J. C Cross
Active Years
Min year: 1792, Max year: 1800, Max count: 12As Author
- 1792: Parnassian trifles. Being a collection of elegiac, pastoral, nautic, and lyric poetry. By J. Cross, Author of the Dialogue of the Divertisement, &c
- 1793: The insolvent debtor: a simple pathetic tale, founded on facts. To which is added, a small collection of miscellaneous poetry. By J.C. Cross, Author of the Dialogue of the Divertisement, Parnassian Trifles, &c. &c. &c
- 1794: The galley slave
- 1794: British fortitude
- 1794: The purse
- 1794: Songs, duets, choruses, &c: in The purse; or, benevolent tar
- 1794: The purse
- 1794: Songs, in The purse; or, benevolent tar
- 1794: The purse
- 1794: The apparition!
- 1794: The purse
- 1794: Songs, choruses, &c. in the apparition!
- 1794: The purse
- 1794: The purse
- 1795: The waiter
- 1795: Tully's rambles; or an Irishman's tour through London and Westminster
- 1796: Songs, choruses, &c. in The charity boy, a musical entertainment, in two acts. Performed at the Theatre-Royal, Drury-Lane. By J. C. Cross. The music by Mr. Reeve
- 1796: Songs, duets, chorusses, &c. in the new burletta of Quack, quack, quack!
- 1796: The purse
- 1796: Parnassian bagatelles: being a miscellaneous collection of poetical attempts. To which are added a comic sketch in one act, called The way to get un-married, As performing with universal Applause at the Theatre-Royal, Covent-Garden. And the Village Doctor, or Killing no Cure; a Favourite Burletta, Exhibited at Jones's Royal-Circus, St. George's Fields. By J. C. Cross, Author of the Divertisement, Purse on Benevolent Tar, British Fortitude, the Apparition, Point at Herqui, &c
- 1797: Airs
- 1797: Recitative, songs, duets, glees, chorusses, &c
- 1797: The purse
- 1797: Airs
- 1797: In love, in debt, & in liquor
- 1797: Julia of Louvain, or Monkish cruelty
- 1797: Airs, duets, and chorusses; in a new pantomine called Harlequin and Quixotte; or the magic arm. As performed at the Theatre-Royal, Covent-Garden. The music by Mr Reeve
- 1798: Airs, duets, and chorusses, in a new grand historical ballet of action, called Joan of Arc: or, the maid of Orleans. As performed at the Theatre-Royal, Covent-Garden. The music by Mr. Reeve
- 1798: The raft
- 1798: Songs, duets, chorusses &c. in the new musical piece of The raft; or, both sides of the water. As performed at the Theatre-Royal, Covent-Garden, ... The music composed by Mr. Reeve.
- 1798: Airs, duets, and chorusses, in a new grand historical ballet of action, called Joan of Arc: or, the maid of Orleans. As performed at the Theatre-Royal, Covent-Garden. The music by Mr. Reeve
- 1798: The songs, duets, glees, chorusses, &c. in the new grand spectacle of music, dance, and action, called The Genoese pirate
- 1798: Songs, duets, and chorusses, in the serio-comic pantomime of Harlequin highlander
- 1798: The songs, duets, glees, chorusses, &c. in the new grand spectacle of music, dance, and action, called Black Beard: or, the captive princess. As performed for the first time at Jones's Royal Circus, St. George's Fields, on Monday, April 9, 1798. The new grand spectacle, songs, &c. by Mr. Cross. The overture and music, entirely new, by Mr. Sanderson. The scenery invented by Mr. Greenwood, and executed by him and assistants. The machinery by Mr. Johnson
- 1799: The songs, duets, glees, chorusses, &c. in the new grand Scotch spectacle of Halloween
- 1799: The songs, duets, glees, chorusses, &c. in the new grand serio-comic pantomime called The seasons; or, Harlequin in all weathers: as presented, for the first time, at the new Royal Circus, on Thursday, May 16, 1799. The pantomime invented and produced under the direction of Mr. Cross;
- 1799: Additional songs
- 1799: The songs, duets, glees, chorusses, &c. in the favourite comic pantomime of Harlequin in Egypt
- 1799: Songs, duets, and chorusses, in the new grand oriental spectacle of Almoran & Hamet
- 1799: The songs, duets, glees, chorusses, &c. in the new splendid serious spectacle, called Cora
- 1799: The songs
- 1799: The songs
- 1800: Prospectus
- 1800: The waiter
- 1800: The songs, duets, glees, chorusses, &c. in the new splendid spectacle, called The mine, or, black forest of Istria. As represented, for the first time, at the new Royal Circus, on Monday, April 14, 1800. The scenery designed by Mr. Greenwood, and executed by him, Messrs. Banks, Marchbank, Blackmore, Williams, and assistants. The machinery, by Mr. Branscomb. The music, with an intire new overture, by Mr. Sanderson. The dances, by Mr. Byrne. The dresses, decorations, &c. designed by Mr. Roberts and Miss Williams, and executed by her, Mr. Williams, Mrs. Nash, and assistants. The spectacle adapted for representation and superintended by Mr. Cross
- 1800: The purse
- 1800: The songs, duets, gless, chorusses, &c. in the entirely new and splendid national spectacle, founded on historical facts, called Sir Francis Drake, and Iron-Arm
Sat Dec 02 18:25:51 CST 2023