: Lango Lee. A favourite Irish song
- 1770: The heavy hours. Set by Mr. Jackson of Exeter
- 1770: A favourite gavot
- 1770: A song for two voices
- 1770: Cruel Strephon. Sung by Mrs. Weichsell at Vauxhall
- 1770: Absent jockey. Sung at Marybone Gardens
- 1770: A song for two voices. Set by Mr. Henry Purcel
- 1770: A song for two voices. Set by Mr. H. Purcel
- 1770: Love in disguise. Sung by Mr. Bellamy at Covent-Garden Theatre
- 1770: A song new set by J. Alcock junr. M.B. (To the memory of Wm. Shenstone Esqr.)
- 1770: The tipler's wish
- 1770: A favourite catch. Set by Mr. Purcel
- 1770: A song. Set by Mr. Handel
- 1770: The meeting in the morning. Sung by Mr. Beard
- 1770: The Easter hymn. For three voices
- 1770: The invitation. Sung by Mr. Vernon
- 1770: A song in Comus
- 1770: Ode to Florimel
- 1770: A song for two voices
- 1770: A song in King Arthur. Set by Mr. Henry Purcel, and sung by Mrs Scott, at the Theatre-Royal, Drury-lane
- 1770: A song for two voices
- 1770: Gentle Damon. A rondeau. Set by Mr. Barthelemon; and sung by Mrs. Weichsell at Vauxhall
- 1770: If 'tis joy to wound a lover. Sung by Mrs. Pinto
- 1770: A song. From Acis and Galatea. Set by Mr. Handel
- 1770: The storm: or, the dangers of the sea
- 1770: The twenty-third psalm
- 1770: In love shou'd there meet a fond pair. Sung by Miss Brent, in Love in a village. Set by Mr. Barnard
- 1770: A hymn. For two voices. From an air of Giordani's
- 1771: A new song. In the comic interlude called The drunken news-writer
- 1771: How imperfect is expression
- 1772: Believe my sighs
Thu Dec 07 21:26:20 CST 2023