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MoEML References in Shakeosphere

THEA2: The Theatre

• 41477: The history of the Scottish stage (1793)
• 254451: Songs (1786)
• 266482: The manchester and Liverpool museum (1779)
• 284228: The beauties of Genlis (1791)
• 328102: Love's victim (1701)
• 385948: The irishman in London (1793)
• 393755: Songs in Lodoiska (1794)
• 393758: The castle spectre (1798)
• 397901: The iron chest (1798)
• 402058: Pizarro (1799)
• 402059: The reconciliation; or, birth-day (1800)
• 402062: Lovers' vows. A play, in five acts. Performing At The Theatre Royal, Covent-Garden. From the German of Kotzebue. By Mrs. Inchbald (1798)
• 402063: Count Benyowsky (1799)

Variants:

• The Theatre
  • 41477: The history of the Scottish stage (1793)
  • 254451: Songs (1786)
  • 266482: The manchester and Liverpool museum (1779)
  • 284228: The beauties of Genlis (1791)
  • 328102: Love's victim (1701)
  • 385948: The irishman in London (1793)
  • 393755: Songs in Lodoiska (1794)
  • 393758: The castle spectre (1798)
  • 397901: The iron chest (1798)
  • 402058: Pizarro (1799)
  • 402059: The reconciliation; or, birth-day (1800)
  • 402062: Lovers' vows. A play, in five acts. Performing At The Theatre Royal, Covent-Garden. From the German of Kotzebue. By Mrs. Inchbald (1798)
  • 402063: Count Benyowsky (1799)
• the Theatre
  • 128: The occasional prologue (1794)
  • 128: The occasional prologue (1794)
  • 129: Dr. Croft's exercise, perform'd in the Theatre at Oxford, July 10. 1713. Ode (1713)
  • 171: Observations on a printed paper, addrest to the public by Mr. Digges (1758)
  • 796: The opera of operas (1733)
  • 936: An epistle humbly inscrib'd to the University of Oxford (1721)
  • 1063: Love makes a man (1701)
  • 1145: The old batchelor (1707)
  • 1320: Lock and key: a musical entertainment, in two acts, performed at the Theatre Royal, Covent-Garden. By Prince Hoare, Esq. author of my grandmother-no song no super-the prize, &c (1796)
  • 1333: The per-Juror (1717)
  • 1454: Love in the city (1767)
  • 1457: Love makes a man (1726)
  • 1613: Phædra and Hippolitus (1790)
  • 1619: Myographia nova (1705)
  • 1855: Lovers' vows. A play, in five acts. Performing at the Theatre Royal, Covent-Garden. From the German of Kotzebue. By Mrs. Inchbald (1798)
  • 1856: Lovers' vows. A play, in five acts. Performing at the Theatre Royal, Covent-Garden. From the German of Kotzebue. By Mrs. Inchbald (1798)
  • 1858: Lovers' vows. A play, in five acts. Performing at the Theatre Royal, Covent-Garden. From the German of Kotzebue. By Mrs. Inchbald (1798)
  • 1859: Lovers' vows. A play, in five acts. Performing at the Theatre Royal, Covent-Garden. From the German of Kotzebue. By Mrs. Inchbald (1798)
  • 1860: Lovers' vows. A play, in five acts. Performing at the Theatre Royal, Covent-Garden. From the German of Kotzebue. By Mrs. Inchbald (1798)
  • 1865: Lovers' vows. A play in five acts, performing at the Theatre Royal, Covent Garden. From the German of Kotzebue: by Mrs. Inchbald (1799)
  • 1866: Lovers' vows. A play in five acts, performing at the Theatre Royal, Covent Garden. From the German of Kotzebue: by Mrs. Inchbald (1799)
  • 1869: The loves of Mars and Venus (1720)
  • 1878: The loves of Mars and Venus (1724)
  • 2046: A pill for the doctor (1790)
  • 2077: A peep behind the curtain (1767)
  • 2190: The pannel (1789)
  • 2192: The pannel (1789)
  • 2360: The Earl of Warwick, a tragedy (1769)
  • 2381: The Earl of Warwick. A tragedy (1785)
  • 2392: The earl of Warwick, a tragedy (1784)
  • 2651: The purse (1794)
  • 2653: The purse (1794)
  • 2740: Philaster (1790)
  • 2999: The road to ruin (1792)
  • 3001: The road to ruin (1792)
  • 3078: The anatomy of humane bodies improv'd (1716)
  • 3184: The royal merchant (1706)
  • 3200: The recruiting officer (1706)
  • 3530: The ring, or the merry wives of Madrid (1799)
  • 3535: Rule a wife and have a wife (1790)
  • 3540: Rule a wife and have a wife (1786)
  • 3607: The romp. A musical entertainment (1790)
  • 3625: From the public (1758)
  • 3633: The revenge. A tragedy (1780)
  • 3668: The words of the songs, duets, glees, and other compositions (1794)
  • 3703: Robin Hood, or, Sherwood Forest; a comic opera (1790)
  • 3769: 'tis well it's no worse (1770)
  • 3785: 'Tis well it's no worse (1771)
  • 3849: The rape of Proserpine (1727)
  • 3850: The rape of Proserpine (1727)
  • 4229: The tragedy of the Lady Jane Gray (1754)
  • 4231: The Albion Queens (1773)
  • 4293: A trip to Scotland (1770)
  • 4496: The travellers in Switzerland (1794)
  • 4906: The upholsterer (1764)
  • 5367: The beggar's opera (1793)
  • 5522: The castle spectre (1798)
  • 5525: The castle spectre (1798)
  • 5527: The castle spectre (1798)
  • 5861: The busy body (1790)
  • 6199: The beaux stratagem (1755)
  • 6238: The brothers. A tragedy (1753)
  • 6313: Bon ton: or, High life above stairs (1780)
  • 6361: Amasis King of Egypt (1738)
  • 6390: L'amante di due donne (1765)
  • 6560: Coriolanus (1789)
  • 6613: As it should be; a dramatic entertainment (1789)
  • 6929: Coriolanus, or the Roman matron (1789)
  • 7327: The apprentice (1790)
  • 7557: Isabella; or, The fatal marriage. A tragedy. Altered from Southern. By D. Garrick, Esq. distinguishing also the variations of the Theatre as performed at the Theatre-Royal in Drury-Lane (1789)
  • 7648: Irene; or, the fair Greek (1708)
  • 7662: God's gracious design in inflicting national judgments. A sermon preach'd before the University of Oxford at St Mary's on Friday, Dec. 16th 1720. ... By Thomas Newlin (1721)
  • 7671: Farther advice to the reverend the clergy of the peculiar jurisdiction of St. Alban, within the diocese of London; given in the court-consistorial held at the ninth general visitation, Of that Arch-Deaconry. on April 19th. and on May 20th. at St. Alban, Hertfordshire mutatis mutandis at Winslow, Buckinghamshire 1725. By Philip Stubbs, B.D. and Arch-Deacon. Sometime Fellow of Wadham College, Oxon. Published at the Request of several of the St. Alban Clergy, and for the Interest of their small augmentable Livings (1725)
  • 7792: The importance of religion to civil societies (1735)
  • 8064: Harlequin-amulet or the magick of Mona (1800)
  • 8064: Harlequin-amulet or the magick of Mona (1800)
  • 8137: Cambro-Britons (1798)
  • 8512: Hiloclea (1754)
  • 8944: The gamester (1800)
  • 9072: The impostors (1789)
  • 9521: The frequent service of God in publick, the way to long life, honour, and undoubted happiness (1719)
  • 9699: The London merchant (1737)
  • 9700: The London merchant (1756)
  • 9701: The london merchant (1763)
  • 9746: The folly and guilt of satyrical slander. A sermon preached before the University of Oxford, at Christ-Church, on Sunday, February 20. 1763. By John Tottie, (1763)
  • 9948: Love in a village (1763)
  • 9949: Love in a village: a comic opera (1765)
  • 9994: Lady Jane Gray (1791)
  • 10093: Lee's tragedy of Alexander the Great, revised by J. P. Kemble, and acted by Their Majesties servants, at the Theatre Royal, Drury Lane (1795)
  • 10173: Lionel and Clarissa (1790)
  • 10213: The ladies visiting-day (1733)
  • 10279: Pizarro (1799)
  • 10284: Pizarro (1799)
  • 10285: Pizarro (1800)
  • 10286: Pizarro (1800)
  • 10297: Love's last shift (1750)
  • 10324: The pannel (1789)
  • 10334: The countess of Salisbury (1767)
  • 10538: Pizarro (1799)
  • 10820: The lawyers' panic (1785)
  • 11088: Perseus and Andromeda (1731)
  • 11105: The cooper (1772)
  • 11347: Pizarro (1800)
  • 11348: Pizarro (1799)
  • 11349: Pizarro (1799)
  • 11406: The peruvian (1786)
  • 11418: Perseus and Andromeda. With the rape of Colombine (1728)
  • 11555: A pocket companion for Oxford (1756)
  • 11953: The portrait; a burletta (1770)
  • 12453: The second and last act of Fitzgiggo (1763)
  • 12695: The school for lovers (1762)
  • 12696: The school for lovers (1763)
  • 12697: The school for lovers, a comedy. As it is acted at the Theatre Royal in Drury-Lane. By William Whitehead, Esq; poet laureat (1770)
  • 12701: The school for scandal (1785)
  • 12702: The school for scandal (1798)
  • 12703: The school for scandal (1798)
  • 12705: Pizarro (1799)
  • 12708: Pizarro (1799)
  • 12733: Doctor last in his chariot (1769)
  • 12755: Doctor Last in his chariot (1769)
  • 12763: The school of Roscius (1792)
  • 12868: Miss in her teens (1761)
  • 12869: The brave Irishman (1761)
  • 12877: The scripture doctrine of the resurrection (1736)
  • 12932: The recruiting officer (1759)
  • 13026: A new way to keep a wife at home (1786)
  • 13057: The qualifications and advantages of religious trust in times of danger (1757)
  • 13145: Much ado about nothing (1776)
  • 13171: The musical lady. A farce (1790)
  • 13176: The nabob (1794)
  • 13177: The mayor of Garratt (1794)
  • 13256: The duellist, a comedy (1774)
  • 13484: Tertullian's Prescription against hereticks (1722)
  • 13485: Mistake upon mistake, or, appearance is against them, a farce, in two acts, as it is acted at the Theatre Royal, Covent-Garden (1785)
  • 13497: The school for lovers (1766)
  • 13502: The she-gallants (1732)
  • 13534: She stoops to conquer (1790)
  • 13686: A short account of the situations and incidents exhibited in the pantomime of Robinson Crusoe (1789)
  • 13706: A letter to a worthy and learned gentleman in the law, concerning some passages of the life and death of Mrs Sarah Tilly, his near relation, lately deceas'd; ... written, by William Tilly, (1739)
  • 13731: Pizarro (1799)
  • 13742: A short account of the situations and incidents exhibited in the pantomime of Robinson Crusoe (1797)
  • 13802: My grandmother (1794)
  • 13803: My grandmother (1794)
  • 13821: No song no supper (1794)
  • 14259: The revenge (1735)
  • 14355: The stage-coach (1709)
  • 14381: The distrest mother (1790)
  • 14396: Perseus and Andromeda (1730)
  • 14416: The statesman foil'd (1768)
  • 14443: The scottish volunteers (1795)
  • 14529: Silvia; or, the country burial. An opera (1731)
  • 14844: Pizarro (1799)
  • 14919: The spleen, or, Islington Spa (1776)
  • 14922: The spoil'd child (1795)
  • 14946: A sermon preach'd before the University of Oxford, at St. Mary's, on Act Sunday in the afternoon, July 8. 1733. By Thomas Secker, L.L.D. Prebendary of Durham, Rector of St. James's Westminster, and Chaplain in Ordinary to His Majesty. Publish'd at the Request of the Vice-Chancellor, and Heads of Houses (1733)
  • 14949: Twelfth-night (1791)
  • 14955: Twelfth-night: or, What you will. A comedy. As it is performed at the Theatre in Crow-street. Written by Mr. William Shakespear (1759)
  • 14976: A sermon preach'd before the University of Oxford, at St. Mary's, on Act Sunday in the afternoon, July 8. 1733. By Thomas Secker, L.L.D. Prebendary of Durham, Rector of St. James's Westminster, and Chaplain in Ordinary to His Majesty. Publish'd at the Request of the Vice-Chancellor, and Heads of Houses (1733)
  • 15073: Songs, duets, trios, &c. in The duenna (1786)
  • 15093: The songs, duets, chorusses, &c. in the musical entertainment of The farmer. As performed at the Theatre Royal, Covent Garden. The musick composed and selected by Mr. Shield (1787)
  • 15094: Songs, duets, choruses, &c. in The mountaineers; a play, in three acts. Performed at the Theatre Royal, Hay-Market (1793)
  • 15096: Songs, duets, choruses, &c: in The mysteries of the castle: a dramatic tale, in three acts. Performed at the Theatre Royal Covent-Garden (1795)
  • 15098: Songs, duets, choruses, &c. in the children in the wood (1793)
  • 15112: The songs, chorusses, &c. &c. in The honey moon (1797)
  • 15112: The songs, chorusses, &c. &c. in The honey moon (1797)
  • 15117: Songs, chorusses, &c. which are introduced in the new entertainment of The jubilee, at the Theatre Royal, in Drury-Lane (1769)
  • 15119: Songs and chorusses in the comic opera of Love in the East; or, adventures of twelve hours. As performed at the Theatre Royal Drury Lane (1788)
  • 15148: A sermon preached in Lambeth chapel (1756)
  • 15150: A sermon preached in Lambeth-chapel, at the consecration of ... John Lord Bishop of Bristol, on Sunday, Dec. 23. 1750. By Francis Webber, (1751)
  • 15176: Songs, duets, trios, chorusses, &c. in The pirates, an opera, in three acts, now performing at the Theatre Royal, Drury-Lane (1795)
  • 15179: Songs, duetts, chorusses, &c. in the new musical entertainment of The embarkation. As performed at the Theatre-Royal, Drury-Lane. The music composed by Mr. Reeve (1799)
  • 15318: Songs, duets, trios, chorusses, &c. in Virginia, an opera, in three acts. Now performing at the Theatre Royal, Drury Lane. The melodies composed by the authour of the dialogue, and harmonized by Doctor Arnold (1800)
  • 15328: Songs, choruses, &c. in Jack of Newbury. A comic opera, with a masque in honour of the royal nuptials, performed by Their Majesties servants at the Theatre Royal, Drury Lane. The music entirely new, composed by Mr. Hook (1795)
  • 15690: Seeing is believing (1787)
  • 15710: Surgery and anatomy. The schools of surgery and practical anatomy, under the direction of the Royal College of Surgeons in Ireland, will open at the Theatre, in Mercer-street, on Monday the 5th of November, at one o'clock; when courses of lectures will commence on. (1792)
  • 15738: The peruvian (1786)
  • 15951: The [s]uspicious husband (1780)
  • 15967: The songs in the opera of Nina (1787)
  • 15968: Songs and chorusses in The tempest (1777)
  • 16022: The sultan: or, a peep into the seraglio (1790)
  • 16121: Shakspeare's King John, a historical tragedy, revised by J. P. Kemble. And now first published as it is acted by Their Majesties servants of the Theatre Royal, Drury Lane. November 15, 1800 (1800)
  • 16202: The principles of Christian loyalty (1749)
  • 16206: The summer's tale (1771)
  • 16242: Midas. An English Burletta, in Two acts. As it is performed at the Theatre Royal in Covent-Garden (1768)
  • 16244: The walking statue (1709)
  • 16367: Wit's last stake: a farce (1769)
  • 16376: Wives as they were (1797)
  • 16446: The widow's vow (1786)
  • 16540: Shakspeare's King Lear: as altered by N. Tate, newly revised by J. P. Kemble, and acted by Their Majesties servants, at the Theatre Royal, Drury Lane (1788)
  • 16540: Shakspeare's King Lear: as altered by N. Tate, newly revised by J. P. Kemble, and acted by Their Majesties servants, at the Theatre Royal, Drury Lane (1788)
  • 16542: Shakspeare's Much ado about nothing. Revised by J. P. Kemble, Esq. and acted by Their Majesties servants, at the Theatre Royal, Drury-Lane (1799)
  • 16542: Shakspeare's Much ado about nothing. Revised by J. P. Kemble, Esq. and acted by Their Majesties servants, at the Theatre Royal, Drury-Lane (1799)
  • 16573: The wanton wife, a comedy (1762)
  • 16682: Wilmore Castle (1800)
  • 16812: The amorous widow (1751)
  • 16816: The wedding ring. A comic opera (1773)
  • 16939: The world in a village (1793)
  • 17096: The West Indian (1771)
  • 17097: The West Indian (1774)
  • 17187: The wise man of the East. A play, in five acts (1799)
  • 17527: The roman father, a tragedy (1760)
  • 17528: The Roman father, a tragedy (1766)
  • 17529: The roman father, a tragedy (1776)
  • 17534: The reparation: a comedy (1784)
  • 17568: The summer's tale (1771)
  • 17797: The reasons and necessity of publick worship (1753)
  • 17911: The turnpike gate (1799)
  • 18195: Cymon (1792)
  • 18208: Comus: a masque from Milton (1766)
  • 18235: Camilla (1706)
  • 18261: The judgment of Paris (1759)
  • 18302: He's much to blame (1798)
  • 18338: Gretna Green, a comic opera (1783)
  • 18435: Cicero on old age, a dialogue (1716)
  • 18441: The confederacy (1790)
  • 18582: The commissary (1765)
  • 18598: The castle of Montval (1799)
  • 18718: The common people taught to defend their communion with the Church of England, against the attempts and insinuations of popish emissarys (1727)
  • 19184: The tragedy of Julius Cæsar; with the death of Brutus and Cassius (1719)
  • 19215: Two dissertations (1747)
  • 19225: The tragedy of the Lady Jane Gray (1771)
  • 19257: The brothers: a comedy (1770)
  • 19265: The court of Alexander (1770)
  • 19345: The artful husband (1717)
  • 19435: The country girl. A comedy. (Altered from Wycherley.) As it is acted at the Theatre Royal in Drury-lane (1766)
  • 19456: The country wife (1790)
  • 19466: Julia (1787)
  • 19688: The country wife (1735)
  • 19716: The cottagers (1768)
  • 19755: The Christian faith asserted against Deists, Arians, and Socinians; in eight sermons (1732)
  • 19845: A new prologue spoken at the Theatre in Lincoln's-Inn-Fields (1704)
  • 20192: Dido (1792)
  • 20203: The dragon of Wantley (1755)
  • 20207: A day in Turkey (1792)
  • 20217: The character and doom of false teachers (1721)
  • 20367: Daphne and Amintor (1766)
  • 20501: The country wedding (1739)
  • 20536: The London merchant (1790)
  • 20550: The Death of Captain Faulknor; or, British heroism (1795)
  • 20591: The london merchant (1754)
  • 20594: The country-wife (1729)
  • 20599: Isabella: or The fatal marriage. A play alter'd from Southern. As it is now performing at the Theatre Royal in Drury-Lane (1769)
  • 20624: The London merchant: or The history of George Barnwell (1770)
  • 20655: The london merchant (1737)
  • 20834: Isabella (1789)
  • 20839: The London hermit (1793)
  • 20997: The accomplish'd maid (1773)
  • 21057: Additional songs in the opera of Robin Hood, now performing at the Theatre Royal, Covent Garden (1788)
  • 21614: L'allegro ed il pensieroso (1797)
  • 21635: Almeyda; Queen of Granada (1796)
  • 21668: Answers for Robert McIntosh, musician in Edinburgh (1795)
  • 21862: Artaxerxes (1792)
  • 22019: Camilla. An opera. As it is perform'd at the Theatre Royal in Drury-Lane, by Her Majesty's servants (1708)
  • 22240: A bold stroke for a husband (1784)
  • 22295: The apprentice (1780)
  • 22586: The Earl of Essex (1760)
  • 22628: Arsinoe, Queen of Cyprus (1705)
  • 22643: Love for love. A comedy (1790)
  • 22685: Love for love. A comedy (1704)
  • 22737: A dramatick entertainment, call'd Harlequin a sorcerer (1725)
  • 22737: A dramatick entertainment, call'd Harlequin a sorcerer (1725)
  • 22910: The desireableness of peace, and the duty of a nation upon the recovery of it (1751)
  • 22944: The German hotel; a comedy, as performed at the Theatre Royal, Covent Garden (1790)
  • 22980: The cheats of Scapin (1790)
  • 22981: A description of the painting in the Theatre (1756)
  • 23053: The capricious lovers (1764)
  • 23130: Love a-la-mode (1782)
  • 23137: The island princess (1734)
  • 23184: Love in a village; a comic opera (1763)
  • 23196: Love in a village; a comic opera (1763)
  • 23207: Love in a village: a comic opera (1765)
  • 23218: Love in a village; a comic opera (1764)
  • 23219: The lyar (1776)
  • 23227: Love in a village; a comic opera (1771)
  • 23249: Love in a village. A comic opera (1787)
  • 23270: Love in a village; a comic opera (1766)
  • 23333: Love in a village: a comic opera (1765)
  • 23354: Love in a village: a comic opera (1765)
  • 23484: The fatal extravagance. A tragedy (1721)
  • 23494: Love in a village; or, the happy pair, a comic opera (1763)
  • 23549: Christian fortitude. A sermon preached before the University of Oxford, at St. Mary's Church, on St. Paul's Day, Jan. 25. 1757 (1757)
  • 23565: The fair penitent (1797)
  • 23618: Judas Macchabaeus (1798)
  • 23623: Isabella (1790)
  • 23778: Cyrus (1768)
  • 23789: Cyrus (1769)
  • 23922: Cato (1790)
  • 24173: Crotchet Lodge (1795)
  • 24203: Cymon (1767)
  • 24386: Love's last shift (1752)
  • 24397: Love's last shift (1747)
  • 24408: Love's last shift (1730)
  • 24410: Ben Johnson's last legacy to the sons of wit, mirth, and jollytry (1756)
  • 24423: A bold stroke for a husband (1784)
  • 24452: Love's last shift (1735)
  • 24641: The beaux stratagem. A comedy, as it is acted at the Theatre Royal by His Majesty's servants (1786)
  • 24663: Hamlet (1797)
  • 24711: Douglas (1789)
  • 24748: Don Juan; or, The libertine destroy'd (1789)
  • 24823: Love's frailties (1794)
  • 24852: Miss in her teens (1789)
  • 25007: Acis and Galatea (1799)
  • 25158: The beggar's wedding (1729)
  • 25159: The beggar's wedding (1729)
  • 25389: The history of rebellion and civil wars in England (1706)
  • 25632: The lying valet (1760)
  • 25841: The gamester: a comedy (1734)
  • 25873: The gamester, a tragedy (1789)
  • 25894: The gamester. A tragedy (1790)
  • 26059: The london merchant (1785)
  • 26113: Lovers' vows. A play in five acts, performing at the Theatre Royal, Covent Garden. From the German of Kotzebue: by Mrs. Inchbald (1799)
  • 26516: A dramatic sketch, called That's your sort! (1792)
  • 26539: Ways and means (1790)
  • 26540: The poor soldier (1786)
  • 27025: A letter from the most renown'd pastors and professors of the Church and University of Geneva (1707)
  • 27048: The critic (1781)
  • 27052: The critic (1781)
  • 27133: Mariamne (1726)
  • 27221: Midas (1768)
  • 28078: A welcome to the medal; or an excellent new song; call'd The constitution restor'd, in 1711. To the tune of Mortimer's-Hole (1711)
  • 28090: The West Indian (1771)
  • 28362: Wit without money (1771)
  • 28567: The upholster (1795)
  • 28574: Woman's wit (1736)
  • 28703: Samson. An oratorio (1785)
  • 28821: The siege of Damascus (1720)
  • 28874: The surprising life and death of Doctor John Faustus. To which is now added, The necromancer, or, Harlequin Doctor Faustus; as performed at the Theatre Royal in Covent-Garden. Truly translated from the original copies (1766)
  • 29014: Shakspeare's Much ado about nothing. Revised by J. P. Kemble, and acted by Their Majesties servants, at the Theatre Royal, Drury-Lane (1797)
  • 29014: Shakspeare's Much ado about nothing. Revised by J. P. Kemble, and acted by Their Majesties servants, at the Theatre Royal, Drury-Lane (1797)
  • 29558: Songs, duets, & chorusses, in What a blunder! A comic opera, in three acts (1800)
  • 29561: Songs, duets, chorusses, &c (1795)
  • 29562: Songs, duets, choruses, &c (1794)
  • 29572: Songs, duets, choruses, &c (1793)
  • 29574: The songs, duets, chorusses, &c. in the musical entertainment of The farmer. Performed at the Theatre Royal, Covent Garden. The musick composed and selected by Mr. Shield (1788)
  • 29575: Songs, duetts, chorusses, &c. in an occasional entertainment called Cape St. Vincent (1797)
  • 29575: Songs, duetts, chorusses, &c. in an occasional entertainment called Cape St. Vincent (1797)
  • 29576: Songs, duets and chorusses, in The turnpike gate (1799)
  • 29576: Songs, duets and chorusses, in The turnpike gate (1799)
  • 29579: The songs, duets, &c, in The ruling passion, a comic opera (1778)
  • 29581: Songs, duets, &c. in The ring; or, love me for myself (1800)
  • 29581: Songs, duets, &c. in The ring; or, love me for myself (1800)
  • 29584: Songs, duets, &c. in The pavilion (1799)
  • 29584: Songs, duets, &c. in The pavilion (1799)
  • 29585: Songs, chorusses, &c. in the new drama of Windsor Castle (1795)
  • 29669: The sullen lovers (1720)
  • 30149: A sermon preach'd before the University of Oxford on Act--Sunday July 12. 1713. By Tho. Bisse (1713)
  • 30166: Cross partners (1792)
  • 30376: The poor soldier (1788)
  • 30377: The poor soldier (1786)
  • 30667: Verses to the memory of Garrick (1779)
  • 30732: The proceedings of the visitors of University College (1723)
  • 30821: The double-Dealer (1706)
  • 30970: The sacred oratorio (1749)
  • 31136: Songs, duets, choruses, &c: in the pantomime of Harlequin & Faustus; or, the Devil will have his own. Performed at the Theatre Royal, Covent-Garden (1793)
  • 31141: Peeping Tom of Coventry (1796)
  • 31327: The poll of the freeholders of Oxfordshire, taken at Oxford, on the 17th, 18th, 19th, 20th, 22d and 23d of April 1754 (1754)
  • 31464: Fitz-giggo, a new English uproar (1763)
  • 31746: Philoclea (1755)
  • 31807: Douglas (1790)
  • 32420: A description of the painting in the Theatre (1774)
  • 32442: The prisoner at large (1788)
  • 32495: Man and wife; or, the Shakespeare Jubilee (1770)
  • 32514: The negro slaves; or, The blackman and blackbird (1799)
  • 32529: A reply to a quære concerning confirmation (1756)
  • 32548: Poverty and wealth (1799)
  • 32806: Midas. A Burletta. Writen by Kane O'Hara, Esq. Taken from The manager's book, at the Theatre Royal, Convent-Garden (1790)
  • 32927: Merope (1790)
  • 33034: A proper reply to a pamphlet, entitled, A defence of the Rector and Fellows of Exeter College, &c (1755)
  • 33090: The maid of the mill. A comic opera (1765)
  • 33124: The maid of the mill (1765)
  • 33125: Two charges delivered to the clergy of the diocese of Worcester, in the years 1763 and 1766 (1766)
  • 33135: The maid of the mill (1765)
  • 33146: The maid of the mill. A comic opera (1790)
  • 33763: Robbery (1794)
  • 34450: The old women weatherwise, an interlude (1788)
  • 34483: Ode for music, as performed at the Theatre in Oxford, on the second of July, 1751 (1751)
  • 34604: The necessity of a standing ministry to promote and preserve virtue ... By J. Edwards (1745)
  • 35139: Oroonoko (1739)
  • 35229: An ode in praise of musick (1707)
  • 35241: Myrtillo (1716)
  • 35256: An ode to be performed on the Chancellor's taking his seat in the Theatre (1763)
  • 35419: Daphne and Amintor (1778)
  • 35736: For the benefit of Mr. Christopher Smart (1759)
  • 35960: A day in Turkey; or, The Russian slaves (1792)
  • 36519: Mary, Queen of Scots, a tragedy (1789)
  • 36550: Mary, Queen of Scots, a tragedy (1789)
  • 36814: The castle spectre: A drama. In five acts (1798)
  • 36959: The beaux stratagem (1780)
  • 36969: The maid of the oaks (1794)
  • 37034: The mayor of Garratt (1790)
  • 37223: Mariamne (1726)
  • 37267: The maid of Normandy (1794)
  • 37279: The maid of Bath. A comedy (1794)
  • 37300: The cobler of Preston (1775)
  • 37404: By command of the King of Kings (1774)
  • 37461: Mahomet the impostor (1790)
  • 37740: The masquerade (1719)
  • 37848: Concerto spirituale (1765)
  • 38098: The miser (1788)
  • 38141: The miser (1790)
  • 38281: For the benefit of Mr. Rogers (1724)
  • 38296: Miss in her teens (1771)
  • 38341: Miss in her teens (1787)
  • 38617: Aurelio and Miranda (1799)
  • 38853: The whole book of the play of The deuce is in him (1763)
  • 38879: Macbeth (1785)
  • 38934: Love a-la-mode (1793)
  • 38967: The airs, chorusses, &c. in the new pantomime, called Harlequin captive; or, the magick fire. As performed by His Majesty's servants, at the Theatre-Royal, Drury-Lane. The musick by Mr. W. Linley. (1796)
  • 39372: Demophontes King of Thrace (1737)
  • 39567: Songs, duets, & choruses, in the pantomimical drama of Obi (1800)
  • 39567: Songs, duets, & choruses, in the pantomimical drama of Obi (1800)
  • 39649: Songs, duets, &c. in Vertumnus and Pomona (1782)
  • 39664: The songs airs duets & chorusses in the Masque of King Arthur (1770)
  • 40035: The Spartan dame (1721)
  • 40055: King Henry the Vii (1746)
  • 40198: The deaf lover (1781)
  • 40710: The mountaineers (1794)
  • 40732: The fairy festival (1797)
  • 40732: The fairy festival (1797)
  • 40847: The mistake (1734)
  • 40981: A discourse delivered in the Theatre at Oxford (1759)
  • 41026: The lyar (1793)
  • 41136: The nature and reasonableness of the inward call and outward mission to the holy ministry consider'd (1754)
  • 41149: Tamerlane: a tragedy (1790)
  • 41159: The Carmelite (1785)
  • 41178: The recruiting officer (1709)
  • 41298: The critic or A tragedy rehearsed a dramatic piece in three acts as it is performed at the Theatre Royal in Drury Lane by Richard Brinsley Sheridan Esqr[.] (1795)
  • 41366: Tis well if it takes. A comedy. As it is acted at the Theatre in Lincolns-Inn-Fields. Written by Mr. Taverner (1719)
  • 41419: Songs, trios, &c. and finales (1797)
  • 41491: Scipio africanus: a tragedy (1718)
  • 41626: Cymon (1793)
  • 41700: The country girl (1791)
  • 41897: The mock doctor (1790)
  • 41941: The mock lawyer (1733)
  • 42062: Cyrus (1728)
  • 42157: The royal convert (1791)
  • 42166: Rule Britannia! (1794)
  • 42213: The tragical history of King Richard III (1793)
  • 42326: A Volume of plays (1785)
  • 42360: Four ballads sung by Mrs. Barbier (1728)
  • 42443: Arthur and Emmeline (1790)
  • 42459: A dramatick entertainment, call'd The necromancer (1724)
  • 42555: Pizarro (1799)
  • 42633: Five sermons preach'd at Oxford (1753)
  • 42669: Poverty and wealth (1799)
  • 42746: As you like it (1791)
  • 42868: The reprisal: or, the tars of Old England (1757)
  • 43605: De Monfort (1800)
  • 43677: No fools like wits (1721)
  • 45005: The citizen. A farce (1766)
  • 45016: The citizen. A farce (1790)
  • 45321: High life below stairs (1780)
  • 46999: The impostors (1789)
  • 47815: The itinerary (1768)
  • 48010: Songs, duets, trios, and finales in Ramah Droog, or, wine does wonders (1798)
  • 48017: Songs, duos, trios, chorusses, &c, in the comic opera of The carnival of Venice, as it is performed at the Theatre Royal, Drury Lane (1781)
  • 48018: The lady of the manor (1795)
  • 48034: The lady's triumph; a comi-dramatic opera: as it is now perform'd at the Theatre in Lincoln's-Inn-Fields. With all the entertainments of musick, and the whole description of the scenes and machinary, &c. By E.S (1718)
  • 48606: [A] description of the painting in the Theatre (1764)
  • 48763: Catherine and Petruchio. A comedy. Altered from Shakespeare, by David Garrick, Esq. Taken from the manager's book at the Theatre Royal, Covent-Garden (1790)
  • 48939: A volume of plays (1786)
  • 49055: The court of Alexander (1770)
  • 49085: Two speeches made in the Theatre at Oxford (1714)
  • 49318: Don Sebastian (1727)
  • 49378: The London merchant (1788)
  • 49380: The london merchant (1776)
  • 49385: The London merchant (1747)
  • 49404: The loyal brother; or, the Persian prince (1713)
  • 49859: Orpheus and Eurydice; an opera (1740)
  • 49860: Orpheus and Eurydice. An opera (1740)
  • 49880: The rehearsal (1709)
  • 49977: The recruiting officer (1783)
  • 50095: The poetical work of Mr. James Barber late of Christ-Church College, Oxford (1740)
  • 50198: Blue-beard; a female curiosity! A dramatic romance, first represented at the Theatre Royal Drury-Lane. Written by George Colman, the younger (1800)
  • 50629: The artful husband (1718)
  • 51961: An Act for the better securing a fund, belonging to certain persons of the Theatre Royal in Drury-lane, applicable to charitable uses (1776)
  • 51981: An Act for securing a fund, belonging to certain persons of the Theatre Royal, Covent-garden, applicable to charitable uses (1776)
  • 52836: The contrivances (1761)
  • 53698: The impostors (1790)
  • 53709: The impostors (1789)
  • 53750: The conscious lovers (1723)
  • 53751: The conscious lovers (1723)
  • 54993: The minor (1790)
  • 55377: A mock opera, call'd Venus and Adonis (1713)
  • 55380: Miss in her teens: or, The medley of lovers (1772)
  • 55660: The chaplet (1750)
  • 56244: Pamela: or, Virtue triumphant (1741)
  • 56298: The revenge. A tragedy (1735)
  • 57221: The conscious lovers (1723)
  • 57639: A prologue in the opera call'd Camilla (1706)
  • 57656: The unhappy favourite (1709)
  • 57878: Every one has his fault (1793)
  • 58510: The London merchant (1750)
  • 58563: The pleasures of gratitude and benevolence improved by church-musick (1769)
  • 58697: The beaux stratagem (1749)
  • 58889: The fathers (1778)
  • 58907: The noble pedlar: or, The fortune hunter (1771)
  • 59012: The dramatist (1790)
  • 59023: The songs, duets, chorusses, &c. in the musical entertainment of the farmer (1788)
  • 59062: The devil to pay; or, the wives metamorphos'd (1790)
  • 59427: A dramatick entertainment, call'd The necromancer (1724)
  • 59427: A dramatick entertainment, call'd The necromancer (1724)
  • 59570: Three weeks after marriage (1793)
  • 59786: The maid of the mill. A comic opera (1767)
  • 59889: Songs, duets, & choruses, in The review (1800)
  • 59926: The Negro slaves (1799)
  • 60498: Selima & Azore (1776)
  • 60736: The generous conquerour (1702)
  • 60984: Eihgth [sic] night. Theatre Royal, Drury-Lane, a grand selection of sacred music, from the works of G.F. Handel (1789)
  • 61639: Esther, an oratorio (1733)
  • 61639: Esther, an oratorio (1733)
  • 61736: Who's the dupe? (1779)
  • 61793: The Words of the favourite catches and glees, which with the elegant and humorous music (1771)
  • 61832: He's much to blame (1798)
  • 61912: What a blunder! (1800)
  • 61950: The minor (1798)
  • 61951: The way to keep him (1760)
  • 62076: Alexander the Graet [sic]: an opera· (1715)
  • 62189: The hypocrite (1769)
  • 62279: Retaliation, a farce, in two acts (1782)
  • 62458: By His Majesty's company. At the Theatre Royal in Drury Lan[e], this present Saturday, being the 26th of February, the Discovery (1762)
  • 62458: By His Majesty's company. At the Theatre Royal in Drury Lan[e], this present Saturday, being the 26th of February, the Discovery (1762)
  • 62553: At the Theatre Royal in Covent-Garden, this present Thursday, being the 21st of February, will be presented a tragedy, call'd Theodosius: or, The force of love (1754)
  • 62646: The disbanded officer (1786)
  • 62746: Artaxerxes (1792)
  • 62755: Flora; or, hob in the well (1787)
  • 62777: Flora; an opera (1729)
  • 63083: The duenna or Double elepement (1775)
  • 63153: Flora; an opera (1749)
  • 63357: The fourteenth night. By His Majesty's company. At the Theatre Royal in Drury-Lane. This present Saturday, being the 26th of February, ... the Discovery. The characters by Mr. Garrick, ... Miss Bride, and Mrs. Pritchard. To which will be reviv'd a ballad farce, (acted but once these 20 years) called Phebe or, the Beggar's Wedding. (1762)
  • 63527: Flora; or, Hob in the well (1775)
  • 63864: Flora; an opera (1750)
  • 64068: Cymon (1767)
  • 64145: The nature and excellency of Christian zeal considered (1761)
  • 64162: The death of Abel (1768)
  • 64162: The death of Abel (1768)
  • 64264: Eliza; an English opera (1757)
  • 64357: Gretna Green, a comic opera (1783)
  • 64420: The german hotel; a comedy (1791)
  • 64476: He would be a soldier (1786)
  • 64485: An essay on satirical entertainments (1772)
  • 64595: The happy lovers: or, the beau metamorphos'd. An opera (1736)
  • 64603: The government of the heart. A sermon preached before the University of Oxford, at St. Peter's, on Sunday, February 26. 1758. By Francis Webber, (1758)
  • 64691: The history of King Lear (1768)
  • 64800: The history and fall of Caius Marius (1703)
  • 64948: The double disguise (1784)
  • 65066: The haunted tower (1790)
  • 65127: The inconstant (1751)
  • 65180: Epilogue: spoken by Mrs. Mountfort at the Theatre Royal in Drury Lane (1705)
  • 65218: The intriguing chambermaid (1780)
  • 65227: The foundling (1790)
  • 65230: Five thousand a year, a comedy (1799)
  • 65312: Julius Cæsar (1751)
  • 65362: The Grecian daughter. A tragedy (1790)
  • 65418: The history of the life and reign of the valiant Prince Edward (1739)
  • 65458: Falstaff's wedding (1766)
  • 65594: The fair penitent, a tragedy (1790)
  • 65964: The fair Circassian. A tragedy (1781)
  • 66108: Isabella (1800)
  • 66125: The irish widow (1772)
  • 66141: The history and chronology of the fabulous ages considered (1764)
  • 66279: A discourse made by the Right Reverend Dr. Sprat (1761)
  • 66281: A discourse of church-government (1753)
  • 66392: The Earl of Essex (1780)
  • 66689: The life and death of Doctor Faustus made into a farce (1724)
  • 66709: An enquiry into the origin of the Cherokees (1762)
  • 66866: An essay on satirical entertainments (1772)
  • 66919: The island princess (1724)
  • 67274: Fifteen sermons preach'd on various occasions (1743)
  • 67275: Fifteen sermons preach'd before the University of Oxford (1741)
  • 67385: Flora; an opera (1729)
  • 67386: Flora; an opera (1729)
  • 67465: The padlock (1770)
  • 67466: The padlock (1790)
  • 67652: The agreeable surprise (1796)
  • 67918: The particulars of a leasehold estate, situate in Took's-Court, Chancery-Lane (1795)
  • 69631: Mahomet the impostor (1796)
  • 70594: The Resurrection, a sacred oratorio (1770)
  • 70595: Alfred the Great; an oratorio (1740)
  • 70920: The critic (1781)
  • 72705: The Cambridge journal, and weekly flying-post (174u)
  • 73384: The Whigg (1718)
  • 75390: An account of the late persecution of the Protestants in the vallys of Piemont; by the Duke of Savoy and the French King, in the year 1686 (1688)
  • 75812: The ambitious slave: or, a generous revenge (1694)
  • 75814: The plain-dealer (1677)
  • 75932: Fatal love: or, The forc'd inconstancy (1680)
  • 75977: The sullen lovers: or, The impertinents (1693)
  • 76004: Alcibiades (1687)
  • 76041: The heir of Morocco (1682)
  • 76086: A sermon preached at Guilford in Surrey June the 22d, 1691. at the Lord Bishop of Winchester's visitation. By T. Spark D.D. rector of Ewhurst in Surrey, and late student of Christ Church in Oxford (1691)
  • 76091: The rambling justice, or The jealous husbands (1678)
  • 76147: The jealous husbands (1680)
  • 76260: The unhappy favourite: or The Earl of Essex (1682)
  • 76309: The traytor (1692)
  • 76400: A prologue spoken at Mithridates King of Pontus, the first play acted at the Theatre Royal this year, 1681 (1681)
  • 76404: The she-gallants: a comedy (1700)
  • 76496: Julius Cæsar (1695)
  • 76588: The old batchelor· (1693)
  • 76800: The mock-tempest: or The enchanted castle (1675)
  • 76846: The world in the moon (1697)
  • 77020: The maids last prayer: or, any, rather than fail (1693)
  • 77170: The injur'd lovers: or, The ambitious father (1688)
  • 77203: The old batchelour (1693)
  • 77214: The mourning bride (1697)
  • 77225: Love for love (1695)
  • 77317: The Usurper, a tragedy (1668)
  • 77662: Mithridates King of Pontus (1678)
  • 77692: The loyal brother or the Persian prince (1682)
  • 77769: The city lady: or, folly reclaim'd (1697)
  • 78085: Four conferences (1688)
  • 78496: Caligula (1698)
  • 78917: Agnes de Castro (1696)
  • 78992: The odes, satyrs, and epistles of Horace. Done into English (1684)
  • 79088: Catiline his conspiracy· (1669)
  • 79631: The tragical history of King Richard III (1700)
  • 79642: The London cuckolds· (1697)
  • 79764: The volunteers, or the stock-jobbers (1693)
  • 79960: Macbeth (1695)
  • 80016: Macbeth (1687)
  • 80029: The successfull straingers (1690)
  • 81139: Vittoria Corombona, or, The white devil (1672)
  • 81199: Tyrannick love; or, the royal martyr (1686)
  • 81202: The history of King Richard the Second (1681)
  • 81225: The man of Newmarket· (1678)
  • 81253: Julius Cæsar (1684)
  • 81465: K. Henry IV (1700)
  • 81699: Love for money: or, The boarding school (1691)
  • 81839: Measure for measure, or Beauty the best advocate (1700)
  • 82136: Love in the dark, or the man of bus'ness· (1675)
  • 82214: The Spanish fryar, or, The double discovery (1690)
  • 82361: The elder brother (1678)
  • 82520: Don Sebastian, King of Portugal (1690)
  • 82570: The banish'd duke: or, The tragedy of Infortunatus (1690)
  • 82708: The Spanish fryar: or, The double discovery (1695)
  • 82762: Amphitryon; or, the two Socia's (1690)
  • 82877: Archæologiæ græcæ: or, The antiquities of Greece (1699)
  • 82900: Tamerlane the Great (1681)
  • 83083: Othello, the Moor of Venice (1687)
  • 83084: Othello, the Moor of Venice (1695)
  • 83264: Tyrannick love; or, the royal martyr (1695)
  • 83284: Titus Andronicus, or The rape of Lavinia (1687)
  • 83623: The island princess, or The generous Portuguese (1699)
  • 83701: Flora's vagaries (1670)
  • 83792: Bonduca: or, The British heroine (1696)
  • 83986: Love triumphant; or, Nature will prevail· (1694)
  • 85419: The changeling (1668)
  • 85475: The double-dealer (1694)
  • 85553: Love without interest: or, The man too hard for the master (1699)
  • 85836: Cleomenes, the Spartan heroe (1692)
  • 86739: The fatal discovery; or, Love in ruines (1698)
  • 86800: Catalogus librorum bibliothecæ selectissimæ Doctiss Rev, Viri D. Joannis Arthurii Londinensis (1683)
  • 86808: The Italian husband (1698)
  • 87025: A pindarick ode, upon the death of His late sacred Majesty King Charles the Second (1685)
  • 87244: The old batchelour (1693)
  • 87518: The country-wife (1675)
  • 87987: Courtship a-la-mode (1700)
  • 88037: The theory and regulation of love· (1688)
  • 88159: A common-wealth of vvomen· (1686)
  • 88265: The ambitious statesman, or The loyal favourite (1679)
  • 88956: The mock-duellist, or, The French vallet (1675)
  • 89019: The unhappy favourite: or The Earl of Essex (1685)
  • 89066: Boadicea Queen of Britain (1697)
  • 89077: Friendship improv'd; or, the female warriour (1700)
  • 89170: All mistaken, or the mad couple (1672)
  • 89293: T. Lucretius Carus. The Epicurean philosopher, his six books De natura rerum (1683)
  • 89301: Macbeth (1687)
  • 89542: The imposture defeated: or, A trick to cheat the devil (1698)
  • 90620: The island princess: or the generous Portugal (1669)
  • 90680: Miscellany poems and translations by Oxford hands (1685)
  • 91453: The rambling justice, or the jealous husbands (1678)
  • 91604: A king and no king (1676)
  • 91956: Bibliotheca realis & instructissima, sive, Catalogus variorum librorum (1690)
  • 92021: The mourning bride (1697)
  • 92950: Abdelazer: or, The Moor's revenge (1693)
  • 93561: Tartuffe: or The French Puritan (1670)
  • 93734: The old batchelour (1693)
  • 93774: Love for money: or, The boarding school (1691)
  • 94332: Certain sermons or homilies appointed to be read in churches in the time of Queen Elizabeth of famous memory (1683)
  • 94806: The Oxford almanack for the year of our Lord God 1673 (1673)
  • 95145: The Richmond heiress: or, A woman once in the right (1693)
  • 95461: The scornfull lady (1691)
  • 95467: Of education· (1683)
  • 95721: A jovial crew: or, The merry beggars· (1684)
  • 95920: The old batchelour (1693)
  • 96282: Womans wit: or, The lady in fashion (1697)
  • 96937: Titus Lucretius Carus his six books of Epicurean philosophy, done into English verse, with notes (1683)
  • 97086: The destruction of Jerusalem by Titus Vespasian (1677)
  • 97785: The liee and death of Doctor Faustus, made into a farce· (1697)
  • 97904: The innocent mistress (1697)
  • 98090: The destruction of Jerusalem by Titus Vespasian (1693)
  • 98118: Amphitryon; or, the two Sosia's (1694)
  • 98125: Tyrannick love: or, the royal martyr (1677)
  • 98132: Love for money: or, The boarding school (1696)
  • 98731: The fatal marriage: or, The innocent adultery (1694)
  • 98974: A new opera; called, Brutus of Alba: or, Augusta's triumph (1697)
  • 99017: The souldiers fortune (1695)
  • 99180: Flora's vagaries (1677)
  • 99183: The massacre of Paris (1690)
  • 99374: The maids tragedy (1686)
  • 99461: Alphonso King of Naples· (1691)
  • 99517: Bussy D'Ambois, or The husbands revenge (1691)
  • 99609: Mithridates King of Pontus (1685)
  • 99784: Amphitryon; or, the two Sosia's (1691)
  • 99970: Wits led by the nose; or, A poet's revenge (1678)
  • 100028: The marriage-hater match'd (1692)
  • 100132: Agrippa King of Alba: or, The false Tiberinus (1675)
  • 100239: Tyrannick love, or the royal martyr (1670)
  • 100284: The female prelate (1689)
  • 100289: Tyrannick love: or, the royal martyr (1672)
  • 100375: The younger brother: or, The amorous jilt (1696)
  • 100459: The Spanish fryar, or, The double discovery (1686)
  • 100733: Don Sebastian, King of Portugal (1692)
  • 101355: The tragedy of Hamlet Prince of Denmark (1695)
  • 101571: Fathers own son (1660)
  • 101926: A sermon preached before the King at White-hall November 23. 1684 (1685)
  • 101940: The argument of the Letter concerning toleration, briefly consider'd and answer'd (1690)
  • 102271: A prologue by Mr. Settle to his new play, called The Emperor of Morocco, with the life of Gayland (1682)
  • 102858: The grove, or, Love's paradice (1700)
  • 103301: The history and fall of Caius Marius (1696)
  • 103355: The souldiers fortune (1687)
  • 103479: The lost lover; or, the jealous husband (1696)
  • 103833: Anacreon done into English out of the original Greek (1683)
  • 104115: Achilles: or, Iphigenia in Aulis (1700)
  • 104421: Love in a wood, or, St James's Park (1672)
  • 104536: Julius Cæsar (1691)
  • 104603: The white devil, or, Vittoria Corombona a lady of Venice (1665)
  • 104755: Pausanias the betrayer of his country· (1696)
  • 104761: Wits led by the nose; or, A poet's revenge (1678)
  • 104884: Phaeton: or, The fatal divorce (1698)
  • 104895: The way of the world (1700)
  • 105110: The history and fall of Caius Marius (1692)
  • 105237: Love for love (1695)
  • 105239: The generous enemies or The ridiculous lovers (1672)
  • 105428: T. Lucretius Carus the Epicurean philospher, his six books De natura rerum (1682)
  • 105992: The carnival (1664)
  • 106346: A new opera, call'd, Cinthia and Endimion: or, The loves of the deities (1697)
  • 107826: A choice collection of ayres for the harpsichord or spinett (1700)
  • 108675: Love for love (1695)
  • 108952: The fatal marriage: or, The innocent adultery (1694)
  • 110886: A briefe introduction to geography (1685)
  • 119697: Tyrannick love; or, The royal martyr. A tragedy (1694)
  • 119981: A new opera, call'd, Cinthia and Endimion: or, The loves of the deities (1697)
  • 120157: At the Theatre Royall, this present Tuesday being the twenty second day of February, will be presented, a play called, A king and no king (1687)
  • 120269: Titus Lucretius Carus his six books of Epicurean philosophy, done into English verse, with notes (1683)
  • 120529: The whole book of Psalms, collected into English metre, by Thomas Sternhold, John Hopkins, and others, conferred with the Hebrew: set forth and allowed to be sung in all churches, of all the people together, before and after morning and evening prayer, and also before and after sermons; and moreover in private houses, for their godly solace and comfort, laying apart all ungodly songs and ballads, which tend onely to the nourishing of vice and corrupting of youth (1685)
  • 120918: Bibliotheca Oweniana, sive Catalogus librorum plurimis facultatibus insignium, instructissimæ bibliothecæ Rev. Doct. vir. D. Joan. Oweni, (quondam Vice-Cancellarii & Decani Edis-Christi in Academia Oxoniensi) nuperrime? defuncti (1684)
  • 120936: Bibliotheca mathematica optimis libris diversarum linguarum refertissima: una? cum variis philologicis, historicis, & geographicis adornata: Honoratissim. Equitis Jonæ Mori, (Supervisoris generalis instrumentorum bellicorum Regis Angliæ) nuper defuncti (1684)
  • 120942: Bibliotheca VVarneriana, sive Catalogus librorum plurimis disciplinis insignium, selectissimæ bibliothecæ Reverendissimi in Christo Patris Joan. Warneri (olim Roffensis Episcopi) magnifici fundatoris spectatissimi hospitii apud Bromley in Comitatu Cantii (1685)
  • 120954: A catalogue of several sorts of Bibles, Testaments, Common Prayers, singing Psalms, Book of homilies, &c. (all printed at the Theatre in Oxford) that are to be exposed to sale (by way of auction or who bids most) (1685)
  • 120960: Bibliotheca Maynardiana: sive Catalogus variorum librorum bibliothecæ selectissimæ Rev. viri D. Maynard, de Mayfield in comitatu Sussexiæ (1687)
  • 121017: The marriage-hater match'd (1692)
  • 123073: Archæologiæ græcæ: or, The antiquities of Greece (1699)
  • 123420: The idylliums of Theocritus (1684)
  • 123440: The London cuckolds (1688)
  • 124526: The Holy Bible (1687)
  • 124527: The book of common-prayer, and administration of the sacraments (1687)
  • 126473: Bibliotheca Lloydiana, sive Catalogus variorum librorum selectissimæ bibliothecæ Rev. Doct. viri D. Joan. Lloydii, B.D. Quondam de North mimmes in comitatu de Hertfordshire (1683)
  • 128297: Bibliotheca Whateliana: sive Catalogus variorum librorum bibliothecæ selectissimæ Rev. viri D. Whateley juxta Banbury in comitatu Oxoniensi (1683)
  • 130086: Catalogus libris exquisitissimis rarissimisque (1700)
  • 130611: The Richmond heiress: or, A woman once in the right (1693)
  • 132146: Distress'd innocence: or, The Princess of Persia (1691)
  • 132151: The female prelate (1680)
  • 132153: The female prelate (1689)
  • 132245: The island-princess (1687)
  • 132274: A preservative against Socinianism. The first part (1698)
  • 132774: Love's last shift; or, The fool in fashion (1696)
  • 133902: The wary widdow: or, Sir Noisy Parrat, a comedy· (1693)
  • 134542: Prologue design'd for the last new farce, call'd The Fool's expectation, or, The Wheel of fortune (1698)
  • 134584: Julius Cæsar (1695)
  • 134585: The tragedy of Hamlet Prince of Denmark (1695)
  • 135132: Oxonii elogia (1673)
  • 135777: Love in the dark, or The man of bus'ness· (1675)
  • 136002: Philaster, or Love lies a bleeding (1687)
  • 136477: The treacherous brothers (1690)
  • 136772: The book of common-prayer, and administration of the sacraments (1686)
  • 136788: The book of common prayer and administration of the sacraments (1685)
  • 137533: The unhappy kindness: or A fruitless revenge (1697)
  • 137587: Amintas (1698)
  • 138066: The plain-dealer (1678)
  • 139622: The marriage-hater match'd (1693)
  • 139623: The marriage-hater match'd (1693)
  • 140430: The devil of a wife, or, A comical transformation (1695)
  • 141383: Julius Cæsar (1695)
  • 144677: Bibliotheca VVarneriana, sive catalogus librorum plurimis disciplinis insignium, selectissimæ bibliothecæ Reverendissimi in Christo Patris Joan. Warneri (olim Roffensis episcopi) magnifici fundatoris spectatissimi hospitii apud Bromley in comitatu Cantii (1685)
  • 145268: The innocent mistress (1697)
  • 146337: The rambling justice, or the jealous husbands (1694)
  • 147392: The world in the moon (1697)
  • 147746: The successfull straingers (1690)
  • 147765: Certain sermons or homilies appointed to be read in churches, in the time of Queen Elizabeth of famous memory (1683)
  • 147903: Titus Lucretius Carus his six books of Epicurean philosophy (1683)
  • 148497: The maids last prayer: or, Any, rather than fail (1693)
  • 148501: The disappointment, or The mother in fashion (1684)
  • 149111: The history and fall of Caius Marius (1692)
  • 149327: The whole book of Psalms, collected into English metre, by Thomas Sternhold, John Hopkins, and others, conferred with the Hebrew: set forth and allowed to be sung in all churches, of all the people together, before and after morning and evening prayer, and also before and after sermons; and moreover in private houses, for their godly solace and comfort, laying apart all ungodly songs and ballads, which tend only to the nourishing of vice, and corrupting of youth (1685)
  • 149363: The mourning bride (1697)
  • 149683: The plain-dealer. A comedy· (1677)
  • 149694: The songs in the new play call'd, The impostor [sic] defeated; or, a trick to cheat the devil. With the masque of Cinthia and Endimion in the last act, as it is perform'd at the Theatre Royal in Drury-Lane (1697)
  • 150477: An excellent new song: or, No kissing at all (1693)
  • 154698: Some select songs as they are sung in the Fairy queen (1692)
  • 157689: The words of a new interlude, called The four seasons, or Love in every age (1699)
  • 159327: The devil of a wife, or A comical transformation (1695)
  • 159739: Certain sermons or homilies appointed to be read in churches, in the time of Queen Elizabeth of famous memory (1683)
  • 159753: Certain sermons or homilies appointed to be read in churches in the time of Queen Elizabeth of famous memory (1683)
  • 162801: A catalogue of the subscribers names to the English atlas, now printing at the Theater in Oxford (1680)
  • 163183: The Holy Bible in sculpture or The History's mentioned in the Old and New Testament lively represented in copper cutts (1683)
  • 163563: The Richmond heiress: or, A woman once in the right (1694)
  • 164319: The old batchelor (1693)
  • 164467: Proposals for printing at the Theater in Oxford all M. T. Cicero's works in 12. vol. 8vo (1700)
  • 165573: The whole book of Psalms (1685)
  • 166645: New songs in the third part of The comical history of Don Quixote (1696)
  • 167807: The book of common-prayer (1684)
  • 168677: On the unhappy conflagration of the Theatre Royal, Jan. the 25th, 1671/2 (1672)
  • 168681: An Advertisement of several Bibles and Common-Prayer Books lately printed at the Theatre in Oxford (1685)
  • 169264: Certain sermons or homilies appointed to be read in churches in the time of Queen Elizabeth of famous memory (1683)
  • 169277: An account of the late persecution of the Protestants in the vallys of Piemont; by the Duke of Savoy and the French King, in the year 1686 (1689)
  • 170477: Love for money: or, The boarding school (1691)
  • 170487: Titus Andronicus, or The rape of Lavinia (1687)
  • 170625: Macbeth (1689)
  • 207651: Three sermons preach'd at St Mary's in Oxford (1745)
  • 207935: Songs, duets, choruses, &c: in the Irish mimic: or, Blunders at Brighton (1795)
  • 208279: The catch club: :a collection of all the songs, catches, glees, duets, &c. as sung by Mr. Bannister, Mr. Leoni, Master Braham, Mr. Arrowsmith, Mr. Chapman, mr. Gaudry, &c. at the Royalty Theatre, Gooman's [sic] Fields: to which is added, Hippesley's Drunken-man, as altered and spoken by Mr. Le [sic] Lewis (1785)
  • 208458: The overture[,] songs &c in the Deserter (1773)
  • 208461: The fairy prince, :a masque as performed at the Theatre Royal, Covent Garden; composed by Dr. Arne, for the German flute (1785)
  • 208463: Two to one; :a new comic opera. Now performing with universal applause, at the Theatre Royal in the Haymarket. Composed by Dr. Arnold, ... for the German flute (1787)
  • 208467: Music in the masque of Comus :adapted for the German flute as perform'd at the Theatre Royal in Covent Garden. Composed by Dr. Arne (1775)
  • 208475: The favorite overture & grand march in Lodoiska, :as performed at the Theatre Royal Drury Lane. Adapted for the piano forte, by Stephen Storace (1795)
  • 208777: The conscious lovers (1757)
  • 208780: Philoclea (1754)
  • 208807: A letter to Mr. Garrick on the opening of the Theatre, with observations on the conduct of managers, to actors, authors, and audiences: and particularly to new-performers (1758)
  • 209314: The sheep-sheering song (1760)
  • 209327: The comical gallant (1702)
  • 209469: A sermon preach'd before the University of Oxford on the tenth day of June 1702 (1702)
  • 209738: Little Bingo. Sung with universal applause, by Mr. Swords, at the Theatre Royal, Haymarket (1785)
  • 209970: The regent: a tragedy (1788)
  • 210407: An oration intended to have been spoken in the Theatre at Oxford, on the 9th of July 1773, by a member of the University (1773)
  • 211222: The duty of fasting with its appendages briefly considered (1757)
  • 211387: The natural effect, and religious improvement of extraordinary divine judgments, and of solemn fasts instituted in remembrance of them (1748)
  • 211529: The almighty glorified in judgment (1756)
  • 211595: The proper improvement of divine judgments (1756)
  • 211617: The doctrine of the divine visitation by earthquakes illustrated, confirmed, and applied. In two sermons preached on the fast-day and the preceding Sunday. By William Dodwell D.D. (1756)
  • 211837: A sermon on the late earthquakes (1756)
  • 211958: The qualifications and advantages of religious trust in times of danger (1757)
  • 212796: By particular desire. Positively the last time. By permission of the Right Worshipful the Vice-Chancellor, and the Worshipful the Mayor. At the Theatre, Stirbitch, this present Tuesday, the 26th of June, 1798, will be given an entertainment, in three parts, called Mirth's museum; (1798)
  • 212909: Acis and Galatea (1780)
  • 212912: Theatre Royal, Drury-Lane, fifth night (1794)
  • 213086: Three hours after marriage (1717)
  • 213087: Three hours after marriage (1717)
  • 213102: The what d'ye call it (1716)
  • 213103: The what d'ye call it (1725)
  • 213364: The Athanasian creed defended and explain'd (1749)
  • 213419: The divinity of Christ asserted, and the censures in the Athanasian creed considered (1747)
  • 213440: The usual interpretation of daimones and daimonia, in the New Testament, asserted (1739)
  • 213520: The mourning bride. A tragedy (1703)
  • 213531: The conscious lovers (1746)
  • 213709: An enquiry into the sufficiency of reason in matters of religion. A sermon preach'd before the University of Oxford, at St. Mary's, on Sunday, December 17th. 1738. By Thomas Randolph, (1739)
  • 213722: The way of the world (1706)
  • 213728: Love for love, a comedy. Acted at the Theatre Royal in Dublin: by His Majesty's servants. Written by Mr. Congreve (1733)
  • 213737: The beaux stratagem (1755)
  • 214657: Cre?u?sa, Queen of Athens (1754)
  • 214780: A journey to Bristol (1731)
  • 214835: Creu?sa, Queen of Athens (1754)
  • 214879: Blue-Beard (1798)
  • 215393: The use and antiquity of musick in the service of God (1737)
  • 215671: The speech that was intended to have been spoken by the Terr?-Filius (1713)
  • 215676: The terr? filius's speech (1733)
  • 215692: The danger of excesses in the pursuit of liberty (1737)
  • 215729: The maid of the mill. A comic opera (1765)
  • 215730: The maid of the mill. A comic opera (1766)
  • 215732: The maid of the mill. A comic opera (1771)
  • 215734: The unhappy favourite (1712)
  • 215735: Tunbridge-Walks: or, the yeoman of Kent (1703)
  • 215737: Songs, duos, trios, chorusses, &c (1781)
  • 215738: Mary, Queen of Scots, a tragedy (1789)
  • 215746: Vertue betray'd (1715)
  • 215755: Injur'd love: or, the cruel husband (1707)
  • 215757: Thomas and Sally (1767)
  • 215766: Mariamne (1759)
  • 216416: The minor (1795)
  • 216421: The lame lover (1794)
  • 216424: Edgar and Emmeline (1794)
  • 216426: Midas (1768)
  • 216944: The use, value, and improvement of various readings shewn and illustrated, in (1761)
  • 217307: For the benefit of Mr. Hindmarsh and Miss Williams (1790)
  • 217308: The last night (1790)
  • 217310: Public breakfasting (1790)
  • 217312: (by permission.) (1790)
  • 217319: Order of the speakers in the Theatre (1793)
  • 217330: This day is published (1795)
  • 217394: Religion and learning capable of being rendered mutually serviceable (1762)
  • 217941: The brothers (1791)
  • 217944: The jew (1797)
  • 217945: The natural son (1785)
  • 217947: The west Indian (1785)
  • 217950: The West Indian (1790)
  • 217951: The fashionable lover: a comedy (1790)
  • 217953: Speculation (1800)
  • 217982: The patron (1764)
  • 217988: The lyar (1769)
  • 217989: The lyar (1764)
  • 217997: The patron (1774)
  • 218454: A volume of farces (1792)
  • 218486: The absent man (1768)
  • 218535: Aaron's intercession, and Korah's rebellion considered (1756)
  • 219413: The camp (1795)
  • 219465: The capricious lovers (1764)
  • 219483: The captive of Spilburg in two acts (1799)
  • 219486: The capuchin (1794)
  • 219508: Careless husband (1705)
  • 219561: The case of authority consider'd as it respects religion, particularly the Christian (1742)
  • 219816: The case of the ministerial maintenance stated (1741)
  • 219856: The desireableness of peace (1749)
  • 219866: The case of the stage in Ireland (1758)
  • 219919: The castle of Montval (1799)
  • 220078: Christ and the Holy Ghost the supporters of the spiritual life. And repentance the forerunner of faith (1755)
  • 220088: The reasonableness of our belief in the doctrines of Christianity asserted (1756)
  • 220111: The use and extent of reason in matters of religion (1756)
  • 220146: The adopted child (1795)
  • 220186: The abuse of miraculous powers in the church of Corinth considered (1755)
  • 220197: The gospel credibility defended against the objection of its decrease by length of time (1756)
  • 220349: The commissary (1782)
  • 220350: The commissary (1788)
  • 220356: The lyar (1786)
  • 220361: The minor (1798)
  • 220362: The orators (1788)
  • 220363: The patron (1781)
  • 220364: The patron (1794)
  • 220369: The minor (1781)
  • 220372: The cozeners (1778)
  • 220373: The maid of Bath (1778)
  • 220377: My grandmother (1797)
  • 220378: My grandmother (1796)
  • 220381: Lock and key (1796)
  • 220383: Blue-Beard (1798)
  • 220384: Blue-Beard (1798)
  • 220385: The mountaineers (1794)
  • 220389: Every one has his fault (1794)
  • 220395: Every one has his fault (1793)
  • 220396: Wives as they were (1797)
  • 220397: Wives as they were (1797)
  • 220398: Wives as they were (1797)
  • 220399: Every one has his fault (1793)
  • 220411: Braganza (1775)
  • 220412: Braganza (1775)
  • 220415: The west Indian (1771)
  • 220427: The west Indian (1771)
  • 220432: A fond husband: or, the plotting sisters. A comedy (1711)
  • 220438: The jew (1795)
  • 220460: The carmelite (1785)
  • 220471: The brothers. A comedy (1777)
  • 220515: Amelia (1768)
  • 220526: The summer's tale (1765)
  • 220538: The West Indian (1771)
  • 220560: The West Indian (1771)
  • 220649: Retaliation (1782)
  • 220691: The deaf lover (1780)
  • 220702: The deaf lover (1780)
  • 220724: The West Indian (1775)
  • 220735: The disbanded officer (1786)
  • 220789: The agreeable surprise (1786)
  • 220832: Albina (1797)
  • 220841: Albumazar (1747)
  • 220854: Alcina. An opera. As it is perfom'd at the Theatre Royal in Covent-Garden (1735)
  • 220854: Alcina. An opera. As it is perfom'd at the Theatre Royal in Covent-Garden (1735)
  • 220864: Alexander Balus (1748)
  • 220872: Alexander the Great (1795)
  • 220900: Bell's Edition (1776)
  • 220914: All in the wrong (1787)
  • 220957: Almeyda, Queen of Granada (1796)
  • 220958: Almida (1771)
  • 220959: Almida (1771)
  • 220993: Alzuma (1773)
  • 221045: Barataria (1793)
  • 221060: Barbarossa (1790)
  • 221091: The bath (1701)
  • 221092: The bath unmask'd (1725)
  • 221155: The beaux stratagem (1748)
  • 221156: The beaux stratagem: a comedy. As it is acted at the Theatre Royal in Drury-Lane, by His Majesty's servants (1752)
  • 221568: The amorous widow (1755)
  • 221572: Amphitryon: or, The two Socia's (1706)
  • 221621: Angelica and Medorus (1739)
  • 221623: Anglia Judaica (1738)
  • 221961: Apollo and Daphne (1716)
  • 222012: The apparition (1715)
  • 222051: The musical entertainments in The virgin prophetess; or, the fate of Troy. A new opera. Perform'd at the Theatre Royal. Composed by Mr. Finger (1701)
  • 222063: The virgin prophetess (1701)
  • 222069: Appearance is against them (1785)
  • 222070: Appearance is against them (1786)
  • 222115: The arcadia (1754)
  • 222207: Arsaces (1737)
  • 222264: The artful husband (1735)
  • 222266: The artful wife (1718)
  • 222355: Astianatte (1727)
  • 222512: Atalanta (1736)
  • 222512: Atalanta (1736)
  • 222555: Aurelio and Miranda (1799)
  • 222606: The author (1757)
  • 222607: The author (1782)
  • 222761: A bold stroke for a husband, a comedy, as acted at the Theatre Royal, in Covent Garden (1784)
  • 222762: A bold stroke for a wife (1718)
  • 222771: Bon ton (1775)
  • 222859: The abuse of miraculous powers in the church of Corinth considered (1755)
  • 222872: A poem on the last day (1713)
  • 222888: Christian fortitude (1757)
  • 222909: Elmerick (1740)
  • 222980: A new musical interlude (1774)
  • 222981: Alzuma (1773)
  • 222983: Timanthes (1770)
  • 222984: The countess of Salisbury (1767)
  • 222995: A word to the wise (1775)
  • 222996: False delicacy (1768)
  • 223000: Oroonoko (1775)
  • 223003: The reprisal (1757)
  • 223008: Eliza (1754)
  • 223382: The reasonableness and uses of commemorating King Charles's martyrdom (1753)
  • 223419: The castle spectre (1798)
  • 223430: Pizarro (1799)
  • 223433: The castle of Montval (1799)
  • 223472: The plain dealer (1735)
  • 223479: Love in a village (1765)
  • 223480: The belle's stratagem (1783)
  • 223495: The inconstant (1763)
  • 223502: The inconstant (1702)
  • 223504: The recruiting officer (1706)
  • 223510: The twin-Rivals (1703)
  • 223518: The constant couple (1795)
  • 223528: 'squire Badger (1772)
  • 223529: The sot (1775)
  • 223558: A catalogue of the very curious and valuable library of the late Mr. James William Dodd (1797)
  • 224056: A bold stroke for a wife (1724)
  • 224058: The cruel gift (1734)
  • 224070: Perolla and Izadora (1706)
  • 224074: Love's last shift (1733)
  • 224078: Perolla and Izadora (1736)
  • 224080: The double gallant (1725)
  • 224081: The careless husband (1795)
  • 224090: She would and she would not (1795)
  • 224094: Love makes a man (1795)
  • 224095: Venus and Adonis (1736)
  • 224098: Xerxes (1736)
  • 224118: The conscious lovers (1732)
  • 224135: The old batchelor. A comedy. As it is acted at the Theatre Royal, By Her Majesty's Servants. Written by Mr. Congreve (1712)
  • 224136: The mourning bride. A tragedy (1711)
  • 224137: The way of the world (1711)
  • 224146: The way of the world (1710)
  • 224147: The double-dealer (1710)
  • 224149: The mourning bride (1710)
  • 224150: The old batchelor. A comedy. As it is acted at the Theatre Royal, By Her Majesty's Servants. Written by Mr. Congreve (1710)
  • 224924: Damon and Phillida (1730)
  • 224928: The wonder (1736)
  • 224939: A Bickerstaff's burying (1710)
  • 224949: The wonder (1734)
  • 224950: The wonder (1719)
  • 224952: The wonder (1714)
  • 224961: The gamester (1765)
  • 224978: Damon and Phillida (1768)
  • 224979: Damon and Phillida. Altered from Cibber into a comic opera. With the addition of new songs and chorusses. As it is performed at the Theatre Royal in Drury-Lane (1768)
  • 225120: A proposal for the better regulation of the stage (1732)
  • 225196: The false witness reproved. A sermon preached at St. Mary's in Oxford, at the assizes, ... on Friday, March 3. 1758. By William Dodwell, (1758)
  • 225214: The importance of religion to civil societies (1735)
  • 225284: A narrative of an assault (1794)
  • 225292: A sequel to the opera of Flora (1732)
  • 225295: Flora (1732)
  • 225447: Remarks on Dr Clarke's introduction to his Scripture-doctrin [sic] of the Trinity. By Edward Wells (1713)
  • 225462: Love in a village (1763)
  • 225468: Love in a village (1776)
  • 225473: The lord of the manor (1781)
  • 225479: The fall of the Earl of Essex (1731)
  • 225481: The fashionable lady (1730)
  • 225488: The West Indian (1771)
  • 225497: The London merchant (1763)
  • 225502: Love in a mist (1752)
  • 225503: As you like it (1790)
  • 225804: Christian fortitude (1757)
  • 225814: Christian fortitude (1757)
  • 225822: Love in a village (1763)
  • 225824: Love in a village; a comic opera (1765)
  • 225826: Love in a village (1767)
  • 225923: The history of the stage (1742)
  • 226132: The folly and guilt of satyrical slander (1763)
  • 226520: Man and wife (1770)
  • 226521: The deuce is in him (1763)
  • 226526: The jealous wife (1761)
  • 226530: The count of Narbonne (1781)
  • 226531: The count of Narbonne (1787)
  • 226533: The count of Narbonne (1782)
  • 226536: Wives as they were (1797)
  • 226537: Wives as they were (1797)
  • 226539: I'll tell you what (1787)
  • 226543: Lock and key (1797)
  • 226544: Cyrus (1769)
  • 226553: Edward and Eleonora, a tragedy (1775)
  • 226557: Flora (1763)
  • 226558: The mountaineers (1795)
  • 226559: Blue-beard; or, Female curiosity! (1798)
  • 226563: The Grecian daughter (1785)
  • 226571: La creanza (1762)
  • 227048: The supremacy of the Crown, and the power of the church, asserted and adjusted (1714)
  • 227137: The catch club (1787)
  • 227156: The catholick doctrine concerning the union of the two natures in the one person of Christ stated and vindicated (1719)
  • 227182: The causes of impenitence consider'd: as well in the case of extraordinary warnings, as under the general laws of providence, and grace (1755)
  • 227300: Jacob's return from London (1705)
  • 227326: The jealous wife (1789)
  • 227327: Jehoshaphat's charge (1711)
  • 227329: Jehoshaphat's charge (1711)
  • 227350: The jew of Venice (1701)
  • 227352: The jewish dispensation consider'd and vindicated (1738)
  • 227364: Job's expectations of a resurrection considered (1747)
  • 227477: Joshua (1756)
  • 227532: The jubilee concert (1769)
  • 227539: Judas Macchabæus (1765)
  • 227540: Judas Macchabu?s (1768)
  • 227541: Judas Macchabæus (1768)
  • 227542: Judas Macchabæus (1770)
  • 227560: Judith (1761)
  • 227571: Julius Cæsar (1734)
  • 227572: Julius Cæsar (1741)
  • 227801: Knave, or not? A comedy: in five acts. As performed at the Theatre Royal, Drury-Lane. By Thomas Holcroft (1798)
  • 227900: Braganza (1775)
  • 227901: Braganza (1775)
  • 228068: The brothers. A comedy (1775)
  • 228171: By desire of Sir John D'Oyly, Bart. A beautiful display of the heavens at the Theatre Royal, Cheltenham. The new Eidouranion; or grand transparent Orrey, with improvements on which Mr. Lloyd, will deliver his astronomical lecture; on ... July, 31, 1788. (1788)
  • 228609: The folly and wickedness of misplacing our trust and confidence (1744)
  • 228728: A sermon preach'd before the House of Lords, in the Abby-Church of Westminster on Tuesday, June 11. 1751 (1751)
  • 228738: A sermon preach'd before the House of Lords (1751)
  • 228791: The chances (1777)
  • 228802: The chapter of accidents (1796)
  • 228876: The charge of George lord bishop of Bristol, at his primary visitation of his diocese Anno 1716. Published at the request of the clergy (1716)
  • 228895: Charity and compassion towards men the occasion of thanksgivings to God (1752)
  • 228965: The unsuccessfulness of repeated fasts consider'd and apply'd (1745)
  • 228983: The child of nature (1788)
  • 228984: The child of nature (1789)
  • 228985: The child of nature (1789)
  • 228998: The faithful pastor. A sermon preached before the University of Oxford, at St. Mary's, on Act-Sunday in the afternoon, July 7. 1745. By William Gardner, (1745)
  • 229055: Christ the light of the world (1750)
  • 229060: The christian apology (1755)
  • 229061: The christian apology (1755)
  • 229069: The Christian hero: a tragedy (1735)
  • 229070: The christian hero (1735)
  • 229202: The citizen (1763)
  • 229226: The city wives confederacy (1777)
  • 229242: The clandestine marriage (1770)
  • 229243: The clandestine marriage (1778)
  • 229244: The clandestine marriage (1785)
  • 229268: Cleone (1758)
  • 229270: Cleonice, princess of Bithynia: a tragedy. As it is performed at the Theatre Royal in Covent-Garden. By John Hoole (1775)
  • 229272: Cleonice (1775)
  • 229370: The commissary (1765)
  • 229389: The nature and reasonableness of the inward call and outward mission to the holy ministry consider'd (1746)
  • 229668: The connection between irreligion and immorality. A sermon preach'd at St. Mary's in Oxford, ... on March 1. 1743-4. By Edward Bentham (1744)
  • 229676: The conquest of the golden fleece. An opera. As perform'd at the Theatre Royal in the Hay-Market. Composed by John Baptist Pescetti. (1738)
  • 229679: The conscious lovers (1777)
  • 229740: Epicoene (1776)
  • 230099: The constant couple (1777)
  • 230217: A descriptive plan of the new opera house (1791)
  • 230222: The deserted daughter (1795)
  • 230227: The desireableness of the Christian faith illustrated and applied (1744)
  • 230248: The deuce is in him (1764)
  • 230257: The Devil to pay: or, The wives metamorphos'd (1736)
  • 230351: Dido (1771)
  • 230563: Damon and Phillida (1769)
  • 230577: The danger of excesses in the pursuit of liberty (1744)
  • 230597: Daphne and Amintor (1765)
  • 230598: Daphne and Amintor (1766)
  • 230626: A day in Turkey; or, The Russian slaves (1792)
  • 230865: Demetrius (1737)
  • 230907: The earl of Essex (1753)
  • 230916: The earl of Warwick (1766)
  • 231001: Edwin (1724)
  • 231012: The egyptian festival (1800)
  • 231043: Electra (1777)
  • 231178: Elfrid (1710)
  • 231193: Elmerick (1740)
  • 231196: Elvira (1763)
  • 231275: Doctor King's apology (1755)
  • 231333: An enquiry into the medicinal virtues of Bristol-water: and the indications of cure which it answers. By George Randolph, (1745)
  • 231499: The equal and impartial discharge of justice, with respect both to the guilty and the innocent, recommended (1755)
  • 231516: Almeyda; Queen of Granada (1796)
  • 231524: The smugglers (1796)
  • 231526: The man of ten thousand (1796)
  • 231537: The scornful lady (1710)
  • 231539: The royal merchant (1706)
  • 231543: The royal merchant (1768)
  • 231961: An essay on satirical entertainments (1772)
  • 232149: Esther (1765)
  • 232162: The eternity of future punishment asserted and vindicated. In Answer to Mr Whiston's late Treatise on that Subject (1743)
  • 232163: The eternity of future punishment proved and vindicated (1708)
  • 232221: Every one has his fault (1793)
  • 232222: Every one has his fault (1794)
  • 232461: The expediency and advantages of an early education in piety and virtue (1750)
  • 232468: The expediency of some divine interpositions (1749)
  • 232863: Coriolanus (1749)
  • 232869: Coriolanus (1780)
  • 232901: The count of Narbonne (1781)
  • 232902: The count of Narbonne (1788)
  • 232909: The countess of Salisbury (1767)
  • 232910: The countess of Salisbury (1767)
  • 233040: The court of Alexander (1770)
  • 233090: The creation (1800)
  • 233098: Cricket (1771)
  • 233118: The critic (1781)
  • 233155: Crotchet Lodge (1795)
  • 233161: The cruel gift (1717)
  • 233191: The cunning-Man (1766)
  • 233266: Cymon (1795)
  • 233267: Cymon (1792)
  • 233268: Cymon (1792)
  • 233272: Cyrus (1768)
  • 233273: Cyrus (1772)
  • 233274: Cyrus (1795)
  • 233441: The distress'd baronet (1788)
  • 233459: The distrest mother (1734)
  • 233478: The divine authority of the New Testament prov'd and vindicated (1712)
  • 233518: Doctor King's apology (1755)
  • 233520: Doctor King's apology (1755)
  • 233531: The doctrine of a future state necessary to the welfare and support of civil government (1739)
  • 233549: The doctrine of the Trinity prov'd from scripture (1711)
  • 233573: Don Juan (1789)
  • 233606: Double falshood; or, The distrest lovers (1767)
  • 233619: Douglas (1778)
  • 233757: The duellist (1773)
  • 233758: The duellist (1773)
  • 233762: The duellist (1773)
  • 233763: The duellist (1774)
  • 233766: The duenna: a comic opera. In three acts. As performed at the Theatre Royal, Covent Garden: ... By R. B. Sheridan, Esq (1794)
  • 233767: The duenna (1785)
  • 233858: The duty of giving thanks for national deliverances (1747)
  • 233867: The duty of not conforming to this world (1733)
  • 234000: The faithful bride of Granada (1704)
  • 234029: The fall of Egypt (1774)
  • 234043: False appearances (1789)
  • 234052: False impressions (1797)
  • 234054: False impressions (1798)
  • 234069: Falstaff's wedding (1766)
  • 234151: The farm house (1789)
  • 234152: The farm house (1789)
  • 234153: The farm house (1789)
  • 234167: The farmer's return from London (1762)
  • 234355: The first floor (1787)
  • 234356: The first floor (1789)
  • 234358: First love (1795)
  • 234436: Florizel and Perdita (1758)
  • 234596: Grace considered in it's operations on the understanding (1756)
  • 234631: A grand selection of sacred music. From the works of Handel. As performed at the Theatre Royal, Covent Garden, 1798. Under the direction of Mr. Ashley (1798)
  • 234632: A grand selection of sacred music, from the works of Handel. As performed at the Theatre Royal, Covent-Garden, 1799. Under the direction of Mr. Ashley, Sen (1799)
  • 234696: The grecian daughter (1777)
  • 234737: The guardian out-witted (1795)
  • 234762: Gustavus Vasa (1796)
  • 234858: Harlequin Mungo (1788)
  • 234894: He would be a soldier (1786)
  • 234917: Hecuba (1762)
  • 234921: Heigh-ho! for a husband (1794)
  • 235001: Herminius and Espasia (1754)
  • 235005: Hero and Leander (1787)
  • 235029: He's much to blame (1798)
  • 235030: He's much to blame (1798)
  • 235031: He's much to blame (1798)
  • 235032: He's much to blame (1798)
  • 235412: The history of the Scottish stage (1793)
  • 235911: Ignoramus (1725)
  • 235918: I'll tell you what (1786)
  • 235919: I'll tell you what (1786)
  • 235998: The importance of religion to civil societies (1745)
  • 236001: The importance of the Christian faith illustrated in the explanation of St. Paul's wish of being accursed for his brethren (1752)
  • 236013: The impostors: A comedy. Performed at the Theatre Royal Drury Lane. By Richard Cumberland, Esq (1789)
  • 236014: The impostors: A comedy. Performed at the Theatre Royal Drury Lane. By Richard Cumberland, Esq (1789)
  • 236109: Infidelity without excuse (1735)
  • 236117: The influence of education justified (1744)
  • 236230: The inspiration of the moral parts of scripture asserted. A sermon preached at the triennial visitation ... held at the Cathedral-church, in Lichfield, on Wednesday, Aug. 29. 1744. ... By Matthew Horbery, (1745)
  • 236339: Irene (1796)
  • 236351: The irish widow (1772)
  • 236352: The irish widow (1772)
  • 236382: The island of St. Marguerite (1789)
  • 236383: The island princess (1701)
  • 236384: The island princess (1701)
  • 236390: Israel in Babylon (1768)
  • 236390: Israel in Babylon (1768)
  • 236395: Israel in Egypt (1777)
  • 236404: The italian monk (1797)
  • 236405: The italian monk (1797)
  • 236432: Lady Jane Gray (1776)
  • 236450: The lady's last stake (1795)
  • 236456: The lady's revenge (1734)
  • 236458: The lady's triumph (1718)
  • 236577: Laugh when you can (1799)
  • 236583: The law not made for a righteous man (1754)
  • 236692: Lethe (1790)
  • 237076: A letter to David Garrick, Esq (1759)
  • 237626: Love a-l-amode [sic]; a comedy: as it is acted at the Theatre, Smoke-Alley, Dublin (1786)
  • 237627: Love a-la-mode (1786)
  • 237670: Love in a village (1763)
  • 237671: Love in a village (1763)
  • 237672: Love in a village (1763)
  • 237673: Love in a village (1764)
  • 237679: Love in many masks (1790)
  • 237680: Love in the city (1767)
  • 237681: Love in the city (1767)
  • 237689: Love makes a man (1716)
  • 237690: Love makes a man (1722)
  • 237691: Love makes a man: or, The Fop's fortune (1735)
  • 237692: Love makes a man (1701)
  • 237715: Love the leveller (1704)
  • 237742: Lover's vows (1798)
  • 237746: Love's last shift (1702)
  • 237747: Love's last shift (1773)
  • 237791: A loyal song sung by Mr. Beard at the Theatre Royal in Covent Garden (1746)
  • 237806: Lucius Junius Brutus (1796)
  • 237831: The lyar (1793)
  • 237904: The maid of the mill (1767)
  • 237905: The maid of the mill (1765)
  • 237907: The maid of the mill (1765)
  • 237908: The maid of the mill (1765)
  • 237911: The maid of the mill. A comic opera (1780)
  • 237921: The maid the mistress (1708)
  • 238027: Mariamne (1723)
  • 238029: Mariamne (1777)
  • 238033: Marina (1738)
  • 238061: The married man. A comedy, in three acts. From Le philosophe marie? of M. Nericault Destouches. As performed at the Theatre Royal, Hay-Market. By Mrs. Inchbald. (1789)
  • 238062: The married man (1789)
  • 238071: Mary Queen of Scots (1789)
  • 238072: Mary (1789)
  • 238108: A matrimonial breakfast (1787)
  • 238141: The means of redressing, and the duty of forgiving injuries consider'd (1755)
  • 238160: Medea (1777)
  • 238329: The mermaid (1792)
  • 238330: The mermaid (1792)
  • 238428: The midnight hour (1787)
  • 238429: The midnight hour (1788)
  • 238479: The minor (1764)
  • 238480: The minor (1767)
  • 238609: Miss in her teens (1789)
  • 238617: Miss in her teens (1777)
  • 238626: The mistake (1778)
  • 238627: The mistake (1796)
  • 238791: The nature and obligation of oaths (1755)
  • 238798: The nature, evidences, and importance of truth considered. A sermon preached before the University of Oxford, at St. Mary's, on St. Andrew's day, 1754. By William Parker (1754)
  • 238802: The nature extent and support of human laws considered (1750)
  • 238805: The nature, mischiefs, and remedy of superstition illustrated (1754)
  • 238852: Neck or nothing (1766)
  • 238853: Neck or nothing (1767)
  • 239506: The funeral (1776)
  • 239561: Gallic gratitude (1779)
  • 239948: The gospel credibility defended against the objection of its decrease by length of time (1756)
  • 239956: The genuine arguments of the council (1774)
  • 240012: Gibraltar: or, The Spanish adventure (1705)
  • 240016: Gil Blas (1788)
  • 240101: The life (1746)
  • 240397: The London merchant (1745)
  • 240398: The london merchant (1751)
  • 240399: The london merchant (1760)
  • 240401: The London merchant (1757)
  • 240469: The lord of the manor (1781)
  • 240610: Momus (1767)
  • 240642: Monsieur de Pourceaugnac (1704)
  • 240673: The mosaick history of the fall consider'd (1750)
  • 241213: Ode for music, as performed at the Theatre in Oxford, on the second of July, 1751 (1751)
  • 241422: Of speaking as the oracles of God (1720)
  • 241483: The old mode & the new (1703)
  • 241491: The farmer's return from London (1762)
  • 241517: Phædra & Hippolytus (1777)
  • 241527: Pharamond an opera. As perform'd at the Theatre Royal in the Hay-Market (1737)
  • 241647: Pizarro (1799)
  • 241684: The plain dealer (1766)
  • 241685: The plain dealer (1767)
  • 241785: The players turn'd academicks (1703)
  • 242143: A proper reply to a pamphlet (1755)
  • 242157: The reasonableness and uses of commemorating King Charles's martyrdom (1753)
  • 242385: A prologue on comic poetry (1753)
  • 242573: An impartial examen of the present contests between the town and the manager of the Theatre. With some proposals for accommodating the present misunderstandings between the town and the manager, ... By Mr. Neither-side (1744)
  • 242660: The contrast. By Mr. Lockman. On occasion of the play, for the benefit of the Middlesex Hospital, for sick, and lame, and lying-in women, on Wednesday the 16th inst. at the Theatre Royal in Covent-Garden (1755)
  • 242786: The lady's revenge: or, the rover reclaim'd. A comedy. As it is acted at the Theatre Royal in Covent-Garden (1734)
  • 242838: A letter of expostulation from the manager of the theatre in Tottenham-Court (1760)
  • 242925: The mountaineers (1795)
  • 242926: Songs, duets, choruses, &c. in The mountaineers; a play, in three acts. Performed at the Theatre Royal, Hay-Market (1793)
  • 242927: Blue-beard (1798)
  • 243269: The cobler of Preston (1767)
  • 243333: A sermon preached before the University of Oxford, at St. Mary's, on Wednesday, Febr. 4. 1740-1 (1741)
  • 243399: The doctrine of justification by faith explained in a sermon preached before the University of Oxford (1768)
  • 243400: Jephthah's vow considered (1766)
  • 243401: The use of reason in matters of religion stated and explain'd in a sermon Preached before the University of Oxford (1762)
  • 243402: The witness of the spirit (1768)
  • 243437: The magistrate's duty to honour God, set forth in (1733)
  • 244697: The evidence of prophecy superior to the evidence of miracles (1761)
  • 244925: The amiableness and advantage of making suitable provision for the education and employment of poor children (1755)
  • 244958: The reasonableness and advantage of national humiliations (1740)
  • 244959: The union and harmony of reason (1737)
  • 244969: The usual interpretation of daimones and daimonia (1738)
  • 245418: The cobler's opera (1729)
  • 245418: The cobler's opera (1729)
  • 245739: The government of the heart (1758)
  • 245745: Ridicule, so far as it affects religion, consider'd and censur'd (1735)
  • 245750: The divine right of prerogative royal (1728)
  • 245990: Prologue written for the re-opening of the Theatre at Brandenbourgh House (1795)
  • 246045: The duenna: a comic opera (1794)
  • 246089: The critic (1781)
  • 246153: The critic (1781)
  • 246164: The summer's tale (1765)
  • 246175: The carmelite (1784)
  • 246187: The oxonian in town (1770)
  • 246198: Man and wife; or, the Shakespeare Jubilee (1770)
  • 246204: Punch's petition to Mr. S----n, to be admitted into the Theatre Royal (1758)
  • 246220: The critic (1781)
  • 246242: Man and wife; or, the Shakespeare Jubilee (1770)
  • 246309: Pharnaces (1765)
  • 246385: The family party (1789)
  • 246429: Athelstan (1756)
  • 246810: The advantages of publick education (1733)
  • 246876: A seasonable admonition to the Church of England (1755)
  • 246940: Athelstan (1756)
  • 247154: The dissembled wanton (1787)
  • 247155: The roman father, a tragedy (1750)
  • 247158: A trip to Scotland (1770)
  • 247159: Songs, chorusses, &c (1770)
  • 247715: Britain's glory (1794)
  • 247735: Songs in Lodoiska (1794)
  • 247735: Songs in Lodoiska (1794)
  • 247736: Lodoiska (1794)
  • 247737: The turnpike gate (1799)
  • 247747: The sicilian romance (1794)
  • 247952: Cleone (1765)
  • 247988: The commemorative sacrifice (1737)
  • 248029: An essay (1767)
  • 248104: The west Indian (1792)
  • 248126: Retaliation (1782)
  • 248171: The deserted daughter: a comedy (1795)
  • 248204: Philoclea (1754)
  • 248248: The mountaineers; a play, in three acts (1795)
  • 248416: The maid the mistress (1732)
  • 248436: Some observations tending to illustrate the Book of Job (1747)
  • 248610: The comedy of errors (1770)
  • 248696: Jacob's return from London (1789)
  • 248706: Blue-Beard (1799)
  • 248707: A bold stroke for a husband (1784)
  • 248710: The cunning-Man (1766)
  • 248715: King Henry V (1789)
  • 248716: The tempest (1789)
  • 248841: Love in a village; a comic opera (1763)
  • 248992: The recruiting officer (1709)
  • 248993: The recruiting officer (1707)
  • 249149: Seventh night (1794)
  • 249152: Sixth night (1794)
  • 249157: The second night (1794)
  • 249166: Theatre Royal (1794)
  • 249168: Third night (1794)
  • 249365: The twelfth and last time this season. At the theatre, Lyceum, in the Strand, this present evening, Monday, Aug. 19, 1799, an attempt will be made at the restoration of plain old English humour sense, and satire, from the peculiar and last production of the celebrated George Alexander Stevens, (never published) being a comic olio, adapted to the times, called a cabinet of fancy, which will be exemplified in an original collection of transparent paintings, sketches, & designs, as they were represented at the Theatre Royal Hay-Market, with universal applause. (1799)
  • 249586: Tales of the castle (1785)
  • 249699: Songs (1795)
  • 249998: At play-house prices at the Theatre Royal, Drury-Lane, this present Friday, April 1, 1791, will be performed Acis and Galatea. A favourite serenata, composed by Handel. (1791)
  • 249999: At play-house prices. At the Theatre Royal, Drury-Lane, this present Friday, March 11th. 1791, will be performed a grand selection, from the works of Handel. (1791)
  • 250000: At play-house prices. At the Theatre Royal, Drury-Lane, this present Friday, March 11th. 1791, will be performed a grand selection, from the works of Handel. (1791)
  • 250001: At play-house prices. At the Theatre Royal, Drury-Lane, this present Friday, March 18th. 1791, will be performed a sacred oratorio, called Judas Macchabæus composed by G. F. Handel. (1791)
  • 250002: At play-house prices. At the Theatre Royal, Drury-Lane, this present Friday, March 25th. 1791, will be performed, for the last time this season, a grand selection, from the works of Handel. (1791)
  • 250003: At play-house prices. At the Theatre Royal, Drury Lane, this present Wednesday Feb. 24, 1790, will be performed a grand selection from the works of Handel, (1790)
  • 250004: At play-house prices. At the Theatre Royal, Drury-Lane, this present Wednesday, March 10, 1790, will be performed a grand selection from the works of Handel, (1790)
  • 250005: At play-house prices. At the Theatre Royal, Drury-Lane, this present Wednesday, March 16th. 1791, will be performed a sacred oratorio, called The Messiah. Composed by G. F. Handel. (1791)
  • 250006: At play-house prices. At the Theatre Royal, Drury-Lane, this present Wednesday, March 16th. 1791, will be performed a sacred oratorio, called The Messiah. Composed by G. F. Handel. (1791)
  • 250007: At play-house prices. At the Theatre Royal, Drury-Lane, this present Wednesday, March 23, 1791, will be performed (by particular desire) Redemption. A sacred oratorio, selected from the great and favourite works of Handel, (1791)
  • 250008: At play-house prices at the Theatre Royal, Drury-Lane, this present Wednesday March 30, 1791, will be performed (by particular desire) Redemption. A sacred oratorio, selected from the great and favourite works of Handel, (1791)
  • 250009: At play-house prices. At the Theatre Royal, Drury-Lane, to-morrow, Wednesday March 23, 1791, will be performed (by particular desire) Redemption, a sacred oratorio, selected from the great and favourite works of Handel, (1791)
  • 250010: At play-house prices at the Theatre Royal, Drury-Lane, to-morrow, Wednesday March 30, 1791, will be performed (by particular desire) Redemption. A sacred oratorio, selected from the great and favourite works of Handel, (1791)
  • 250012: At play-house prices. By particular desire. Being the last time of performing it this season. At the Theatre Royal, Drury-Lane, this present Friday, March 12, 1790, will be performed a grand selection from the works of Handel, (1790)
  • 250029: At play-house prices during Lent. This present Friday, Feb. 12, 1796, will be performed (for the only time this season) at the Theatre Royal, Covent Garden, the favorite ode of Alexander's feast; or, the power of music. Written ... by Dryden, and set to music by Handel. (1796)
  • 250034: At Play-House prices. Oratorios & selections of sacred music. At the Theatre Royal, Covent Garden. The season will commence on Friday next, with a performance of sacred music. (1791)
  • 250036: At play-house prices. The last time of performing it this season, at the Theatre Royal, Drury-Lane, this present Wednesday, April 6th, 1791, will be performed, a sacred oratorio called The Messiah. Composed by G. F. Handel. (1791)
  • 250037: At play-house prices. The last time of performing it this season. At the Theatre Royal, Drury-Lane, this present Wednesday April 6th. 1791, will be performed a sacred oratorio, called The Messiah. Composed by G. F. Handel. (1791)
  • 250078: At the Theatre Royal, Drury-Lane, on Friday next, February 23, 1787, will be performed Redemption a sacred oratorio. Selected from the great and favourite works of Mr. Handel. That were performed at his commemoration in Westminster-Abbey, and at the Pantheon (1787)
  • 250079: At the Theatre Royal, Drury-Lane, to-morrow, Friday, February 23, 1787, will be performed Redemption. A sacred oratorio. Selected from the great and favourite works of Mr. Handel. (1787)
  • 250080: At the Theatre Royal, Drury-Lane, tomorrow, [sic] Wednesday, Feb.28, 1787, will be performed Redemption a sacred oratorio. Selected from the great and favourite works of Mr. Handel, (1787)
  • 250081: At the Theatre Royal in Drury-Lane, on Friday next, February 8, 1788, will be performed Redemption. A sacred oratorio. Selected from the great and favourite works of Mr. Handel, (1788)
  • 250082: At the Theatre Royal in Drury-Lane, on Friday next, March 3, 1775, will be performed Judas Maccabæus. An oratorio. (1775)
  • 250083: At the Theatre Royal in Drury-Lane, on Friday next, March 15, 1782, will be performed Alexander's feast. To which will be added Bonduca. By the late Mr. Henry Purcell. (1782)
  • 250084: At the Theatre Royal in Drury-Lane, on Wednesday next, Feb. 20, 1788, will be performed Alexander's feast. Set to music by Mr. Handel. (1788)
  • 250085: At the Theatre Royal in Drury-Lane, on Wednesday next, Feb 27, 1788, will be performed Judas Maccabæus. An oratorio. Set to music by Mr. Handel. (1788)
  • 250086: At the Theatre Royal in Drury Lane, on Wednesday next, Feb. 27, 1788, will be performed Judas Maccabæus. An oratorio. Set to music by Mr. Handel (1788)
  • 250087: At the Theatre Royal in Drury-Lane, on Wednesday next, Feb. 28, 1776, will be performed Judas Maccabæus. An oratorio. (1776)
  • 250088: At the Theatre Royal in Drury-Lane, on Wednesday next, February 13, 1788, will be performed Messiah. A sacred oratorio. Set to music by Mr. Handel (1788)
  • 250089: At the Theatre Royal in Drury-Lane, on Wednesday next, March 5, 1788, will be performed Acis and Galatea. A serenata. Set to music by Mr. Handel (1788)
  • 250090: At the Theatre Royal in Drury-Lane, on Wednesday next, March 6, 1776, will be performed Jeptha. An oratorio, composed by Mr Handel. (1776)
  • 250091: At the Theatre Royal in Drury-Lane, on Wednesday next, March 29, 1775, will be performed The fall of Egypt. An oratorio. Written by the late Dr. Hawksworth, and composed by Mr. Stanley. (1775)
  • 250092: At the Theatre Royal in Drury-Lane, to-morrow, Friday, Feb. 22, 1788, will be performed Acis and Galatea. A serenata. Set to music by Mr. Handel. (1788)
  • 250093: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, Feb. 13 1788, will be performed Messiah. A sacred oratorio. Set to music by Mr. Handel. (1788)
  • 250094: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, Feb. 20, 1788, will be performed Alexander's feast. Set to music by Mr. Handel (1788)
  • 250095: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, Feb. 27, 1788, will be performed Judas Maccabæus. An oratorio. Set to music by Mr. Handel. (1788)
  • 250097: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, March 6, 1782, will be performed Samson. An oratorio. Set to music by Mr. Handel. (1782)
  • 250098: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, March 13, 1776, will be performed L'allegro ed il pensoroso. To which will be added an anthem. Composed by Mr. Handel, for the late Duke of Chandois. (1776)
  • 250100: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, March 20, 1776, will be performed a lyric ode on the witches, fairies, and aerial beings of Shakespear. The music entirely new. (1776)
  • 250101: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, March 20, 1782, will be performed Messiah. A sacred oratorio. Set to music by Mr. Handel. (1782)
  • 250102: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, March 22, 1775, will be performed L'allegro il pensoroso. With two of the Coronation anthems, (1775)
  • 250103: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, March 27, 1776, will be performed Messiah. A sacred oratorio. Composed by Mr. Handel. (1776)
  • 250104: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, March 29, 1775, will be performed The fall of Egypt. An oratorio. Written by the late Dr. Hawkesworth. And set to music by Mr. Stanley. (1775)
  • 250137: By command of Their Majesties. At the Theatre Royal in Drury-Lane, on Friday next, Feb. 23, 1776, will be performed Acis and Galatea. (1776)
  • 250138: By command of Their Majesties. At the Theatre Royal in Drury-Lane, to-morrow, Friday, March 1, 1776, will be performed Alexander's feast. And the Coronation anthems. (1776)
  • 250139: By command of Their Majesties. At the Theatre Royal in Drury-Lane, to-morrow, Friday, March 8, 1776, will be performed Acis and Galatea. To which will be added an ode, written by Dryden, and set to music by Mr. Handel. (1776)
  • 250140: By command of Their Majesties. At the Theatre Royal in Drury-Lane, to-morrow, Friday, March 9, 1781, will be performed the oratorio of Deborah. Composed by Mr. Handel. (1781)
  • 250141: By command of Their Majesties. At the Theatre Royal in Drury-Lane, to-morrow, Friday, March 15, 1776, will be performed Alexander's feast. With the Coronation anthems. (1776)
  • 250143: By command of Their Majesties. At the Theatre Royal in Drury-Lane, to-morrow, Friday, March 22, 1776, will be performed Samson. An oratorio. Composed by Mr. Handel. (1776)
  • 250144: By command of Their Majesties. The last time of performing this season. At the Theatre Royal in Drury-Lane, this present Friday, March 29, 1776, will be performed Messiah. A sacred oratorio. Composed by Mr. Handel. (1776)
  • 250147: By desire of the directors and subscribers to the Academy of ancient music. At play-house prices. At the Theatre Royal, Drury-Lane, this present Wednesday, March 17, 1790, will be performed a grand selection from the works of Handel, (1790)
  • 250162: By permission of the Rev. the Vice-Chancellor, and the Worshipful the Mayor. At the Theatre, Stirbitch, on Wednesday next, June 15th, 1791, Mr. Palmer, (of Drury-Lane Theatre,) will have the honor of presenting ... his serious, comic, ... Olio, or, as you like it. ... With a concert (1791)
  • 250169: By permission of the Right Worshipful the Vice-Chancellor. In the concert room, at the Black Bear Inn, Shoemaker-Row, Cambridge, on Wednesday evening, May 2, 1792, by Mr. Burke, from the Theatre Royal, Weymouth, ... will be presented an entire new species of entertainment, called As you like it; (1792)
  • 250910: The guardian out-witted (1764)
  • 251023: Bell's edition. Isabella; or, The fatal marraige (1780)
  • 251413: For one night. At the Shakespeare Room. On Thursday evening next, April 13, 1797, Mr. Sedgwick & Mrs. Bland, from the Theatre Royal, Drury Lane, will perform a selection of songs, ... from Handel, (1797)
  • 251415: For one night only. Sans souci. The inhabitants of Harrogate and its vicinity are respectfully informed, that on Wednesday, July 23, 1800, at the Theatre, Harrogate, will be performed, a new and popular entertainment, called Tom Wilkins. Arrangement of the recitation and songs. ... The whole is written, ... by Mr. Dibdin. (1800)
  • 251420: For the benefit of Miss Brunton (1786)
  • 251462: King's Theatre (1797)
  • 251479: The last night. At the Theatre Royal in Drury-Lane, to-morrow, Friday, March 14, 1788, will be performed Messiah. A sacred oratorio. Set to music by Mr. Handel. (1788)
  • 251484: The last night but one. At the Theatre Royal in Drury-Lane, on Wednesday next, March 12, 1788, will be performed Judas Maccabæus. An oratorio. Set to music by Mr. Handel. (1788)
  • 251485: The last night but one. At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, March 12, 1788, will be performed Judas Maccabæus. An oratorio. Set to music by Mr. Handel. (1788)
  • 251486: The last night but one. By desire of the directors and subscribers of the Academy of Ancient Musick. At the Theatre Royal, Drury-Lane, on Wednesday next, April 13th, 1791, will be performed a sacred oratorio, called Israel in Egypt. Composed by Handel. (1791)
  • 251487: The last night but one. By desire of the directors and subscribers to the Academy of Ancient Musick. At the Theatre Royal, Drury Lane, this present Wednesday, April 13th. 1791, will be performed a sacred oratorio, called Israel in Egypt. Composed by Handel. (1791)
  • 251490: Last night but one Oratorios at play-house prices during Lent. At the Theatre Royal, Covent Garden, tomorrow Wednesday March 28, 1798, will be performed a grand selection, from the most favorite works of Handel. (1798)
  • 251495: Last night but two. Oratorios at play-house prices during Lent. At the Theatre Royal, Covent Garden, tomorrow, Friday. March 23, 1798, will be performed a grand selection of sacred music. From the works of Handel. (1798)
  • 251498: Last night Oratorios at play-house prices during Lent. At the Theatre Royal, Covent Garden, to-morrow, Friday March 30, 1798, will be performed a grand selection, from the most favorite works of Handel. (1798)
  • 251507: The last time of performing the selection, that was desired by the directors and subscribers to the Academy of ancient musick. At play-house prices. At the Theatre Royal, Drury-Lane, this present Wednesday, March 24, 1790, will be performed a grand selection from the works of Handel, (1790)
  • 251508: The last time of performing this season, at play-house prices. At the Theatre Royal, Drury-Lane, this present Friday, April 15, 1791, will be performed (by particular desire) Redemption, a sacred oratorio, selected from the great and favourite works of Hadel, [sic] (1791)
  • 251509: The last time this season, at play-house prices. At the Theatre Royal, Drury-Lane, this present Friday, April 8, 1791, will be performed (by articular [sic] desire) Redemption, a sacred oratorio, selected from the great and favourite works of Handel, (1791)
  • 251567: Abimelech (1768)
  • 251647: At the Theatre Royal in Drury-Lane, to-morrow, Friday, Feb. 21, 1777, will be performed Judas Maccabæus. (1777)
  • 251648: At the Theatre Royal in Drury-Lane, to-morrow, Friday, Feb. 28, 1777, will be performed Acis & Galatea. With Dryden's Ode. Set to music by Mr. Handel. (1777)
  • 251649: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, Feb. 19. 1777, will be performed Messiah. A sacred oratorio. (1777)
  • 251650: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, Feb. 26, 1777, will be performed an oratorio, call'd Israel in Egypt. Set to music by Mr. Handel. (1777)
  • 251651: By command of Their Majesties. At the Theatre Royal in Drury-Lane, to-morrow, Friday, Feb. 14, 1777, will be performed Alexander's feast. And the Coronation anthems. (1777)
  • 251756: Almida (1771)
  • 251757: Alzuma (1773)
  • 251822: By command of Their Majesties. At the Theatre Royal in Drury-Lane, this present Friday, March 21, 1783, will be performed L'allegro il pensoroso. With Dryden's Ode for St. Celilia's [sic] day. Set to music by Mr. Handel. (1783)
  • 251826: By command of Their Majesties (1777)
  • 251828: By command of Their Majesties. At the Theatre Royal in Drury-Lane, to-morrow, Friday, March 14, 1777, will be performed Acis & Galatea. And the Coronation anthems. (1777)
  • 251850: Catharine and Petruchio (1756)
  • 251862: The citizen (1763)
  • 251890: A convocation will be holden in the Theatre, tomorrow at ten o'clock, in which it will be proposed to confer the honorary degree of D.C.L. on the Honourable Frederic North ... And to confer the honorary degree of M.A. on Sir Thomas Pilkington, Bart. (1793)
  • 252483: For the benefit of Mr. Quick. At the Theatre Royal, Covent Garden, on Tuesday the 29th of March, 1785, will be revived ... a comedy, called The constant couple; ... With dancing and other entertainments; (1785)
  • 252484: For the benefit of Mr. Quick (1785)
  • 253006: The last night but two. At the Theatre Royal in Drury-Lane, to-morrow, Friday, March 7, 1788, will be performed The prodigal son. An oratorio. Set to music by Dr. Arnold. (1788)
  • 253011: The last season. At the Theatre Royal in the Hay-market. Tomorrow, being Tuesday, March 11, 1777, George Alexander Stevens will repeat his lecture upon heads. (1777)
  • 253016: The last time of performing this season. At the Theatre Royal in Drury-Lane, to-morrow, Friday, March 21, 1777, will be performed Messiah. A sacred oratorio. Composed by Mr. Handel. (1777)
  • 253017: The last time of performing this season. At the Theatre Royal in Drury-Lane, to-morrow, Friday, March 22, 1782, will be performed Messiah. A sacred oratorio. Set to music by Mr. Handel. (1782)
  • 253024: A lecture on heads (1788)
  • 253274: The only night this season, and the last but two of performing. At play-house prices. At the Theatre Royal, Drury-Lane, this present Friday, March 19, 1790, will be performed Alexander's feast; or, the power of musick. The words by Dryden. Composed by G. F. Handel. (1790)
  • 253276: Opening of the Theatre Royal, Drury-Lane. The public is respectfully informed that the Theatre Royal, Drury-Lane will open on Wednesday next, March 12. 1794, with a grand selection of sacred music from the works of Handel. (1794)
  • 253277: Opening of the Theatre Royal, Drury-Lane. The public is respectfully informed that the Theatre Royal, Drury-Lane will open, under the management of Mr. Kemble, this present Wednesday, March 12. 1794, with grand selection of sacred music from the works of Handel. (1794)
  • 253281: Oratorios at play-house prices during Lent. At the Theatre Royal, Covent Garden, tomorrow, Wednesday, Feb. 28, 1798, will be performed (for the only time this season) L'allegro il pensieroso. [sic] The words by Milton ... and the music by Handel. (1798)
  • 253282: Oratorios at play-house prices during Lent. At the Theatre Royal, Covent Garden, to-morrow Wednesday, March 21, 1798, will be performed, by particular desire, (for the last time this season) the sacred oratorio of The Messiah. Composed by G. F. Handel. (1798)
  • 253283: Oratorios at play-house prices during Lent. Tomorrow, Friday, Feb. 23, 1798, will be performed (for the only time this season) at the Theatre Royal, Covent Garden, the sacred oratorio of The Messiah. Composed by G. F. Handel. (1798)
  • 253529: Oratorios at Play-Houes prices during Lent. At the Theatre Royal, Covent Garden, this present Wednesday, March 21, 1798, will be performed, by particular desire, (for the last time this season) the sacred [creation] of the Messiah. Composed by G.F. Handel. (1798)
  • 253748: Songs duetts, choruses, &c (1794)
  • 253748: Songs duetts, choruses, &c (1794)
  • 254038: The songs, &c (1775)
  • 254045: Songs and finale (1796)
  • 254053: Songs (1799)
  • 254556: The stage-Coach (1709)
  • 254723: Twenty-four of his Majesty's servants at the Theatre Royal and patent play-house the Three tuns St. James's Back, during the fair. Cooke and Co. a company of fancy ticklers will entertain ... with tumbling ... to which will be added, a new droll called, The country courtship, (1786)
  • 254724: Twenty-four of his Majesty's servants at the Theatre Royal and patent play-house the Three tuns St. James's Back, during the fair. Cooke and Co. a company of fancy ticklers will entertain ... with tumbling ... to which will be added, a new droll called, The country courtship, (1786)
  • 254739: An account of the taking and surrendering of Pontefract Castle (1747)
  • 254744: At the Theatre Royal (1787)
  • 254744: At the Theatre Royal (1787)
  • 254747: At the Theatre Royal (1787)
  • 254747: At the Theatre Royal (1787)
  • 254748: At the Theatre-Royal in Drury-Lane (1785)
  • 254750: At the Theatre Royal in Drury-Lane (1782)
  • 254750: At the Theatre Royal in Drury-Lane (1782)
  • 254751: At the Theatre Royal in Drury-Lane (1782)
  • 254751: At the Theatre Royal in Drury-Lane (1782)
  • 254753: At the Theatre-Royal in Drury-Lane (1789)
  • 254768: At the Theatre-Royal in Drury-Lane (1789)
  • 254782: At the Theatre Royal in Drury-Lane (1788)
  • 254782: At the Theatre Royal in Drury-Lane (1788)
  • 254783: At the Theatre Royal in Drury-Lane (1788)
  • 254783: At the Theatre Royal in Drury-Lane (1788)
  • 254797: At the Theatre Royal in Drury-Lane, to-morrow, Friday, Feb. 15, 1788, will be performed Redemption. A sacred oratorio. Selected from the great and favourite works of Mr. Handel, that were performed at his commemoration, in Westminster-Abbey, and at the Pantheon. (1788)
  • 254798: At the Theatre Royal in Drury-Lane (1788)
  • 254798: At the Theatre Royal in Drury-Lane (1788)
  • 254799: At the Theatre Royal in Drury-Lane, to-morrow, Friday, Feb. 29, 1788, will be performed Redemption. A sacred oratorio. Selected from the great and favourite works of Mr. Handel, that were performed at his commemoration, in Westminster-Abbey, and at the Pantheon. (1788)
  • 254800: At the Theatre Royal in Drury-Lane (1788)
  • 254800: At the Theatre Royal in Drury-Lane (1788)
  • 254801: At the Theatre-Royal in Drury-Lane (1785)
  • 254805: At the Theatre-Royal in Drury-Lane (1789)
  • 254806: At the Theatre Royal in Drury Lane, to-morrow (1788)
  • 254806: At the Theatre Royal in Drury Lane, to-morrow (1788)
  • 254807: At the Theatre Royal in Drury-Lane (1782)
  • 254807: At the Theatre Royal in Drury-Lane (1782)
  • 254808: At the Theatre Royal in Drury-Lane (1788)
  • 254808: At the Theatre Royal in Drury-Lane (1788)
  • 254825: At play-house prices (1786)
  • 254828: At play-house prices (1786)
  • 254829: At play-house prices (1786)
  • 254830: By command of Their Majesties (1785)
  • 254831: At play-house prices (1786)
  • 254836: At play-house prices (1786)
  • 254840: At play-house prices at the Theatre-Royal in Drury Lane (1786)
  • 254843: At play-house prices (1786)
  • 254845: By command of Their Majesties (1785)
  • 254848: By command of Their Majesties (1785)
  • 254850: By command of Their Majesties (1782)
  • 254851: At play-house prices (1786)
  • 254852: At play-house prices (1786)
  • 254855: By command of Their Majesties (1785)
  • 254857: At play-house prices (1786)
  • 254858: At play-house prices (1786)
  • 254866: By command of Their Majesties (1785)
  • 254868: By command of Their Majesties (1785)
  • 254871: By desire of several ladies and gentlemen, positively the last time. At the Theatre Royal, Cheltenham. On Friday morning July 25, 1788, ... The wonderful performance of the original Signor Rossignol, from Naples. ... Signor Rossignol's grand imitation of various birds, &c. (1788)
  • 254891: At the Theatre Royal in Drury-Lane, on Friday next, March 15, 1782, will be performed Alexander's feast. To which will be added Bonduca. The music by the late Mr. Henry Purcel. (1782)
  • 254892: By command of Their Majesties (1785)
  • 255146: The conscious lovers (1722)
  • 255147: The conscious lovers (1722)
  • 255149: Conscious lovers. A comedy (1723)
  • 255150: The conscious lovers (1725)
  • 255151: The conscious lovers (1760)
  • 255155: The conscious lovers (1785)
  • 255156: The conscious lovers (1722)
  • 255423: Alcina. An opera; as it is perform'd at the Theatre Royal in Covent-Garden (1736)
  • 255423: Alcina. An opera; as it is perform'd at the Theatre Royal in Covent-Garden (1736)
  • 255523: [Alexander's feast;] (1765)
  • 256413: The confederacy (1792)
  • 256558: Arsinoe (1707)
  • 256867: Doctor King's apology (1755)
  • 257106: The celebrated masque of Acis and Galatea (1764)
  • 257209: A dramatick entertainment (1725)
  • 257307: The dramatist (1790)
  • 257444: The accomplish'd maid (1767)
  • 257451: The Chances (1800)
  • 257522: The chaplet (1761)
  • 257676: The earl of Essex (1753)
  • 257753: The author (1758)
  • 258022: The Earl of Essex (1756)
  • 258331: Acis and Galatea (1798)
  • 258359: Bantry bay (1797)
  • 258366: Hamlet (1800)
  • 258906: The devil to pay: or, the wives metamorphosed (1791)
  • 258910: Hamlet (1796)
  • 259129: The cheats of Scapin (1780)
  • 259528: The contest; a comic uproar (1767)
  • 259838: Eliza (1755)
  • 259845: Elvira: a tragedy (1763)
  • 259999: The Englishman at Bourdeaux, A comedy, as it is acted with universl applause at the Theatre in Paris. Translated by Henry Beaumont, Esq (1763)
  • 260237: Gratitude. A poem (1756)
  • 260263: The honest Yorkshire-Man (1736)
  • 260265: The honest Yorkshire-man (1747)
  • 261001: The contract (1776)
  • 261045: The court of Alexander (1770)
  • 261098: The cobler of Preston (1757)
  • 261100: The cobler of Preston (1760)
  • 261214: Coriolanus (1754)
  • 261228: Coriolanus (1761)
  • 261231: Coriolanus (1761)
  • 261240: Coriolanus; or, The Roman matron (1789)
  • 261258: The Countess of Salisbury (1771)
  • 261261: The count of Narbonne (1782)
  • 261379: The songs, &c. in The deserter, a musical drama. As performed with universal applause, at the Theatre Royal, in Drury Lane. Composed by Messrs. Monsigny, Philidor, and C. Dibdin (1774)
  • 261588: The history of King Lear (1768)
  • 261697: The eternity of future punishment proved and vindicated (1708)
  • 261824: Advices to a young man of fortune and rank (1760)
  • 261962: The qualifications and advantages of religious trust in times of danger (1760)
  • 262135: The Count of Narbonne (1788)
  • 262175: Knave, or not? A comedy: in five acts. As performed at the Theatre Royal, Drury-Lane. By Thomas Holcroft (1798)
  • 262195: The guardian out-witted (1765)
  • 262204: The sword of peace (1790)
  • 262236: Mary (1789)
  • 262256: The royal merchant: an opera. Founded on Beaumont and Fletcher. As it is performed at the Theatre Royal, in Covent-Garden (1768)
  • 262292: The way to get married (1797)
  • 262922: The royal shepherd, an English opera with alterations. As it is performed at the Theatre in Smock-Alley (1765)
  • 263209: The road to ruin (1792)
  • 263303: Oroonoko, a tragedy (1753)
  • 263308: Oroonoko (1722)
  • 263319: Oroonoko (1790)
  • 263323: Oroonoko, a tragedy (1730)
  • 263360: The Roman father. A tragedy (1790)
  • 263425: Romeo and Juliet (1769)
  • 263426: Othello, the moor of Venice (1755)
  • 263433: The romp (1795)
  • 263711: The london hermit (1794)
  • 263848: The london merchant (1758)
  • 263937: The purse (1794)
  • 263938: The purse (1794)
  • 264080: My grandmother (1796)
  • 264147: Love a-la-mode (1782)
  • 264203: Love in a Village (1763)
  • 264262: Love makes a man: or, The Fop's fortune (1723)
  • 264305: Paddie. A new song. Sung at the Theatre in Dublin by Dermet Obrian (1747)
  • 264442: The overture (1780)
  • 264473: The life of King Henry V (1769)
  • 264585: Macbeth (1794)
  • 264600: Mr Stayley thinks it his incumbent duty to return his most grateful acknowledgements to the public, for their humane and generous protection last Saturday evening at the Theatre; (1767)
  • 264770: The maid of the mill (1770)
  • 264909: Pharnaces: or, The revenge of athridates (1766)
  • 265572: Mariamne (1723)
  • 266129: Merope (1763)
  • 266312: Secrets worth knowing (1798)
  • 266549: Bon ton (1793)
  • 266746: The tailors (1794)
  • 266855: Tales of the castle (1789)
  • 266863: The nightingale and the frog, a fable. Addressed to the person who was pleased to mingle a solitary hiss, with the warm plaudits, which were given to an air ... charmingly sung, by Mrs. Taylor, (at the Theatre Ipswich, July 8, 1795.) (1795)
  • 266927: The second time this season. At the Theatre Royal in Drury-Lane, this present Thursday, October 14, 1779, The school for scandal. ... To which will be added ... a comic opera, call'd Belphegor; or the wishes. (1779)
  • 267282: The mock election, a farce, as it was acted at the Theatre Royal of Tod-Laurie's hall, and the c-----l chamber. A song. To the tune of "Fy let us a' to the bridal." (1780)
  • 267385: The natural efficacy of music to prepare the mind for good impressions (1730)
  • 267677: The poor soldier, a comic opera (1785)
  • 268078: The sicilian romance: or, The apparition of the cliffs (1794)
  • 268101: Sighs (1799)
  • 268650: The london merchant (1760)
  • 268884: The lord of the manor (1781)
  • 269181: A sermon preached at Woodstock June 27. 1706 (1706)
  • 269304: King Arthur; or, Merlin, the British inchanter (1736)
  • 269470: The unhappy favourite (1702)
  • 269734: The way to keep him (1760)
  • 269739: The true intention, publick use and importance of academick education considered (1755)
  • 270260: The tragedy of Sir Walter Raleigh (1719)
  • 270261: The tragedy of Sir Walter Raleigh (1719)
  • 270392: The wonder: a woman keeps a secret. A comedy (1768)
  • 270505: A word to the wise (1770)
  • 270506: True-Blue (1770)
  • 270930: Songs, duets, trios, glees, choruses, &c (1791)
  • 270934: Songs, duets, choruses, and argument of the new ballet pantomime (1795)
  • 271136: The double-dealer (1706)
  • 271166: Lovers' vows (1799)
  • 271281: The masque of acis and galatea. As it is performed at the Theatre in Oxford (1750)
  • 271390: Songs (1798)
  • 271390: Songs (1798)
  • 271391: The songs in the beggar's opera (1728)
  • 271425: The mountaineers; a play, in three acts (1794)
  • 271452: Songs (1799)
  • 271452: Songs (1799)
  • 271455: Songs, duets, choruses, &c. in Caernarvon Castle (1793)
  • 271520: Vocal parts of an entertainment (1726)
  • 271520: Vocal parts of an entertainment (1726)
  • 271534: Perseus and Andromeda (1730)
  • 271657: The young Quaker (1784)
  • 271659: The young Quaker; a comedy (1784)
  • 271696: Zenobia (1773)
  • 272344: Porus (1736)
  • 272344: Porus (1736)
  • 272403: The virgin unmasked (1790)
  • 272534: The mutual connexion between faith, virtue and knowledge (1762)
  • 272756: St. Patrick's day: or, the scheming lieutenant (1800)
  • 272850: Songs, duets, choruses, &c: in Marian, a comic opera (1794)
  • 272881: The rival queens (1790)
  • 272883: Venice preserv'd (1790)
  • 272888: Thomas and Sally (1790)
  • 273412: The west Indian (1771)
  • 273457: The mock lawyer. As it is acted at the Theatre Royal in Covent-Garden. Written by Mr. Phillips. To which is added, the musick engraved on copper plates (1733)
  • 273457: The mock lawyer. As it is acted at the Theatre Royal in Covent-Garden. Written by Mr. Phillips. To which is added, the musick engraved on copper plates (1733)
  • 273657: The victim (1714)
  • 273870: Messiah, an oratorio, as it is performed at the Theatre-Royal in Covent-Garden. Set to music by Mr. Handel (1750)
  • 273906: The stranger (1800)
  • 273946: King Arthur: or, The British worthy (1763)
  • 273946: King Arthur: or, The British worthy (1763)
  • 274043: Like master (1766)
  • 274362: The Whim of the day, (for 1797) (1797)
  • 274510: Tarare, an opera, in five acts: With a prologue (1787)
  • 274636: The oracle (1756)
  • 274667: Shakespeare's Hamlet, Prince of Denmark, a tragedy, revised by J. P. Kemble. And now first published as it is acted by Their Majesties servants of the Theatre Royal, Drury Lane. September 16th. 1800 (1800)
  • 274667: Shakespeare's Hamlet, Prince of Denmark, a tragedy, revised by J. P. Kemble. And now first published as it is acted by Their Majesties servants of the Theatre Royal, Drury Lane. September 16th. 1800 (1800)
  • 274692: Shakspeare's Merchant of Venice (1794)
  • 274693: Shakspeare's Measure for measure (1796)
  • 274710: An oration spoken in the Theatre at Oxford (1734)
  • 274755: The reprisal (1776)
  • 274821: A lecture on heads (1795)
  • 274976: Songs (1791)
  • 275130: The patron (1794)
  • 275141: Songs, duets, choruses, &c. in Auld Robin Gray (1794)
  • 275411: The reasonableness, and excellency of Abraham's faith in offering up his son (1734)
  • 275454: Remarks on Mr Chubb's case of Abraham farther consider'd in a letter to Mr Chubb. By Edward Stone M.A. Fellow of Wadham College (1734)
  • 275525: The tragedy of Zara (1736)
  • 275709: Flora (1721)
  • 275710: Flora (1730)
  • 276020: Perseus and Andromeda (1729)
  • 276161: For four nights only. By His Majesty's servants. At the Theatre in Kendal, on Tuesday the 9th of June, 1778, will be performed a comedy, called A word to the wise; ... To which will be added a new farce, called The waterman; (1778)
  • 276517: Ariodante. An opera (1734)
  • 276517: Ariodante. An opera (1734)
  • 277020: Airs and chorusses (1784)
  • 277274: Esther (1775)
  • 277619: A briton (1762)
  • 277982: The expostulation and advice of Samuel to the men of Israel applied (1746)
  • 278800: The fair of Malmantile.(*) (1762)
  • 278873: The cozeners (1794)
  • 278905: The devil upon two sticks (1794)
  • 278907: The Englishman return'd from Paris (1794)
  • 279094: The duellists, a farce, performed at the Theatre Real, in Heavitree, last Monday (1782)
  • 279118: A fond husband (1711)
  • 279124: The highland reel (1790)
  • 279339: Catherine and Petruchio (1790)
  • 279565: The hypocrite (1785)
  • 279728: The beaux stratagem (1790)
  • 280027: A new dramatic entertainment called The royal chace (1736)
  • 280027: A new dramatic entertainment called The royal chace (1736)
  • 280127: Arminius. An opera (1737)
  • 280127: Arminius. An opera (1737)
  • 280373: Artaxerxes (1790)
  • 280378: Artaxerxes (1792)
  • 280527: Flora (1731)
  • 280592: The favourite songs (1765)
  • 280731: The Irish song. As sung by Mr. Moody, at the Theatre Royal Drury Lane, in the farce, call'd The register office (1770)
  • 280882: Songs in the new opera of Thomiris, Queen of Scythia (1707)
  • 280894: The inconstant (1758)
  • 281366: The country parson's advice to his parishioners (1742)
  • 281431: Esther: an oratorio. As performed at the Theatre (1749)
  • 281575: Apollo's lyre (1795)
  • 281581: Jane Shore (1791)
  • 281731: Jeptha (1775)
  • 281739: Jephtha (1775)
  • 281951: An address to the public. Not from the Theatre (1767)
  • 282143: The jew (1794)
  • 282216: Judas Macchabæus (1754)
  • 282221: Judas Macchabæus (1770)
  • 282330: Judas Macchabæus (1754)
  • 284075: Songs in the new opera of Camilla (1707)
  • 284202: Hibernia's triumph (1752)
  • 284288: Flora; an opera (1733)
  • 284644: The fatal extravagance: a tragedy. Presented at the Theatre Royal in Lincolns-Inn-Fields, in one act; but, in this fourth edition, improv'd into five acts, by the addition of several new characters, and episodical incidents. By Joseph Mitchell (1726)
  • 284655: The honest Yorkshire-man (1738)
  • 284968: Berenice, Queen of Egypt. An opera (1737)
  • 284968: Berenice, Queen of Egypt. An opera (1737)
  • 285692: The country house (1762)
  • 285730: The country-Wedding (1729)
  • 285965: Cricket (1770)
  • 286192: Timanthes (1770)
  • 287012: The road to ruin (1792)
  • 287106: Acis and Galatea: an oratorio (1774)
  • 287594: The mountaineers; a play, in three acts, as performed at the Theatre Royal, Hay-Market (1794)
  • 287600: Tommy and Sally, or, The sailor's return to his sweet heart a new entertainment. As it is perform'd at the Theatre Royal in Covent Garden (1763)
  • 287609: Songs, &c. in The poor sailor (1795)
  • 287615: The life and character of Marcus Cato of Utica, the great assertor of liberty (1713)
  • 287616: Speed the plough: a comedy, in five acts. As performed with universal applause at the Theatre Royal, Covent-Garden. By Thomas Morton, Esq. author of A cure for the heart ache, Way to get married, &c. &c (1800)
  • 287625: Songs duets, choruses, &c (1793)
  • 287626: Songs, duets choruses, &c (1794)
  • 287661: Songs, duetts, chorusses, &c. in The outlaws (1798)
  • 287661: Songs, duetts, chorusses, &c. in The outlaws (1798)
  • 287720: The gentleman and lady's pocket companion for Oxford (1750)
  • 287813: All the songs of Comus a mask, as sung at the Theatre in Aungier-street. By Mr. Worsdale, Mr. Layfield, Mrs. Clive, and Mrs. Reynolds. (1735)
  • 287819: The songs and description (1790)
  • 287819: The songs and description (1790)
  • 288471: Parthenope, an opera; as it is perform'd at the Theatre Royal in Covent-Garden (1737)
  • 288471: Parthenope, an opera; as it is perform'd at the Theatre Royal in Covent-Garden (1737)
  • 288549: Tom K----g's: or, The paphian grove (1738)
  • 288583: The nuptial masque; or, the triumphs of Cupid and Hymen (1734)
  • 288971: The lying valet (1762)
  • 289119: The beggar girl. A new song (1795)
  • 289416: Elvira: a tragedy (1763)
  • 289569: Thomas and Sally (1761)
  • 289764: New tally ho! Sung at the Theatre (1800)
  • 289769: Paddy O'Blany. A favorite new song. Sung at the Theatre Lincoln; by Mr. Goddard (1800)
  • 289984: Songs, chorusses, &c. in the new musical farce called the agreeable surprise (1781)
  • 289986: The recitatives, airs, &c (1770)
  • 290279: Religion and learning capable of being rendered mutually serviceable, or mutually prejudicial, to each other (1764)
  • 290285: The peruvian (1786)
  • 290287: The honest Yorkshire-man (1758)
  • 290293: Thomas and Sally (1790)
  • 290580: The contract: a comedy, of two acts. As it was performed at the Theatre Royal, in the Hay-Market. By Dr. Franklin (1776)
  • 290609: Songs, airs, and duets, in the burletta of tom thumb (1788)
  • 290926: Poems and songs upon several occasions, with love letters, and a novel, nam'd loviso (1724)
  • 291445: A man ant [sic] a horse. An Irish song. Sung by Mr. Johnstone in the Theatre Royal Hay market (1795)
  • 293129: A table of forfeits to be incurred by the performers of the Theatre Royal, Covent-Garden, in manner following: (1798)
  • 293488: Four and twenty fidlers (1790)
  • 294061: The order of speakers in the Theatre at the installation of the Right Honourable the Earl of Westmorland, and the commemoration of the benefactors to the University, according to the institution of Lord Crewe (1759)
  • 294356: Sesostris (1728)
  • 294396: Woman's revenge (1728)
  • 294606: Speculation (1800)
  • 295749: The double gallant (1740)
  • 295752: Dr. Pepusche's song perform'd for his exercise in the Theatre at Oxford July 13.1713 (1713)
  • 295921: Flora; an opera (1740)
  • 296097: A new favorite song, sung by Mr. Doyle, in the new pantomime, called, The magic cavern, or virtue's triumph, at the Theatre Royal, Covent Garden (1785)
  • 296136: The anti-Fashionist (1743)
  • 296517: Punchinell's Embassy (1730)
  • 297444: A sixth loyal song (1760)
  • 297815: Heigh-ho! for a husband (1794)
  • 298211: The critick anticipated (1779)
  • 299240: The London merchant (1731)
  • 299319: The lying valet (1746)
  • 299328: The maid of normandy; or, The death of the Queen of France (1794)
  • 299426: By command of the King of Kings (1774)
  • 299428: By command of the King of Kings (a) and at the desire of all who love his appearing (1777)
  • 300162: Pizarro (1799)
  • 300256: The poor soldier, a comic opera (1790)
  • 300468: The history of the rebellion and civil wars in England (1726)
  • 301053: Pinneti's last legacy (1785)
  • 301106: The per-juror (1718)
  • 301110: Flora; an opera (1729)
  • 301307: Verses to the memory of Garrick (1779)
  • 301742: Amphitryon; or, The two Sosias. A comedy. As it is acted at the Theatre Royal. Written by Mr. Dryden. (1759)
  • 301774: By the appointment of the Charitable and Musical Society, at the Bull's Head in Fishamble-street. For the benefit and enlargement of poor distressed prisoners in the several Marshalseas of this city. By the authority of the Rt. Hon. Luke Gardiner, Esq; at the Theatre in Smock-Alley, on Monday next being Dec. the 17th will be presented the play of King Henry IV. With the humours of Sir John Falst Aff. All the parts as usual. To which will be added, the what d'ye call it. With several entertainments of dancing (1739)
  • 302059: The testimony of the ancient church (1736)
  • 302258: Blue-beard; or, Female curiosity! (1799)
  • 302680: The honest Yorkshire-man (1740)
  • 303110: The recruiting officer (1755)
  • 303201: Such things are; a play, in five acts. As performed at the Theatre Royal, Covent-Garden. By Mrs. Inchbald (1790)
  • 304619: Braganza (1775)
  • 304838: The London merchant (1759)
  • 304966: The words of the favorite catches and glees (1768)
  • 305227: The London merchant (1735)
  • 305270: A selection from the sacred works of Handel (1790)
  • 305470: Love and ambition (1733)
  • 305864: Prologue at the opening of the Theatre Royal in Edinburgh. Spoken by Mr Ross (1767)
  • 305876: The purse (1794)
  • 305923: Xerxes (1738)
  • 305977: The West Indian (1772)
  • 306116: The Ephesian matron (1770)
  • 306175: Zara (1790)
  • 306245: The royal shepherd, an English opera (1765)
  • 306245: The royal shepherd, an English opera (1765)
  • 306331: Captain O'Blunder: or, The brave Irishman (1755)
  • 306533: Silvia; or, The country burial (1731)
  • 307075: The imposters: a comedy (1789)
  • 307276: Ans. R. Playfair & Mrs Esten, to pet. Stephen Kemble. Answers for Robert Playfair, trustee for Mr Jackson's creditors, and Mrs Esten, lessee of the Theatre Royal, suspenders; to the petition of Stephen Kemble, charger (1793)
  • 307305: Ans. - Mr C. Lee Lewes, to pet. & comp. - R. Playfair. J Gibson, W.S. agent. Mr Sinclair, clerk. Answers for Mr Charles Lee Lewes, comedian; to the petition & complaint of Robert Playfair, designing himself trustee on the sequestrated estate of John Jackson, late of the Theatre Royal, Edinburgh (1793)
  • 307309: Ans. James Williamson, to the pet. & comp. Stephen Kemble. Ro. Playfair, agent. S. clk. Answers for James Williamson, deputy manager of the Theatre Royal of Edinburgh; to the petition and complaint of Stephen Kemble, designing himself manager of the New Theatre of Edinburgh (1793)
  • 307309: Ans. James Williamson, to the pet. & comp. Stephen Kemble. Ro. Playfair, agent. S. clk. Answers for James Williamson, deputy manager of the Theatre Royal of Edinburgh; to the petition and complaint of Stephen Kemble, designing himself manager of the New Theatre of Edinburgh (1793)
  • 308302: A sermon preach'd at the funeral of the truely pious and vertuous Katharine Marbury (1710)
  • 309033: In the House of Lords. Mr. William Gibson of Edinburgh, merchant, - - - - - appellant. Alexander Wight, writer to the Signet, and Robert Playfair, writer in Edinburgh, trustees of the sequestrated estate of John Jackson, of the Theatre Royal, Edinburgh, - - - - respondents. The appellant's case (1797)
  • 309037: In the House of Lords. William Gibson, merchant in Edinburgh, appellant; Alexander Wight, writer to the Signet, and Robert Playfair, writer in Edinburgh, trustees on the sequestrated estate of John Jackson of the Theatre Royal, Edinburgh, respondents. The respondents [sic] case (1797)
  • 309448: The overture, songs, airs, and chorusses, in the jubilee or Shakespear's garland (1775)
  • 309784: Theatrical fund, for the relief of decayed actors and actresses, their widows and children, instituted at the Theatre Royal, Dublin, 3d of March, 1799, by virtue of an Act ... entitled an Act for the encouragement and relief of friendly societies (1799)
  • 310000: Justin, an opera (1737)
  • 310000: Justin, an opera (1737)
  • 310251: Songs, duets, trios, finales, &c. in Mahmoud (1796)
  • 310599: The West Indian (1800)
  • 310744: The favourite song of Bow, wow, wow. As sung by Mr. Edwin, at the Theatre Royal, Covent-Garden (1786)
  • 310770: Diana[.] A favorite hunting song, as sung by Mrs. Emery, at the Theatre, Halifax[.] (1790)
  • 311484: By command of the King of Kings (1795)
  • 311503: Thomas and Sally (1767)
  • 312552: Who's the dupe? (1779)
  • 312641: The critic or A tragedy rehearsed a dramatic piece in three acts as it is performed at the Theatre Royal in Drury Lane by Richard Brinsley Sheridan Esqr[.] (1781)
  • 313938: A short history of Philip of Macedon (1727)
  • 314146: The critic or A tragedy rehearsed a dramatic piece in three acts as it is performed at the Theatre Royal in Drury Lane by Richard Brinsley Sheridan Esqr[.] (1795)
  • 314690: Songs, choruses, &c. in Jack of Newbury (1795)
  • 315306: The wedding ring (1773)
  • 315307: The wedding ring (1773)
  • 315854: The critic (1795)
  • 316085: Songs, duets, trios, and chorusses, in the new grand musical piece called Arthur (1790)
  • 316401: Songs (1781)
  • 316406: Mr. Clark's benefit (1798)
  • 316484: The regent (1788)
  • 316572: The Devil to pay: or, The wives metamorphos'd (1761)
  • 316750: A dramatick entertainment, call'd the necromancer: or, Harlequin, doctor Faustus (1724)
  • 316750: A dramatick entertainment, call'd the necromancer: or, Harlequin, doctor Faustus (1724)
  • 316970: Angelo, a novel (1796)
  • 317293: Chit-Chat; or, The penance of polygamy (1781)
  • 317439: Under this stone are deposited the remains of Peter Pindar (1789)
  • 317542: In rehearsal (1776)
  • 317685: Jeptha, an oratorio, composed by Mr Handel (1775)
  • 317726: The sacred oratorio of redemption, selected and abridged from the works of Handel, as now performed at the Theatre Royal in Drury-Lane, under the direction of S. Arnold, Muf. doctor (1786)
  • 318854: The lying valet; in two acts (1742)
  • 319221: Songs (1800)
  • 319280: Britannia (1800)
  • 319281: A third grand selection of sacred music (1800)
  • 319282: Messiah (1770)
  • 319344: The tragedy of tragedies; or The life and death of Tom Thumb the Great (1731)
  • 319369: A dramatick entertainment call'd Harlequin Merlin: or The British inchanter (1725)
  • 319471: Observations upon the petition to Parliament in favour of the Theatre in Well Street (1793)
  • 319487: Particulars and conditions of sale of a new renter's share (1798)
  • 320367: Address spoken by Mr. Holman (1798)
  • 321667: The conscious lovers (1723)
  • 321677: The changes. A comedy, written by Beaumont and Fletcher. Taken from the manager's book, at the Theatre Royal, Covent-Garden (1800)
  • 321715: The upholsterer; or what news? (1800)
  • 322217: A Volume of plays; as performed at the Theatre, Smoke-Alley, Dublin (1786)
  • 323087: The country girl (1791)
  • 323119: The contrivances (1731)
  • 323161: The genuineness of Lord Clarendons's history of the rebellion printed at Oxford vindicated (1744)
  • 323162: Artaxerxes, an English opera (1762)
  • 323724: A description of the painting of the Theatre in Oxford (1742)
  • 323820: Youthful lusts inconsistent with the ministry (1730)
  • 323841: Zenobia: a tragedy (1768)
  • 323842: Zenobia (1768)
  • 323843: Zenobia: a tragedy (1768)
  • 323844: Zenobia: a tragedy (1768)
  • 323845: Zenobia: a tragedy (1784)
  • 323856: Hampstead Heath (1706)
  • 323864: The strolers (1767)
  • 323870: The destruction of Jerusalem by Titus Vespasian (1703)
  • 323957: A volume of plays and farces (1792)
  • 324255: The sabbath (1781)
  • 324256: A sermon preached before the University of Oxford at St Mary's church (1765)
  • 324376: The strolers (1729)
  • 324382: The turnpike gate (1799)
  • 324383: The turnpike gate (1799)
  • 324385: The young Quaker (1784)
  • 324389: Wild oats (1794)
  • 324391: The london hermit (1793)
  • 324392: The london hermit (1793)
  • 324393: The son-in-Law (1792)
  • 324396: Wild oats (1791)
  • 324529: More ways than one (1784)
  • 324531: A day in Turkey (1792)
  • 324535: The little hunch-back (1789)
  • 324539: The castle of Andalusia (1788)
  • 324541: Songs, duets, trios, glees, chorusses, &c (1791)
  • 324578: Songs, chorusses, &c (1795)
  • 324585: As it should be (1789)
  • 324613: The rival candidates (1775)
  • 324617: The prisoner at large (1788)
  • 324811: The history of the rebellion and civil wars in England, begun in the year 1641 (1707)
  • 325276: The scripture account of the Lords'-Supper (1755)
  • 325279: A sermon preached at the parish church of Deal (1753)
  • 325280: Party-zeal censur'd (1752)
  • 325281: National prosperity the joint product of just governent and dutiful subjection (1755)
  • 325282: National prosperity the joint product of just government and dutiful subjection (1755)
  • 325283: A sermon preach'd before the University of Oxford (1754)
  • 325284: A sermon preach'd before the University of Oxford (1754)
  • 325285: The amiableness and advantage of making suitable provision for the education and employment of poor children (1755)
  • 325298: Arden of Feversham (1763)
  • 325311: A day in Turkey (1792)
  • 325314: Lee's tragedy of Alexander the Great (1796)
  • 325319: Sophonisba: or (1704)
  • 325488: Julius Cæsar (1734)
  • 325618: The strangers at home (1786)
  • 325619: The first floor (1787)
  • 325625: The german hotel (1790)
  • 325627: Just in time (1800)
  • 325881: The force of the argument for the truth of Christianity (1752)
  • 325999: The reprisal (1761)
  • 326000: The reprisal (1767)
  • 326136: Try again (1790)
  • 326137: The benevolent planters. A dramatic piece, as performed at the Theatre Royal, Haymarket. Written by Thomas Bellamy (1789)
  • 326139: The strangers at home (1786)
  • 326140: The first floor (1787)
  • 326149: Don Juan (1790)
  • 326151: The road to ruin (1792)
  • 326152: The german hotel (1790)
  • 326156: The adventurers; a farce (1790)
  • 326157: The way to keep him (1785)
  • 326158: He would be a soldier (1787)
  • 326162: The czar of Muscovy (1701)
  • 326166: The tragedy of the Lady Jane Gray (1761)
  • 326178: The biter (1705)
  • 326388: A tear of sympathy!!! (1796)
  • 326596: A sketch of the one great argument, formed from the several concurring evidences, for the truth of Christianity (1754)
  • 326864: Otway's tragedy of Venice preserv'd (1795)
  • 326973: The cheats of Scapin (1733)
  • 326975: Camilla (1707)
  • 326976: The quacks, or, love's the physician (1705)
  • 326979: The artful husband (1721)
  • 326981: A word to the wise (1773)
  • 326997: The guardian out-witted (1764)
  • 327018: An epistle from the bottle conjurors to the Gothamites (1749)
  • 327080: Love in many masks (1790)
  • 327081: A letter to R----- B----- Esq (1761)
  • 327088: Camilla (1717)
  • 327094: Zorinski (1800)
  • 327095: Zorinski (1795)
  • 327459: Animal magnetism (1789)
  • 327461: The female fortune-teller. A comedy. As it is acted at the Theatre in Lincoln's-Inn Fields. Written by Mr. Johnson (1726)
  • 327703: Woman is a riddle (1717)
  • 327704: The per-Juror (1718)
  • 327705: The per-Juror (1718)
  • 327710: The lover's opera (1729)
  • 327718: The gentleman-cully. A comedy. As it was acted at the Theatre Royal by His Majesty's servants (1702)
  • 327719: Love and liberty (1709)
  • 327720: Love in a forest (1723)
  • 327722: The female fortune-teller (1726)
  • 327725: The victim (1714)
  • 328091: The per-Juror (1717)
  • 328094: Woman is a riddle (1770)
  • 328095: The per-Juror (1732)
  • 328096: The cobler of Preston (1755)
  • 328098: Woman is a riddle (1729)
  • 328103: The patriot (1703)
  • 328106: Airs (1788)
  • 328120: The artful husband (1717)
  • 328128: The force of the argument fof [sic] the truth of Christianity drawn from a collective view of prophecy, in three parts. ... By the Rev. Mr. John Rotheram, (1753)
  • 328282: The delay of success to repeated fasts consider'd and apply'd (1753)
  • 328291: A defence of church-musick (1738)
  • 328308: Ridicule (1735)
  • 328367: Teraminta (1732)
  • 328472: The beggar's wedding (1729)
  • 328475: The beggar's wedding (1733)
  • 328476: The beggar's wedding (1731)
  • 328477: The beggar's wedding (1729)
  • 329160: Pizarro (1799)
  • 329161: Pizarro (1799)
  • 329162: Pizarro (1799)
  • 329163: Pizarro (1799)
  • 329164: Pizarro (1799)
  • 329165: Pizarro (1800)
  • 329166: Pizarro (1799)
  • 329387: A dissertation concerning the use of sea water in diseases of the glands, &c (1753)
  • 329525: The chances (1755)
  • 329527: The spleen, or, Islington Spa (1776)
  • 329529: The she-Gallants (1724)
  • 329533: The natural son (1798)
  • 329535: The two misers: a musical farce (1775)
  • 329536: April-Day (1777)
  • 329542: Pizarro (1799)
  • 329543: Pizarro (1799)
  • 329545: The duenna (1794)
  • 329547: The rivals (1775)
  • 329548: Pizarro (1799)
  • 329705: 'tis well it's no worse (1770)
  • 329749: Observations relating to the delegates of the press (1756)
  • 329944: The natural son (1798)
  • 329947: The she gallant (1767)
  • 330155: The virgin of the sun (1799)
  • 330396: A discourse delivered in the Theatre at Oxford (1759)
  • 330494: A volume of plays (1786)
  • 330496: The poor soldier (1786)
  • 330497: The agreeable surprise (1787)
  • 330511: The critic (1795)
  • 330512: The school for scandal (1795)
  • 330514: The critic (1781)
  • 330515: The critic (1781)
  • 330516: The critic (1795)
  • 330518: Pizarro (1799)
  • 330519: Pizarro (1799)
  • 330520: Pizarro (1799)
  • 330521: Pizarro (1800)
  • 330522: Pizarro (1799)
  • 330523: Pizarro (1799)
  • 330524: Pizarro (1800)
  • 330525: The school for scandal (1798)
  • 330529: The rivals (1793)
  • 330532: The school for scandal (1793)
  • 330536: The duenna (1786)
  • 330537: The school for scandal (1786)
  • 330538: The critic (1797)
  • 330539: The duenna (1797)
  • 330540: The rivals (1797)
  • 330541: The school for scandal (1797)
  • 330819: Lovers' vows. A play, in five acts. Performing at the Theatre Royal, Covent-Garden. From the German of Kotzebue. By Mrs. Inchbald (1798)
  • 330822: La Perouse, a drama, in two acts (1799)
  • 330823: The noble lie (1799)
  • 330825: Lovers' vows (1798)
  • 330826: Pizarro (1799)
  • 330828: The reconciliation (1799)
  • 330830: Count Benyowsky (1798)
  • 330833: The spaniards in Peru; or, The death of Rolla (1799)
  • 330901: An essay on satirical entertainments (1772)
  • 330986: The noble lie (1799)
  • 330999: Family distress; or, self immolation. A play, in three acts, by Augustus von Kotzbue. As it is now performing verbatim from this translation with universal applause, at the Theatre Royal, in the Hay Market. Faithfully translated from the German by Henry Neuman, Esq (1799)
  • 331001: The reconciliation (1799)
  • 331003: The natural son (1798)
  • 331009: The stranger (1800)
  • 331047: The smugglers (1796)
  • 331118: Rinaldo (1711)
  • 331283: The lucky discovery (1737)
  • 331390: The reconciliation (1799)
  • 331713: I'll tell you what (1787)
  • 332125: Richard Coeur de Lion (1786)
  • 332466: Othello (1761)
  • 332472: Romeo and Juliet (1785)
  • 332474: Romeo and Juliet (1748)
  • 332482: The historical tragedy of Macbeth (1753)
  • 332483: Macbeth (1794)
  • 332484: Macbeth (1794)
  • 332505: Romeo and Juliet (1795)
  • 333012: The sheep-Shearing (1777)
  • 333026: Shakspeare's [sic] Hamlet (1800)
  • 333028: The comick masque of Pyramus and Thisbe (1716)
  • 333030: Twelfth night; or What you will, a comedy: Written by William Shakespeare, printed conformable to the representation at the Theatre Royal, Drury-Lane. Under the inspection of James Wrighten, prompter (1792)
  • 333032: The history of King Lear (1768)
  • 333035: A cure for a scold (1738)
  • 333281: The provoked husband (1790)
  • 333288: The two gentlemen of Verona (1790)
  • 333289: Much ado about nothing (1790)
  • 333291: Macbeth (1790)
  • 333292: The tempest (1790)
  • 333293: King John (1790)
  • 333295: The first part of King Henry IV (1790)
  • 333296: King Henry V (1790)
  • 333297: Henry the Viiith (1790)
  • 333298: Julius Cæsar (1790)
  • 333300: King Lear (1790)
  • 333619: Choir Gaure, vulgarly called Stonehenge (1747)
  • 333974: The hypocrite (1769)
  • 333975: Doctor Last in his chariot (1769)
  • 333976: The ladies visiting-day (1701)
  • 333977: The modish husband (1702)
  • 333978: Love betray'd (1703)
  • 334312: Doctor Last in his chariot (1773)
  • 334313: The hypocrite (1769)
  • 334314: The ladies visiting-day (1708)
  • 334429: Love's contrivance (1703)
  • 334435: The fatal extravagance (1726)
  • 334436: Alonzo (1773)
  • 334439: The victim (1717)
  • 334448: The fate of villany. A play. As it is acted by the Company of comedians, at the Theatre in Goodmans-Fields (1730)
  • 334450: No fools like wits (1721)
  • 334499: The gamester, a true story (1753)
  • 335655: The cobler of Castlebury (1779)
  • 335722: The earl of Warwick (1766)
  • 335723: The earl of Warwick (1767)
  • 335740: The tempest (1775)
  • 335990: Impartial reflections, on the conduct of the managers, and merits of some of the performers of the Theatre-Royal, Manchester. with Observations on a Late Publication, Entitled ``a Peep into the Theatre, &c.'' (1800)
  • 336023: An expostulatory address, to the public. By William Cross, of the Theatre-Royal, Manchester (1800)
  • 336085: The desireableness of peace, and the duty of a nation upon the recovery of it (1756)
  • 336162: Flora; an opera (1729)
  • 336165: The double disappointment (1760)
  • 336167: The chimera: a comedy (1721)
  • 336168: The little hunch-back (1790)
  • 336189: The agreeable surprise (1795)
  • 336205: A sketch of the entertainment, now performing at the Royalty Theatre, in two parts: consisting of a pantomimic preludio, and The Paris federation. To which is added, the popular French music, adapted to the harpsichord (1790)
  • 336209: The roman father, a tragedy (1769)
  • 336487: More ways than one (1784)
  • 336538: A letter to A.... B.... Esq; concerning subscriptions, and the compleat edition of Dr. Cave's historia literaria, now printing at the Theatre at Oxford (1737)
  • 336540: A second letter concerning the compleat edition of Dr. Cave's Historia literaria; now printing at the Theatre at Oxford. Giving a farther account of the present impression, and of the author's intention to publish it before his death. Extracted from letters that passed between Dr. Cave and his learned correspondents, (1739)
  • 336921: Songs, duets, trios, glees, choruses, &c. in the comic opera of the woodman (1791)
  • 336925: Songs, &c. in the musical entertainment of The romp. As performed at the Theatre Royal in Drury-Lane (1785)
  • 337005: Orpheus and Eurydice; an opera (1739)
  • 337005: Orpheus and Eurydice; an opera (1739)
  • 337007: Vocal parts of an entertainment, called Apollo and Daphne (1726)
  • 337007: Vocal parts of an entertainment, called Apollo and Daphne (1726)
  • 337008: Pan and Syrinx (1718)
  • 337009: The rape of Proserpine (1731)
  • 337223: Two dissertations (1747)
  • 337347: A bold stroke for a husband (1784)
  • 337348: More ways than one (1784)
  • 337350: Streanshall Abbey (1800)
  • 337355: The choice of Harlequin; or, The Indian chief (1782)
  • 337361: Vocal parts of an entertainment, called Apollo and Daphne (1734)
  • 337362: A dramatick entertainment, call'd Harlequin a sorcerer (1725)
  • 337362: A dramatick entertainment, call'd Harlequin a sorcerer (1725)
  • 337363: Orpheus and Eurydice. An opera (1740)
  • 337365: Perseus and Andromeda (1730)
  • 337366: Decius and Paulina (1719)
  • 337725: Antiochus: a tragedy, as it is acted at the Theatre in Lincolns-Inn Fields. By Mr. Mottley (1721)
  • 337729: A new dramatic entertainment called The royal chace; or, Merlin's cave (1736)
  • 337729: A new dramatic entertainment called The royal chace; or, Merlin's cave (1736)
  • 337737: Sesostris (1728)
  • 337858: The nature, and grounds of a Christian's happiness in, and after death. A sermon preached at Snitterfield in Warwickshire, Sunday, Feb. 20. 1763. on occasion of the death of the Right Hon. the lady Anne Countess of Coventry, ... By the Rev. Richard Jago, (1763)
  • 337963: A sermon preach'd at the parish church of St Martin October the 21st. 1712 (1713)
  • 338134: The fair example: or the modish citizens. A comedy. As it was acted at the Theatre Royal in Drury Lane. By Mr. Estcourt (1706)
  • 338146: Songs, duets, choruses, &c. in Wives in plenty; or, the more the merrier! A comedy in three acts. Altered from The Coquet of Molloy. Performed at the Theatre Royal, Haymarket (1793)
  • 338150: The widow bewitch'd (1730)
  • 338152: Antiochus: a tragedy, as it is acted at the Theatre in Lincolns-Inn-Fields. By Mr. Mottley (1721)
  • 338154: Belisarius (1724)
  • 338155: The words of the songs, duets, glees, and other compositions, in the operatic farce of Arrived at Portsmouth, in two acts, performed at the Theatre Roral [sic], Covent-Garden. Written by the author of Hartford Bridge, (1794)
  • 338161: The court of Alexander (1770)
  • 338163: The court of Alexander (1770)
  • 338164: The french flogged, or, the British sailors in America, a farce of two acts, as it was performed at the Theatre Royal, Covent-Garden (1767)
  • 338340: The unhappy penitent a tragedy (1701)
  • 338341: Love at a loss, or, Most votes carry it (1701)
  • 338342: The nest of plays; consisting of three comedies. Viz. The prodigal reform'd, The happy constancy, and The tryal of conjugal love. As acted at the Theatre Royal in Covent-Garden, ... (1738)
  • 338343: The fatal constancy. A tragedy. As it is acted at the Theatre Royal in Drury-Lane, by His Majesty's servants. Written by Hildebrand Jacob, Esq (1723)
  • 338347: Irene (1754)
  • 338348: Irene (1749)
  • 338349: Irene (1781)
  • 338352: Farewel folly: or, The Dounger the wiser (1707)
  • 338354: Thomyris, Queen of Scythia. An opera (1707)
  • 338358: The siege of Meaux: a tragedy (1794)
  • 338803: Advice to a young student (1755)
  • 338844: Reform'd in time (1798)
  • 339152: The miser (1792)
  • 339156: The deserted daughter (1795)
  • 339158: Songs, duettos, trios, quartettos, quintettos, and musical dialogue, &c. in the comic opera of Richard Coeur de Lion. Performing at the Theatre Royal, Covent Garden (1786)
  • 339523: The condition of man's life a constant call to industry (1757)
  • 340111: The stratagems of love (1762)
  • 340119: The fair of Malmantile (1762)
  • 340323: The connexion between religion and government, and the usefulness of both to civil society. A sermon preached in the cathedral church of Worcester, on Sunday, July 13th, 1766. ... By John Rawlins, (1766)
  • 340324: The scripture prophecies consider'd - and compar'd with the oracles of the heathens (1761)
  • 340337: The castle of Sorrento (1799)
  • 340338: A city ramble: or, the humours of the compter (1715)
  • 340551: The guardian trick'd. A comic-opera: as it is performed at the Theatre in Smock-Alley; the music composed by the celebrated Senr. Galluppi, called Buranello (1762)
  • 340552: The rivals, a comic opera: in three acts. As it is to be performed at the Theatre in Smock-Alley. The musick by Signor Nicolo Tommelli (1762)
  • 340553: The counterfit bride. A comic opera. As it is represented on the Theatre in Smock-Alley. The music is by Mr. John Baptist Zingon, (1762)
  • 340564: The servant mistress, a comic opera, in two acts. As it was originally wrote and represented at the Theatre Royal at Naples, and now to be performed at the Theatre in Smock-Alley (1762)
  • 340567: La cascina * a comedy (1761)
  • 340777: Prologue and epilogue, spoken at the opening of the Theatre in Drury-Lane 1747 (1747)
  • 341194: Andromaca (1790)
  • 341312: A collection of original tales, in verse. In the manner of Prior. To which is added, a second edition of Ducks and pease; or the Newcastle rider. Together with the above Story in A Farce of One Act, As it was performed at the Theatre in Pontefract, with great Applause. And Several Other Originals never before published (1777)
  • 341350: The reasonableness, and excellency of Abraham's faith in offering up his son (1733)
  • 341787: A dissertation upon the account suppos'd to have been given of Jesus Christ by Josephus, being an attempt to shew that this celebrated passage, some slight corruptions only excepted, may reasonably be esteem'd genuine (1749)
  • 341797: The works of the Right Reverend Father in God, George Hooper, D. D. Late Lord Bishop of Bath and Wells (1757)
  • 342085: False and true, a play (1798)
  • 342086: False and true, a play (1798)
  • 342087: False and true, a play (1798)
  • 342120: Every one has his fault (1793)
  • 342126: La generosita? D'Alessandro, a serious opera, in two acts, as performed at the Theatre Royal in the Hay Market. The music by Signor Tarchi, under the Direction of Signor Frederici (1790)
  • 342129: The rival sisters (1793)
  • 342130: The london hermit (1793)
  • 342448: Cambro-Britons (1798)
  • 342459: The death of Abel, an oratorio, from the Italian of Metastasio; and the morning hymn, from Milton's Paradise Lost; as it is performed at the Theatre Royal in the Hay-makert [sic]. The music by Signor Niccolo Piccini. With additional choruses from other eminent masters (1768)
  • 342459: The death of Abel, an oratorio, from the Italian of Metastasio; and the morning hymn, from Milton's Paradise Lost; as it is performed at the Theatre Royal in the Hay-makert [sic]. The music by Signor Niccolo Piccini. With additional choruses from other eminent masters (1768)
  • 342463: The bath unmask'd (1725)
  • 342463: The bath unmask'd (1725)
  • 342464: The world in a village (1793)
  • 342878: Remarks upon the Reverend Mr. Whitefield's letter to the vice-chancellor of the University of Oxford (1768)
  • 342903: Oinos krithinos. A dissertation concerning the origin and antiquity of barley wine (1750)
  • 343162: The enchanted wood, a legendary drama, in three acts, as performed at the Theatre Royal, Hay-Market (1792)
  • 343170: The village wedding: or, the faithful country maid (1767)
  • 343437: Half an hour after supper (1789)
  • 343450: Merlin: or, the British inchanter (1736)
  • 343666: Half an hour after supper (1789)
  • 343668: The careless husband (1705)
  • 343671: Modern breakfast (1790)
  • 344356: The unhappy loves of Herod and Mariamne, introductory to Mr. Fenton's new tragedy of that name, now acting at the Theatre Royal in Lincolns Inn Fields (1723)
  • 344480: A letter to a noble lord, to whom alone it belongs (1742)
  • 344482: The critick anticipated (1779)
  • 344587: The telegraph, or, a new way of knowing things (1795)
  • 344591: An essay on the character of Hamlet (1777)
  • 344594: King Pepin's campaign (1755)
  • 345177: The conscious lovers (1723)
  • 345178: The lying lover (1704)
  • 345394: A treatise of the urinary passages (1726)
  • 347957: A treatise on electricity: wherein its various ph?nomena are accounted for, and the cause of the attraction and gravitation of solids, assigned. To which is Added, A short account, how the electrical effluvia act upon the animal frame, and in what disorders the same may probably be applied with success, and in what not. By Francis Penrose, Surgeon at Bicester (1752)
  • 348422: The castle of Montval (1799)
  • 348748: A fair, candid, and impartial state of the case between Sir Isaac Newton and Mr. Hutchinson (1753)
  • 349584: Pizarro. The Spaniards in Peru; or, the death of Rolla. A tragedy, in five acts: by Augustus von Kotzebue. The original of the play performing at the Theatre Royal Drury Lane, under the title of Pizarro. Translated from the German by Anne Plumptre, Translator of Kotzebue's Virgin of the Sun, &c (1799)
  • 350761: L'usurpator innocente a serious opera, in two acts, as performed at the Theatre Royal, Hay Market. The music by Signor Frederici (1790)
  • 352247: Two dissertations (1750)
  • 352574: The plan of divine revelation justified in answer to the objections of unbelievers (1764)
  • 353099: An enquiry into the present state of the septuagint version of the Old Testament. By the Reverend Dr. Henry Owen, Rector of St. Olave, Hart-Street, and Fellow of the Royal Society. (1769)
  • 353261: The conquest of Quebec: a poem. By Middleton Howard, of Wadham College, Oxford (1768)
  • 353462: The old women weatherwise, an interlude (1770)
  • 353723: Letter and spirit, or annotations upon the Holy Scriptures according to both. By Benjamin Holloway, LL. B. Rector of Middleton-Stony, Oxfordshire (1753)
  • 353724: The nullity of repentance without faith in the redemption by Jesus Christ, proved from Holy Scripture, in three sermons. By Benjamin Holloway, L. L. B (1739)
  • 353851: St Athanasius's four orations against the Arians, and his oration against the Gentiles. Translated from the original by Mr Samuel Parker. In Two Volumes. To which the translator has prefixed observations for the better Application of St. Athanasius's Reasoning; together with a few Queries recommended to Mr Whiston's Consideration, and a Confutation of his Impious Doctrines in a Table of References from Mr Whiston's Treatises to the Orations aforesaid (1713)
  • 354292: The case of the stage in Ireland (1758)
  • 354492: A sermon preach'd before the University of Oxford, at St. Mary's, on Act Sunday in the afternoon, July 8. 1733. By Thomas Secker, L.L.D. Prebendary of Durham, Rector of St. James's Westminster, and Chaplain in Ordinary to His Majesty. Publish'd at the Request of the Vice-Chancellor, and Heads of Houses (1733)
  • 354892: The genuine fear of God the best foundation of private and national happiness (1758)
  • 355158: The state of the printed Hebrew text of the Old Testament considered (1753)
  • 355412: Resignation; or, majesty in the dumps; an ode. Addressed to George Colman, Esq. late manager of the Theatre Royal in Covent-Garden (1774)
  • 356245: The doctrine of original sin, as it was always held in the Catholick Church, and particularly in the Church of England, asserted and vindicated from the exceptions and cavils of the Reverend Dr. Daniel Whitby. By Jonath. Edwards D. D. and Principal of Jesus College in Oxon (1711)
  • 356476: The poetical works of the Reverend Mr. James Barber: containing, I The farmer's daughter: Or, The Art of getting Preferment. A Tale. II. The Female Skirmish: Or, The Triple Plea. A Tale. III. The Law-Suit: Or, The Farmer and Fisherman. A Tale. IV. Tom King's: or, the Paphian grove: With the Humours of Covent Garden, the Theatre, Gaming-Table, &c. A Mock-Heroick Poem, in Three Canto's. Adorn'd with several cuts adapted to each particular subject (1739)
  • 357166: The catholic doctrine of a Trinity proved (1758)
  • 357298: The catholic doctrine of a Trinity proved (1756)
  • 357447: The validity of episcopal ordination, and invalidity of any other, consider'd in three letters, between a presbyter of the Church of England, and a dissenting teacher (1719)
  • 357929: A general history of the stage (1749)
  • 358066: The sufficiency of the external evidence of the Gospel farther supported against the reply of the Reverend Mr. Heathcote to St. Peter's Christian apology, written in defence of a sermon entitled The Christian apology, Lately Published at Oxford, at the Request of the Vice-Chancellor and other Heads of Houses; By Thomas Patten D.D. Fellow of Corpus Christi College (1757)
  • 358307: The clandestine marriage (1792)
  • 358432: Songs in Henry and Emma, or, The nut brown maid (1749)
  • 358612: The Earl of Warwick; or, British exile (1719)
  • 359050: Pasquin (1736)
  • 359052: Rape upon rape (1730)
  • 359126: The [a]uthor's Farce; with a puppet-show, call'd the leasures of the town (1750)
  • 359143: The fathers: or, The good-natur'd man (1778)
  • 359176: The intriguing chambermaid (1790)
  • 359270: La locanda. A comic opera (1792)
  • 360104: Some enquiries concerning the first inhabitants language religion learning and letters of Europe. By a member of the Society of Antiquaries in London (1758)
  • 360119: The prison-breaker; or, the adventures of John Sheppard. A farce. As intended to be acted at the Theatre Royal in Lincoln's-Inn Fields (1725)
  • 360180: Moral tales in verse (1797)
  • 360853: The English Saxon homilies of Ælfric (1713)
  • 361402: The rape of Helen: a mock-opera. As it is acted at the Theatre Royal in Covent Garden. By John Breval, Esq (1737)
  • 361568: Ode on the late naval war, and the siege of Gibraltar. By T. Knight, Comedian (1784)
  • 361609: The brave Irishman (1755)
  • 362737: The principles of infidelity and faith consider'd in a comparative view (1768)
  • 362863: The negro slaves (1799)
  • 362866: The mountaineers (1794)
  • 363255: A poem on the last day (1713)
  • 363625: Songs, duetts, trios, chorusses, &c. &c. in the comic opera of The banditti; or, Love's labyrinth. As it is performed at the Theatre Royal in Covent-Garden. The music by Dr. Arnold (1781)
  • 363783: The frequent service of God in publick, the way to long life, honour, and undoubted happiness (1719)
  • 364339: The university miscellany (1713)
  • 364423: Flora; or, Hob in the well (1748)
  • 364459: Songs in Flora's opera or Hob in the country wake as they are perform'd at the Theatre Royal in Lincolns Inn Fields. The tunes proper for ye German flute, violin and common flute (1748)
  • 364609: Two sermons preached at St. Mary's before the university of Oxford (1762)
  • 364970: The theological works of the most Reverend Dr. John Potter late Lord Arch-Bishop of Canterbury (1753)
  • 365362: Flora; or, Hob in the well. An opera (1768)
  • 366043: The anatomist (1763)
  • 366322: The fathers (1779)
  • 366493: Poems on several occasions, to which is added Gondibert and Birtha, a tragedy. By William Thompson M. A. Late Fellow of Queen's College, Oxford (1757)
  • 366628: Reflexions upon logick (1755)
  • 366641: Reflections upon the nature and usefulness of logick (1740)
  • 366706: A day at Rome: a musical entertainment, in two acts. As it was damned at the Theatre Royal, Covent-Garden, on Thursday, October 11, 1798 (1798)
  • 366919: What is she? (1800)
  • 366920: What is she? (1799)
  • 367156: The author's triumph: or the manager manag'd. A farce: as it should have been acted at the Theatre Royal in Lincoln's-Inn-Fields, on Thursday, April the 14th 1737. By a lover of the muses (1737)
  • 367867: Cassandra: or, the virgin prophetess (1702)
  • 368175: A description of the painting in the Theatre (1780)
  • 368223: The roman maid. A tragedy. As it is acted at the Theatre Royal in Lincoln's-Inn-Fields. Written by Mr. Hurst (1725)
  • 368540: A pocket companion for Oxford (1753)
  • 368761: By command of the King of Kings (1774)
  • 368762: The syrens, a masque, in two acts, as performed at the Theatre Royal, Covent-Garden. Written by Captain Thompson. The music composed by Mr. Fisher (1776)
  • 368799: Tancred and Sigismunda. A tragedy (1790)
  • 368944: The earl of Warwick. A tragedy (1767)
  • 369166: Secrets worth knowing (1798)
  • 369187: The island princess (1734)
  • 369219: The story on which the new tragedy, call'd, The brothers, now acting at the Theatre Royal in Drury-Lane, is founded (1753)
  • 369234: The press-gang: or, Love in low-life. Perform'd at the Theatre Royal in Covent-Garden (1755)
  • 369243: The bond-Man (1719)
  • 369273: An apology for the clergy, in a letter to a gentleman of fortune, and great reading, lately turn'd Methodist and hermit: Wherein is Shewn the Weakness of those Objections, Which Separatists in general pretend first induc'd them to leave the Establish'd Church, and to look out for better Guides somewhere else. By J. Maud, M. A. Vicar of St. Neots, in the County of Huntingdon. (1745)
  • 369285: A journey from Aleppo to Jerusalem at Easter, A.D. 1697 (1740)
  • 369289: A journey from Aleppo to Jerusalem; at Easter, A.D. 1697 (1749)
  • 369363: The earl of Essex (1753)
  • 369772: The adopted child (1799)
  • 369878: God's gracious design in inflicting national judgments. A sermon preach'd before the University of Oxford at St Mary's on Friday, Dec. 16th 1720. ... By Thomas Newlin (1721)
  • 370133: The evils arising from misapply'd curiosity (1760)
  • 370482: Songs, duets, glees, choruses, &c. in the comic opera of The noble peasant (1784)
  • 370579: The Jewish dispensation consider'd and vindicated (1751)
  • 370843: The distress'd baronet (1787)
  • 371369: The destruction of Troy (1739)
  • 371856: A sermon preach'd at St Helen's in Abingdon April 2d 1726 (1727)
  • 371859: The trial of the spirits (1739)
  • 371884: The insufficiency of human reason in matters of religion, and the consequent necessity of a revelation. A sermon preach'd before the University at St. Mary's in Oxford, on Act Sunday 1731. By Benjamin Bulkeley, (1731)
  • 372446: Originals physical and theological sacred and profane (1751)
  • 373475: Fifteen sermons preach'd on several occasions. By Digby Cotes M. A. Principal of Magdalen-Hall, and Publick Orator of the University of Oxford (1721)
  • 373515: Two speeches made in the Theatre at Oxford (1714)
  • 373798: An essay on magnetism: or an endeavour to explain the various properties and effects of the load-stone: together with the causes of the same. By Francis Penrose, Surgeon, at Bicester, Oxfordshire (1753)
  • 374292: The castle spectre (1798)
  • 374380: The fable of Orpheus and Eurydice (1718)
  • 374380: The fable of Orpheus and Eurydice (1718)
  • 374611: The battle of the authors lately fought in Covent-Garden (1720)
  • 374755: The walking-Statue (1735)
  • 374822: The airs, chorusses, &c. in the new pantomime, called Harlequin captive; or, the Magick fire. As performed by His Majesty's servants, at the Theatre-Royal, Drury-Lane. The musick by Mr. W. Linley. (1796)
  • 375221: He wou'd if he cou'd; or, an old fool worse than any: a burletta (1771)
  • 375222: The siege of Sinope (1781)
  • 375391: Elegies (1777)
  • 375569: Mrs. Hill's apology (1787)
  • 375609: The insolvent (1758)
  • 375611: The fatal extravagance. A tragedy (1753)
  • 375651: The patriot King (1774)
  • 375653: Newmarket (1774)
  • 375681: The female duellist (1793)
  • 375737: Thomas and Sally: or, the sailor's return (1763)
  • 376114: A tutor for the beaus (1737)
  • 376115: A tutor for the beaus (1737)
  • 376116: A tutor for the beaus (1738)
  • 376189: Thomas and Sally: or, the sailor's return (1761)
  • 377003: The generous conquerour: or, the timely discovery. A tragedy; as it is acted at the Theatre Royal, by His Majesty's servants. Written by Bevill Higgons, Esq (1702)
  • 377122: Secrets worth knowing (1798)
  • 377123: The artifice (1780)
  • 377124: The snuff box (1775)
  • 377305: The doating lovers (1715)
  • 377307: The petticoat-Plotter (1720)
  • 377380: The case of Naaman considered. A sermon preached before the University of Oxford, at St. Mary's, on Sunday, October 12. 1740. By Richard Brown (1741)
  • 378430: A short history of Boadicea, the British queen (1754)
  • 378563: The story on which the new tragedy, call'd Virginia, now in rehearsal at the Theatre Royal in Drury Lane, is founded (1754)
  • 378939: The christian plan (1752)
  • 379784: The mutual connexion between faith, virtue and knowledge (1761)
  • 379868: Remarks on the profession and duty of a soldier (1794)
  • 380102: A trip to Scarborough (1781)
  • 380206: Broderick's medley (1780)
  • 380381: St. Peter's Christian apology (1756)
  • 380438: The primævity and preeminence of the sacred Hebrew (1754)
  • 381642: New memoirs establishing a true knowledge of mankind, by discovering the affections of the heart, and the operations of the understanding, In the various Scenes of Life: Being A Critical Inquiry into the Nature of Friendship and Happiness. And Essays on other Important Subjects. By the Marquis D'Argens, Lord of the Bed-Chamber to the King of Prussia, Director of his Royal Academy of Sciences, and Author of the Jewish Spy. Interspersed with letters from the Baron de Spon, the Emperor's Minister at Berlin; from a Member of the Royal Society at London, &c. And two novels, Spanish and French; Shewing the Tragical Effects of Jealousy; the dissembling Arts of Coquetry; and the unhappy State of the Comedian. With Thoughts on the art of beautifying the face. By Mademoiselle Cochois, The Favourite both of the Court, and the Theatre, of Berlin. In two volumes (1747)
  • 381932: A supplement to a book entituled Travels, or observations, &c (1746)
  • 382201: Alfred the Great; an oratorio (1760)
  • 382263: The proceedings of the visitors of University College, with regard to the late disputed election of a master, vindicated (1723)
  • 382352: Travels (1738)
  • 382353: A supplement to a book entituled Travels, or Observations, &c (1746)
  • 382451: Alexander's feast (1788)
  • 382739: Second thought is best (1778)
  • 382836: Wilmore Castle (1800)
  • 382987: Genuine letters from a gentleman to a young lady his pupil (1772)
  • 383481: Fifteen sermons preach'd on several occasions (1714)
  • 383597: The printed Hebrew text of the Old Testament vindicated (1753)
  • 384251: The earl of Essex (1770)
  • 384478: The fashionable lover: a comedy (1772)
  • 384612: Fourteen sermons on several occasions (1740)
  • 384651: A lecture on heads (1785)
  • 385291: The island of St. Marguerite (1790)
  • 385293: The resurrection. A sacred oratorio (1770)
  • 385303: Songs duetts, choruses, &c. in a new and appropiate [sic] entertainment, called The glorious first of June (1794)
  • 385303: Songs duetts, choruses, &c. in a new and appropiate [sic] entertainment, called The glorious first of June (1794)
  • 385715: A school for greybeards (1787)
  • 385716: The summer's tale (1766)
  • 385727: The london merchant (1790)
  • 386352: The family party; a comic piece, in two acts, as acted at the Theatre Royal, Haymarket (1789)
  • 386594: A trip to Scarborough (1781)
  • 386595: The false friend (1769)
  • 386607: The tragedy of Sir Walter Raleigh (1720)
  • 387013: The chaplet (1750)
  • 387048: The spartan dame (1721)
  • 387621: Cleonice, Princess of Bithynia (1775)
  • 387960: A trip through London (1728)
  • 388412: High life below stairs (1780)
  • 388420: The false friend (1734)
  • 388844: Speech of George Dallas, Esq. member of the committee appointed by the British inhabitants residing in Bengal, for the Purpose of Preparing Petitions To His Majesty And Both Houses of Parliament, Praying Redress Against AN Act Of Parliament, &c. as delivered by him at a meeting held at the Theatre, in Calcutta, on the 25th of July, 1785 (1786)
  • 389219: The chances (1705)
  • 389348: A truly comic lecture on lectures, written by the celebrated George Saville Carey, Esq (1783)
  • 389352: A mechanical enquiry into the nature, causes, seat, and cure of the diabetes (1745)
  • 389491: The unhappy favourite: or, The Earl of Essex (1704)
  • 389493: A treatise of the urinary passages (1750)
  • 389865: An examination of Dr. Burnet's Theory of the earth (1734)
  • 390059: Songs, duets, & choruses, in the pantomimical drama of Obi (1800)
  • 390059: Songs, duets, & choruses, in the pantomimical drama of Obi (1800)
  • 390140: The aboriginal Britons (1791)
  • 390222: A letter from a minister of the Church of England, to a dissenting parishioner (1706)
  • 390440: Athelstan (1756)
  • 390719: Messiah (1759)
  • 391248: The methodist (1761)
  • 391413: Reformed devotions (1719)
  • 391906: The temporal advantages of religion (1721)
  • 392692: Tom Thumb. A tragedy. As it is acted at the Theatre in the hay-market (1730)
  • 392891: What is she? (1799)
  • 392906: Love in a veil. A comedy (1719)
  • 392906: Love in a veil. A comedy (1719)
  • 393065: The West Indian (1773)
  • 393066: The students (1779)
  • 393075: The regent: a tragedy (1788)
  • 393084: An account of Barbarossa (1755)
  • 393107: The mysteries of the castle (1795)
  • 393121: The tragedy of tragedies; or the life and death of Tom Thumb the Great (1776)
  • 393401: The West Indian (1774)
  • 393406: The upholsterer (1760)
  • 393438: The roman revenge (1759)
  • 393441: Redemption: a sacred oratorio (1791)
  • 393448: The cabal (1763)
  • 393691: Songs, duets, trios, chorusses, &c. in the Egyptian festival (1800)
  • 393754: Bannian day (1796)
  • 393755: Songs in Lodoiska (1794)
  • 393757: High life below stairs (1780)
  • 393759: The times: a comedy (1780)
  • 393764: The west Indian (1774)
  • 393765: The deserted daughter (1795)
  • 393802: The london merchant (1766)
  • 393808: The capricious lovers (1764)
  • 393966: Arsinoe (1705)
  • 394137: Douglas (1798)
  • 394439: Lodoiska (1794)
  • 394533: He's much to blame (1798)
  • 394535: Love in many masks: as altered by J. P. Kemble, from Mrs. Behn's Rover, and first acted at the Theatre Royal in Drury Lane, March 8th, 1790 (1790)
  • 394537: The earl of Essex (1754)
  • 394629: The countess of Salisbury (1767)
  • 394764: Almyna (1707)
  • 394957: The road to ruin (1792)
  • 395146: The man of parts (1795)
  • 395403: Cross partners, a comedy. In five acts. As performed at the Theatre Royal in the Hay-Market. By a Lady (1792)
  • 395404: The contract (1776)
  • 395405: 'tis well it's no worse (1770)
  • 395708: Love a-la-mode (1782)
  • 395756: The castle spectre (1798)
  • 395775: Love and ambition (1732)
  • 395784: He would be a soldier (1787)
  • 395812: Every man in his humour (1769)
  • 396077: The cooper (1772)
  • 396142: The earl of Warwick, a tragedy (1766)
  • 396153: Medea. A tragedy (1790)
  • 396154: The West Indian (1771)
  • 396231: The upholsterer (1758)
  • 396253: The accomplish'd maid (1781)
  • 396394: The rape. A tragedy (1730)
  • 396433: The brothers: a comedy (1770)
  • 396840: Tertullian's Prescription against hereticks (1722)
  • 397095: The island of St. Marguerite (1790)
  • 397255: The way to keep him (1760)
  • 397472: The maid of Normandy; or, the death of the Queen of France (1794)
  • 398068: The temple beau (1730)
  • 398474: Midas (1770)
  • 398765: Messiah (1770)
  • 398886: A copy of the poll for knights of the shire for the county of Oxford (1754)
  • 399002: Poems (1796)
  • 399352: The road to ruin (1796)
  • 399798: The roman father, a tragedy (1750)
  • 400078: The school for arrogance (1791)
  • 400260: The conscious lovers (1760)
  • 400399: Zenobia: a tragedy (1768)
  • 400710: Cleone (1759)
  • 400863: The king and the miller of Mansfield (1790)
  • 401192: Lycidas: a musical entertainment. As it is performed at the Theatre Royal in Covent-Garden. The words altered from Milton (1767)
  • 401421: Tamerlane. A tragedy (1795)
  • 401845: The itinerary (1745)
  • 401846: The itinerary (1770)
  • 402615: Strictures upon some passages in Dr. Sharp's Cherubim (1756)
  • 403278: La bella Arsene, an heroic opera, in three acts; as performed at the King's theatre, in the Haymarket (1795)
  • 403503: Cleone (1758)
  • 403578: Oitho?na (1768)
  • 403919: A statement of facts, explanatory of the dispute between John Jackson and Stephen Kemble (1792)
  • 404061: The shepherd's artifice (1765)
  • 404393: The tragedy of the Lady Jane Gray (1750)
  • 404480: The works (1743)
  • 404639: The rivals (1788)
  • 404951: An appendix to the Vindication of the doctrine of the Trinity &c (1754)
  • 404952: A vindication of the doctrine of the Trinity (1754)
  • 404953: A vindication of the doctrine of the Trinity (1753)
  • 404954: A vindication of the doctrine of the Trinity (1754)
  • 404956: A vindication of the doctrine of the Trinity (1753)
  • 405540: The proper improvement of divine judgments (1758)
  • 405591: Remarks on Dr Sharp's pieces on the words Elohim and Berith (1751)
  • 405983: Love in a village; a comic opera (1763)
  • 406820: The funeral; or, grief a-la-mode (1790)
  • 406823: The tender husband (1790)
  • 406960: The resurrection of the same body (1711)
  • 406991: [The cert]ainty of a future state asserted and vindicated against the exceptions of the Late Lord Bolingbroke (1755)
  • 407125: The distress'd baronet (1787)
  • 407825: Fatal love (1730)
  • 408000: Peace and unity recommended (1712)
  • 408040: The road to ruin (1792)
  • 408041: The road to ruin (1792)
  • 408064: The maid of Bath (1778)
  • 408170: The road to ruin (1792)
  • 408174: Just printed in 8vo. at the Theatre in Oxford, and ready to be delivered to Subscribers, Aluredi Beverlacensis annales, five Historia de gestis regum Britanniæ, libris IX. E Codice pervetusto, calamo exarato, in bibliotheca viri clarissimi Thoma Rowlinsoni, Armigeri, descripsit ediditque Thomas Hearne, A. M. Oxoniensis, qui & Prafatione, Notis, atque Indice illustrative. There are only an hundred and fourty eight Copies of this Book printed. The first Payment to the Subscribers was six shillings the large, and four shillings the small Paper. The second Payment is to be the same with the first. The Publisher is now printing in 8vo, from an old Ms. Mr. William Roper's Life of Sir Thomas More. To which will be subjoyn'd an anonymous Chronicle of England, intit'led, Anonymi Chronicon Godstovianum, and a Description of the painted Glass in the Parish Church of Fairford in Gloucester-Shire. There will be only an hundred and fourty eight Copies printed, and the Price to Subscribers is to be sixteen shillings the large, and eight shillings the small Paper; whereof half is to be paid at the time of Subscribing, and the Remainder when the Copies are delivered. Subscriptions are taken in either by the Publisher at Edmund-Hall, or by John Rance at the Theatre Printing-House in Oxford. As soon as this Work is printed, the Publisher designs to put to the Press Mr. Camden's Elizabetha, whereof he hath got a Copy corrected and improv'd with very considerable Additions by the Author's own Hand; which Corrections and Additions were never yet printed. Edmund-Hall Oxon. July 20. 1716 (1716)
  • 408297: Advertisement. Just printed in 8vo. at the Theatre in Oxford, and ready to be delivered to subscribers, Joannis Rossi, (1716)
  • 408298: Advertisement. Just printed in 8vo. at the Theatre in Oxford, and ready to be delivered to subscribers, Titi Livii (1716)
  • 408355: Parthenius (1738)
  • 408526: The pannel (1789)
  • 408639: Miscellanies by the Reverend Dr. Smalridge (1715)
  • 409019: The difficulties and due discharge of the ministerial office in the present age (1757)
  • 409602: Vice reclaim'd (1703)
  • 409953: Letters respecting the performances at the Theatre Royal, Edinburgh (1800)
  • 410054: The child of nature (1800)
  • 410060: The rage: a comedy (1795)
  • 410130: The child of nature (1794)
  • 410192: The genuineness of Ld. Clarendon's History of the rebellion printed at Oxford vindicated. Mr. Oldmixon's slander confuted. The true state of the case represented. By John Burton B. D. Fellow of Eton College (1744)
  • 410390: Tales of the castle (1785)
  • 411016: More advice to the Reverend the clergy of the peculiar jurisdiction of St Alban (1729)
  • 411190: A sermon preached at Blandford St Mary in the county of Dorset (1726)
  • 411243: The surprizing life and death of Doctor John Faustus (1727)
  • 411966: The two harlequins (1718)
  • 412379: Tales of the castle (1787)
  • 412380: Tales of the castle (1793)
  • 412487: A dramatick entertainment, called the Necromancer (1731)
  • 412487: A dramatick entertainment, called the Necromancer (1731)
  • 412489: The dreamer awake; or, pugilist matched (1791)
  • 412605: The old maid (1800)
  • 412703: The vocal parts of an entertainment, called the Necromancer (1723)
  • 413227: A further account of the rise and progress of astronomy amongst the antients, in three letters to Martin Folkes, Esq; president of the Royal Society. By the Author of the first (1748)
  • 414088: Love in a village (1781)
  • 414432: Oroonoko (1760)
  • 414464: Othello (1705)
  • 414544: The pannel (1789)
  • 414670: The particulars of a new renter's share in the Theatre Royal, Drury Lane; eleven hundred pounds, principal money, secured on turnpike roads in Leicestershire, Warwickshire, Worcestershire, Staffordshire, and Shropshire; four Grand junction canal shares; an excellent clear annuity of one hundred pounds; the interest of six hundred pounds, Three per Cents. and of sundry reversions of funded property, viz. Six Thousand and Fifty Pounds, Three per Cents. Two Hundred and Fifty Pounds, South Sea Annuities, One Hundred and Twenty-Five Pounds, India Stock, and Fourteen Pounds per Annum, Long Annuities: which will be sold by auction, by Messrs. Skinner and Dyke, on Thursday the 23d of October, 1794, At Twelve O'Clock, at Garraway's coffee-house, 'change alley, cornhill, in twenty-one lots.Particulars at Garraway's, and of Messrs. Skinner and Dyke, Aldersgate Street (1794)
  • 414706: Il pastor fido (1734)
  • 414724: The Patentees of the Theatre Royal, in Drury-Lane, set forth (1733)
  • 414740: The patriot king; or Irish chief (1775)
  • 414748: The patron (1764)
  • 414749: The patron (1764)
  • 414777: A peep behind the curtain (1767)
  • 414778: A peep behind the curtain (1767)
  • 414779: A peep behind the curtain (1767)
  • 414780: A peep behind the curtain (1767)
  • 414781: A peep behind the curtain (1772)
  • 414816: Periander (1731)
  • 414817: Pericles, Prince of Tyre (1796)
  • 414823: The pernicious effects of an intemperate indulgence in sensual pleasures. A sermon preached before the University of Oxford, at St. Mary's, on Sunday, March 13, 1747-8. By John Tottie, M. A. Fellow of Worcester College, Archdeacon of Worcester, and Chaplain in Ordinary to his Majesty. Publish'd at the Request of Mr. Vice-Chancellor and the Heads of Houses (1748)
  • 414829: The perpetuity of Christ's church. A sermon preach'd at St. Mary's Leicester, August 20th, 1730. At the Triennial Visitation of the Right Reverend Father in God, Richard, Lord Bishop of Lincoln. By Richard Grey, M. A. Rector of Kilncote in Leicestershire (1730)
  • 414832: The perplexities: a comedy. As it is performed at the Theatre Royal in Covent-Garden (1767)
  • 414851: The peruvian (1786)
  • 415004: The poor soldier (1786)
  • 415007: The poor soldier (1785)
  • 415017: Popery destructive of the evidence of Christianity. A sermon preached before the University of Oxford, at St. Mary's, on Wednesday, Novemb.5. 1746. By Nath. Forster, B. D. Fellow of Corpus Christi College (1746)
  • 415038: The portrait; a burletta (1770)
  • 415044: The possibility of a resurrection illustrated by analogy. A sermon preach'd before the University of Oxford, at St. Mary's, on Monday, April 16. 1750. By Henry Whitfield M. A. Rector of Castle-Eaton, Wilts, Vicar of Bradwell, Oxon, and Chaplain to The Right Honourable Charles Lord Cadogan (1751)
  • 415127: The preceptor. Or, the loves of Abelard and Heloise. A dramatick entertainment. As it was acted at the Theatre in Smock-Alley (1740)
  • 415388: The principles of Christian loyalty (1743)
  • 415415: The prisoner at large (1788)
  • 415762: The resurrection of the same numerical body (1725)
  • 415792: The revenge. A tragedy (1735)
  • 415956: Ridicule, so far as it affects religion, consider'd and censur'd (1735)
  • 416035: The rival candidates (1775)
  • 416054: The road to ruin (1792)
  • 416077: Robin Hood (1751)
  • 416133: The romance of an hour, a comedy (1774)
  • 416134: The romance of an hour, a comedy (1774)
  • 416146: Rosamond (1743)
  • 416162: The rover (1752)
  • 416181: The royal convert. A tragedy (1795)
  • 416197: The royal garland, a new occasional interlude, in honour of his Danish Majesty (1768)
  • 416268: The royal shepherd. An English opera (1765)
  • 416322: The citizen. A farce (1770)
  • 416323: The way to keep him (1787)
  • 416330: The travellers in Switzerland (1794)
  • 416334: British fortitude (1794)
  • 416337: The wedding day (1794)
  • 416353: The school for arrogance: a comedy. As it is acted at the Theatre Royal, Covent Garden. By Thomas Holcroft (1791)
  • 416354: Knave, or not? (1798)
  • 416355: The road to ruin (1792)
  • 416356: The road to ruin (1792)
  • 416357: The road to ruin (1792)
  • 416359: The man of ten thousand (1796)
  • 416360: Love's frailties (1794)
  • 416364: The Tailors; a tragedy for warm weather, in three acts. As it is performed at the Theatre Royal in the Haymarket (1778)
  • 416558: Judas Maccabæus (1775)
  • 416967: The provok'd wife (1709)
  • 417057: A quarter of an hour before dinner; or, quality binding. A dramatic entertainment of one act (1788)
  • 417058: A quarter of an hour before dinner; or, quality binding. A dramatic entertainment of one act (1788)
  • 417059: A quarter of an hour before dinner; or quality binding. Dramatic Entertainment of one act (1789)
  • 417246: The reasons and necessity of publick worship (1753)
  • 417364: Rebecca. An oratorio (1761)
  • 417388: The recruiting officer (1752)
  • 417447: Reflections on the natural foundation of the high antiquity of government, arts, and sciences in Egypt (1743)
  • 417531: The regent: a tragedy (1788)
  • 417552: The rehearsal: or, Bays in petticoats (1753)
  • 417553: The rehearsal: or, bays in petticoats (1753)
  • 417580: Religion, and it's temporal promises consider'd. In a sermon preached before the University of Oxford, at St. Mary's Church, on Act-Sunday, July 11. 1756 (1756)
  • 417808: The rule of equity. A sermon preach'd at the assizes held at Oxford, March 14. 1716/17. By the Right Honourable Mr. Justice Blencow. And Mr. Baron Montague. By Thomas. Dod, M. A. Fellow of Brase-Nose-College, Oxon (1717)
  • 417862: Sabrina. An opera. For the Theatre Royal in the Hay-Market. By Paul Rolli, F.R.S (1737)
  • 417981: Sauny the Scot (1708)
  • 418026: The School for arrogance (1791)
  • 418030: A school for greybeards (1786)
  • 418031: A school for greybeards; or, The mourning Bride (1787)
  • 418034: The school for lovers (1762)
  • 418038: The school for scandal (1785)
  • 418067: A scotsman's remarks on the farce of Love a la mode, scene by scene. As it is acted at the Theatre Royal in Drury Lane. Nemo me impune lacessit (1760)
  • 418080: The scripture doctrine of predestination stated and explained (1759)
  • 418083: The scripture doctrine of the resurrection (1735)
  • 418157: A second grand selection of sacred music (1800)
  • 418277: Seeing is believing (1786)
  • 418299: Semiramis, a tragedy (1776)
  • 418463: A sermon preached at the great sessions at Brecon, on Saturday, March 30. 1754 (1754)
  • 418464: A sermon preached at the great sessions at Brecon (1754)
  • 418540: A sermon preached before the Honourable House of Commons, at St. Margaret's Westminster, on Tuesday, January 30, 1749-50. Being the Anniversary of the Martyrdom of K. Charles I. By Edward Bentham, D. D. Fellow of Oriel College, Oxford (1750)
  • 418541: A sermon preached before the Honourable House of Commons, at St. Margaret's Westminster, on Tuesday, January 30, 1749-50 (1750)
  • 418690: A sermon preached before the University of Oxford at St Mary's on Easter-Monday, 1719. In which the Cavils, False Reasonings, and False Interpretations of Scripture of Mr Lock and Others, against the Resurrection of the same Body are Examin'd and Answered. By Winch Holdsworth D. D. Fellow of St John Baptist's College (1720)
  • 418700: A sermon preached in Lambeth-Chapel (1753)
  • 418701: A sermon preached in Lambeth-Chapel (1753)
  • 418702: A sermon preached in Lambeth chapel (1756)
  • 418703: A sermon preached in Lambeth-Chapel, at the consecration of the Right Reverend Father in God John Lord Bishop of Bristol, on Sunday, Dec. 23. 1750. By Francis Webber, D. D. Rector of Exeter College, Oxon. Published by Order of His Grace the Lord Arch-Bishop of Canterbury (1750)
  • 418761: A sermon preached in the parish-church of Werrington (1743)
  • 418855: The sham beggar. A comedy (1756)
  • 418889: The shepherd's wedding (1763)
  • 419554: The strangers at home (1786)
  • 419635: Such things are (1788)
  • 419636: Such things are (1788)
  • 419638: Such things are (1800)
  • 419958: A sermon preach'd before the University of Oxford, at St. Mary's, on Thursday, January 30. 1752. Being the anniversary of the martyrdom of K. Charles I. By William Hawkins A. M. Poetry-Lecturer in the University of Oxford, and late Fellow of Pembroke College. Publish'd at the Request of the Vice-Chancellor and the Heads of Houses (1752)
  • 419959: A sermon preach'd before the University of Oxford on act-Sunday July 12. 1713. By Tho. Bisse D.D. preacher at the Rolls, and late fellow of C.C.C. Published at the request of Mr Vice-Chancellor (1713)
  • 419975: A sermon preach'd in the Cathedral-Church of Bristol, on Thursday, Sept. 5. 1751 (1752)
  • 420095: Some cursory remarks on the play call'd The non-juror, written by Mr. Cibber. In a letter to a friend. (1718)
  • 420250: Songs, airs, duets, &c. in Wilmore Castle; a comic opera, in two acts, performed by Their Majesties servants, at the Theatre Royal, Drury Lane. The overture and music, entirely new, composed by Mr. Hook (1800)
  • 420252: Songs and chorusses in the comic opera of The armorer. As performed at the Theatre Royal Covent-Garden (1793)
  • 420253: The songs and recitative of Orpheus: an English burletta. Which is introduced in a farce of two acts, called A new rehearsal: or a peep behind the curtain. And performed at the Theatre Royal in Drury-Lane. With new musick (1767)
  • 420257: Songs, chorusses, &c. in The iron chest; a play, in three acts. Performed by Their Majesties servants, at the Theatre Royal, Drury Lane. The musick composed by Mr Storace (1796)
  • 420258: Songs, chorusses, &c. in the new drama of Windsor Castle (1795)
  • 420261: Songs, chorusses, &c. which are introduced in the new entertainment of The jubilee at the Theatre Royal in Drury-Lane (1770)
  • 420267: Songs, duets, choruses, &c: in The mysteries of the castle: a dramatic tale, in three acts. Performed at the Theatre Royal, Covent-Garden (1795)
  • 420271: Songs, duets, choruses, &c. in The ward of the castle (1793)
  • 420279: Songs, duets, trios, and finales in Ramah Droog, or, wine does wonders (1798)
  • 420280: Songs, duets, trios, chorusses, &c. in The Cherokee. An opera, in three acts. As performed at the Theatre Royal, Drury-Lane (1794)
  • 420281: Songs, duets, trios, chorusses &c. in The Cherokee. An opera, in three acts. As performed at the Theatre Royal, Drury-Lane (1794)
  • 420286: Songs, duets, trios, finales, &c. in Mahmoud, a musical romance, in three acts; as performed at the Theatre Royal, Drury-Lane. The musick by the late Mr. Storace. With a few selections from Sarti, Haydn, &c (1796)
  • 420289: Songs, duetts, choruses, &c. in A trip to the Nore. A musical entertainment performed by Their Majesty's servants, at the Theatre Royal, Drury-Lane (1797)
  • 420290: The songs, duetts, chorusses, &c. in The shipwreck; a comick opera, in two acts, performed at the Theatre Royal, Drury-Lane, the musick by Dr. Arnold (1796)
  • 420291: Songs, duetts, &c. &c. in The chimney corner: a comic opera; in two acts, performed by Their Majesties servants, at the Theatre Royal, Drury-Lane. The music composed by Mr. Kelly, (1797)
  • 420293: Songs, &c. composed by Dr. Arnold, and sung by Mrs. Harlowe; in Love and madness! or The two noble kinsmen. At the Theatre Royal, Hay-market, Sept.21, 1795 (1795)
  • 420309: Songs, &c. in the strangers at home (1786)
  • 420359: The south Briton (1774)
  • 420588: The spring. A pastoral (1762)
  • 420589: The spring. A pastoral (1762)
  • 420672: Tancred and sigismunda (1776)
  • 420682: Taste a comedy (1799)
  • 420874: A third grand selection of sacred music, from the works of Handel. As performed at the Theatre Royal, Covent-Garden, 1799. Under the direction of Mr. Ashley, Sen (1799)
  • 420949: Thomas and Sally: or, the sailor's return (1765)
  • 421118: Timanthes (1771)
  • 421122: The time of our Saviour's coming consider'd, as to its fitness, and propriety (1743)
  • 421148: 'tis well it's no worse (1770)
  • 421400: The upholsterer, or, What news? (1763)
  • 421402: The upholsterer (1758)
  • 421410: The use and scope of the ceremonial law briefly represented (1740)
  • 421430: Valentine's Day, a musical drama, in two acts, as it is performed at the Theatre Royal in Drury-Lane (1776)
  • 421507: Verses to the memory of Garrick (1779)
  • 421508: Verses to the memory of Garrick (1779)
  • 421536: The victim. A tragedy (1714)
  • 421701: The virgin unmasked (1791)
  • 421763: A volume of plays (1785)
  • 421793: The sword of peace (1789)
  • 421794: The sword of peace: or, A voyage of love. A comedy, in five acts. As performed with universal applause at the Theatre Royal in the Hay-Market (1792)
  • 421795: The sword of peace (1789)
  • 421839: To arms! or, the British recruit (1793)
  • 422136: To The Right Honourable the Earl of Kent; Lord Chamberlain of Her Majesty's household. The humble petition of the comedians acting at the Theatre Royal in Drury-Lane (1705)
  • 422234: The ton; or, follies of fashion (1788)
  • 422235: The ton; or, Follies of fashion (1788)
  • 422236: The ton; or follies of fashion (1788)
  • 422309: The tragedy of Julius Cæsar (1719)
  • 422314: The tragedy of Sir Walter Raleigh (1719)
  • 422510: The triumph of peace, a masque. Perform'd at the Theatre Royal in Drury-Lane. On occasion of the general peace, concluded at Aix la Chapelle, October 7th, 1748. Written by R. Dodsley. Set to Musick by Mr. Arne (1749)
  • 422640: The true intention, publick use and importance of academick education considered. A sermon preached before the University of Oxford, at St. Mary's, on Act-Sunday, July 13. 1755. By William Parker D. D. Chaplain in Ordinary to His Majesty, and F.R.S. Published at the Request of the Vice-Chancellor, and Heads of Houses (1755)
  • 422776: A tutor for the beaus (1737)
  • 422798: Two charges delivered to the clergy of the diocese of Worcester, in the years 1763 and 1766; Being designed as preservatives Against the Sophistical Arts of the Papists, and The Delusions of the Methodists. By John Tottie, D. D. Arch-Deacon of Worcester, and Chaplain in Ordinary to his Majesty. Published at the Request of the Clergy (1766)
  • 422808: Two dissertations (1747)
  • 422880: Two sermons preached before the University of Oxford, at St. Mary's, on Sept. 15th, and Oct. 20th, 1745 (1745)
  • 422920: The walking statue (1710)
  • 423013: The way of the world (1796)
  • 423058: The wedding ring (1773)
  • 423070: A welcome to the medal; or an excellent new song; call'd The constitution restor'd, in 1711. To the tune of Mortimer's-Hole (1711)
  • 423096: What a blunder! (1800)
  • 423226: The widow'd wife. A comedy (1768)
  • 423227: The widow'd wife. A comedy (1767)
  • 423228: The widow'd wife. A comedy (1768)
  • 423229: The widow's vow (1786)
  • 423331: The wise man of the East. A play, in five acts (1799)
  • 423332: The wise man of the East. A play, in five acts (1799)
  • 423353: Wit's last stake. A farce (1769)
  • 423354: Wit's last stake. A farce (1769)
  • 423356: Wives as they were (1797)
  • 423357: Wives as they were, and maids as they are, a comedy, in five acts (1797)
  • 423392: Woman is a riddle. A comedy (1759)
  • 423456: A word to the wise (1770)
  • 423532: The world in a village; a comedy, in five acts, as performed with universal applause at the Theatre Royal, Covent-Garden. Written by John O'Keefe, Esq. author of Tony Lumpkin in Town; the Son-in-Law; the Dead Alive; Agreeable Surprize; Castle of Andalusia; Fontainbleau, or Our Way in France; The Positive Man; The Poor Soldier; Love in a Camp, or Patrick in Prussia; The Farmer; The Young Quaker; Beggar on Horseback; Peeping Tom; The Prisoner at Large; The Toy, or Hampton-Court Frolicks; Wild Oats, or the Strolling Gentlemen; Little Hunchback; The Siege of Curzola; Modern Antiques, or the Merry Mourners; The Highland Reel; Birth-Day, or Prince of Arragon; Sprigs of Laurel; The London Hermit, or Ramblers in Dorsetshire; &c. &c (1794)
  • 423539: The worship of God recommended (1712)
  • 423563: Wycherley's comedy of The plain dealer (1796)
  • 424307: The history of Periander, King of Corinth (1731)
  • 424356: The critic or A tragedy rehearsed a dramatic piece in three acts as it is performed at the Theatre Royal in Drury Lane by Richard Brinsley Sheridan Esqr[.] (1781)
  • 424826: Judas Macchabu?s (1758)
  • 425183: The way of the world (1706)
  • 425190: Songs, choruses, &c. in the prisoner (1792)
  • 425463: At a very numerous meeting of the gentlemen of this place and neighbourhood, held this day at Fortune's, to consider the present situation of the Theatre. (1767)
  • 426202: The London merchant: or, the history of George Barnwell (1737)
  • 428703: The foundling (1794)
  • 429874: The London merchant: or The history of George Barnwell (1774)
  • 430204: The London merchant (1793)
  • 430210: The lord of the manor, a comic opera (1790)
  • 430228: Love's frailties (1794)
  • 435068: The American heroine (1797)
  • 436237: Lionel and Clarissa: or, The school for fathers (1794)
  • 436238: Lionel and Clarissa: or, The school for fathers (1796)
  • 436241: The romp (1792)
  • 437813: The West Indian (1794)
  • 439048: The road to ruin (1792)
  • 441445: Secrets worth knowing (1799)
  • 441508: New York, March 1750. By His Excellency's permission; at the Theatre in Nassau-Street, on Monday evening next ... The Orphan (1750)
  • 441509: For the benefit of Mrs. Upton, (being the last night of playing.) (1752)
  • 443361: The school for scandal (1792)
  • 444580: The midnight hour (1795)
  • 446036: The widow's vow (1787)
  • 447955: The West Indian (1772)
  • 451105: The macaroni: a comedy (1774)
  • 452255: The married man (1796)
  • 452711: Pizarro (1799)
  • 454477: Sighs; or, The daughter (1800)
  • 454925: She stoops to conquer (1773)
  • 454926: She stoops to conquer (1794)
  • 455616: Count Benyowsky; or The conspiracy of Kamtschatka (1799)
  • 455617: Count Benyowsky; or, The conspiracy of Kamtschatka (1800)
  • 455624: Ildegerte, Queen of Norway (1800)
  • 455969: Lovers' vows (1799)
  • 456693: The world in a village (1794)
  • 460111: Inkle & Yarico (1792)
  • 460322: Le fore?t noire: or, The natural son (1794)
  • 460635: Advertisement. The Junto, after several private meetings and adjournments at the Theatre of Scandal, in Fourth-Street, during two long weeks past, and at a prodigious waste of paper, and much inkshed, have at last sent forth one Benjamin Towne with a stink-pot in his hand (1770)
  • 463186: A bold stroke for a wife (1794)
  • 463219: The busy body (1794)
  • 463646: Proposed for the press, and, on sufficient encouragement, will be printed,--the fourth impression of a favourite old book, published at the Theatre, in Oxford, in the year 1677, now entitled, Curious and useful observations and directions especially concerning the education o young gentlemen; great parts of which may also be applied to ladies: with some modern additions (1757)
  • 463660: Pizarro (1799)
  • 468010: Julius Cæsar (1695)
  • 468396: Phædra and Hippolitus (1790)
  • 470386: Mr. Stordy's respectful compliments to the ladies and gentlemen of Kelso (1791)
  • 470386: Mr. Stordy's respectful compliments to the ladies and gentlemen of Kelso (1791)
  • 470781: The elder brother (1683)
  • 470952: The virgin unmask'd (1757)
  • 470981: The guardian (1760)
  • 471161: The poor soldier (1782)
  • 471161: The poor soldier (1782)
  • 471351: Flora; an opera (1729)
  • 471795: Theatrical fund, instituted at the Theatre Royal, in Covent Garden (1794)
  • 471981: The maid of the mill (1767)
  • 472162: Redemption: a sacred oratorio (1787)
  • 472284: Julius Cæsar: a tragedy. As it is now acted at the Theatre Royal. Written by William Shakespeare. (1688)
  • 472428: Songs, &c. in the farce called the April fool; or, Follies of a night. Performed at the Theatre Royal, Covent Garden, 1786 (1786)
  • 472875: Jack Scriven the grocer: or, who'd have thought it! (1790)
  • 472946: Pizarro (1799)
  • 473247: Acis and Galatea (1736)
  • 473247: Acis and Galatea (1736)
  • 473365: The agreeable surprise, a comic opera, in two acts (1793)
  • 473464: Camilla (1706)
  • 473465: The duenna, or, Double elopement (1780)
  • 473492: The man of the world (1800)
  • 473819: The order of speakers in the Theatre in honor of the Countess of Pomfret (1755)
  • 473825: A convocation will be holden in the Theatre to-morrow, at twelve o'clock, in which it will be proposed to confer the honorary degree of L.L.D. on His Serene Highness the Prince of Wirtemberg, the Count de Zippelin, and the Baron Goertz. (1797)
  • 476025: Diabolical attempt on the life of His Magesty! (1800)
  • 476361: Solomon a serenata (1750)
  • 476521: Songs, duets, trios, glees, choruses, &c. in the comic opera of The woodman (1791)
  • 476834: Songs, duets, choruses, &c: in The purse; or, benevolent tar (1794)
  • 476884: Alexander Severus. An opera (1738)
  • 476957: Israel in Egypt (1740)
  • 476957: Israel in Egypt (1740)
  • 477243: The iron chest (1796)
  • 477287: The conscious lovers (1723)
  • 477473: Tommy and Sally; or, The sailor's return to his sweetheart (1760)
  • 478640: A pathetic elegy on a late melancholy accident (1786)
  • 478728: This day is published, price one shilling, The Sicilian romance: or, the apparition of the cliffs (1794)
  • 480812: Wycherley's comedy of The plain dealer (1795)
• Theatre
  • 128: The occasional prologue (1794)
  • 128: The occasional prologue (1794)
  • 129: Dr. Croft's exercise, perform'd in the Theatre at Oxford, July 10. 1713. Ode (1713)
  • 171: Observations on a printed paper, addrest to the public by Mr. Digges (1758)
  • 796: The opera of operas (1733)
  • 796: The opera of operas (1733)
  • 936: An epistle humbly inscrib'd to the University of Oxford (1721)
  • 1063: Love makes a man (1701)
  • 1145: The old batchelor (1707)
  • 1160: Liberty asserted (1704)
  • 1168: Part of Orlando furioso (1759)
  • 1320: Lock and key: a musical entertainment, in two acts, performed at the Theatre Royal, Covent-Garden. By Prince Hoare, Esq. author of my grandmother-no song no super-the prize, &c (1796)
  • 1333: The per-Juror (1717)
  • 1449: The lord our righteousness (1766)
  • 1454: Love in the city (1767)
  • 1457: Love makes a man (1726)
  • 1613: Phædra and Hippolitus (1790)
  • 1619: Myographia nova (1705)
  • 1820: The lady's last stake (1732)
  • 1821: The lady's last stake (1736)
  • 1855: Lovers' vows. A play, in five acts. Performing at the Theatre Royal, Covent-Garden. From the German of Kotzebue. By Mrs. Inchbald (1798)
  • 1856: Lovers' vows. A play, in five acts. Performing at the Theatre Royal, Covent-Garden. From the German of Kotzebue. By Mrs. Inchbald (1798)
  • 1858: Lovers' vows. A play, in five acts. Performing at the Theatre Royal, Covent-Garden. From the German of Kotzebue. By Mrs. Inchbald (1798)
  • 1859: Lovers' vows. A play, in five acts. Performing at the Theatre Royal, Covent-Garden. From the German of Kotzebue. By Mrs. Inchbald (1798)
  • 1860: Lovers' vows. A play, in five acts. Performing at the Theatre Royal, Covent-Garden. From the German of Kotzebue. By Mrs. Inchbald (1798)
  • 1865: Lovers' vows. A play in five acts, performing at the Theatre Royal, Covent Garden. From the German of Kotzebue: by Mrs. Inchbald (1799)
  • 1866: Lovers' vows. A play in five acts, performing at the Theatre Royal, Covent Garden. From the German of Kotzebue: by Mrs. Inchbald (1799)
  • 1869: The loves of Mars and Venus (1720)
  • 1878: The loves of Mars and Venus (1724)
  • 2046: A pill for the doctor (1790)
  • 2077: A peep behind the curtain (1767)
  • 2190: The pannel (1789)
  • 2192: The pannel (1789)
  • 2304: The poetical works (1790)
  • 2360: The Earl of Warwick, a tragedy (1769)
  • 2381: The Earl of Warwick. A tragedy (1785)
  • 2392: The earl of Warwick, a tragedy (1784)
  • 2651: The purse (1794)
  • 2653: The purse (1794)
  • 2728: Proposals for a course of anatomical, physiological, and chirurgical lectures, by John Sheldon, ... which will be given at his Anatomical Theatre, Great Queen-Street, Lincoln's-Inn-Fields, London (1780)
  • 2740: Philaster (1790)
  • 2768: La molinarella (1791)
  • 2999: The road to ruin (1792)
  • 3001: The road to ruin (1792)
  • 3078: The anatomy of humane bodies improv'd (1716)
  • 3184: The royal merchant (1706)
  • 3199: Rules of accommodation as drawn up by a select committee of gentlemen (1754)
  • 3200: The recruiting officer (1706)
  • 3530: The ring, or the merry wives of Madrid (1799)
  • 3535: Rule a wife and have a wife (1790)
  • 3540: Rule a wife and have a wife (1786)
  • 3607: The romp. A musical entertainment (1790)
  • 3625: From the public (1758)
  • 3633: The revenge. A tragedy (1780)
  • 3657: Fugitive essays, in prose and verse (1776)
  • 3668: The words of the songs, duets, glees, and other compositions (1794)
  • 3679: Il radamisto (1728)
  • 3703: Robin Hood, or, Sherwood Forest; a comic opera (1790)
  • 3769: 'tis well it's no worse (1770)
  • 3785: 'Tis well it's no worse (1771)
  • 3849: The rape of Proserpine (1727)
  • 3850: The rape of Proserpine (1727)
  • 4015: Berenice (1765)
  • 4229: The tragedy of the Lady Jane Gray (1754)
  • 4231: The Albion Queens (1773)
  • 4250: The trial of the Right Hon. Ann, Countess of Cork and Orrery (1784)
  • 4293: A trip to Scotland (1770)
  • 4496: The travellers in Switzerland (1794)
  • 4652: Truth on all sides (1750)
  • 4843: Theodosius: or, the force of love: a tragedy (1744)
  • 4850: Thespis: or, A critical examination into the merits of all the principal performers belonging to Drury-Lane Theatre (1766)
  • 4906: The upholsterer (1764)
  • 5296: Acis and Galatea (1732)
  • 5296: Acis and Galatea (1732)
  • 5367: The beggar's opera (1793)
  • 5522: The castle spectre (1798)
  • 5525: The castle spectre (1798)
  • 5527: The castle spectre (1798)
  • 5861: The busy body (1790)
  • 6133: Bartholomew fair; or, the humors of Smithfield (1800)
  • 6199: The beaux stratagem (1755)
  • 6238: The brothers. A tragedy (1753)
  • 6264: The British enchanters (1736)
  • 6313: Bon ton: or, High life above stairs (1780)
  • 6361: Amasis King of Egypt (1738)
  • 6390: L'amante di due donne (1765)
  • 6395: L'allegro, ed il pensieroso (1791)
  • 6517: The beaux stratagem (1707)
  • 6560: Coriolanus (1789)
  • 6613: As it should be; a dramatic entertainment (1789)
  • 6929: Coriolanus, or the Roman matron (1789)
  • 7327: The apprentice (1790)
  • 7557: Isabella; or, The fatal marriage. A tragedy. Altered from Southern. By D. Garrick, Esq. distinguishing also the variations of the Theatre as performed at the Theatre-Royal in Drury-Lane (1789)
  • 7648: Irene; or, the fair Greek (1708)
  • 7662: God's gracious design in inflicting national judgments. A sermon preach'd before the University of Oxford at St Mary's on Friday, Dec. 16th 1720. ... By Thomas Newlin (1721)
  • 7671: Farther advice to the reverend the clergy of the peculiar jurisdiction of St. Alban, within the diocese of London; given in the court-consistorial held at the ninth general visitation, Of that Arch-Deaconry. on April 19th. and on May 20th. at St. Alban, Hertfordshire mutatis mutandis at Winslow, Buckinghamshire 1725. By Philip Stubbs, B.D. and Arch-Deacon. Sometime Fellow of Wadham College, Oxon. Published at the Request of several of the St. Alban Clergy, and for the Interest of their small augmentable Livings (1725)
  • 7792: The importance of religion to civil societies (1735)
  • 8024: Harlequin Mungo (1788)
  • 8064: Harlequin-amulet or the magick of Mona (1800)
  • 8064: Harlequin-amulet or the magick of Mona (1800)
  • 8137: Cambro-Britons (1798)
  • 8161: The honest Yorkshire-man (1737)
  • 8182: The historical register (1737)
  • 8512: Hiloclea (1754)
  • 8940: The Gospel-mystery of sanctification opened in sundry practical directions, suited especially to the cases of those, who labour under the guilt and power of in-dwelling-sin (1757)
  • 8944: The gamester (1800)
  • 9072: The impostors (1789)
  • 9169: The genuine Grub-Street opera. As it was intended to be acted at the New Theatre in the Hay-Market. Written by Scriblerus Secundus (1731)
  • 9169: The genuine Grub-Street opera. As it was intended to be acted at the New Theatre in the Hay-Market. Written by Scriblerus Secundus (1731)
  • 9471: The royal convert. A tragedy (1708)
  • 9521: The frequent service of God in publick, the way to long life, honour, and undoubted happiness (1719)
  • 9699: The London merchant (1737)
  • 9700: The London merchant (1756)
  • 9701: The london merchant (1763)
  • 9746: The folly and guilt of satyrical slander. A sermon preached before the University of Oxford, at Christ-Church, on Sunday, February 20. 1763. By John Tottie, (1763)
  • 9948: Love in a village (1763)
  • 9949: Love in a village: a comic opera (1765)
  • 9994: Lady Jane Gray (1791)
  • 10093: Lee's tragedy of Alexander the Great, revised by J. P. Kemble, and acted by Their Majesties servants, at the Theatre Royal, Drury Lane (1795)
  • 10173: Lionel and Clarissa (1790)
  • 10191: A letter to the fellows of a college, concerning their method of fining (1765)
  • 10213: The ladies visiting-day (1733)
  • 10279: Pizarro (1799)
  • 10284: Pizarro (1799)
  • 10285: Pizarro (1800)
  • 10286: Pizarro (1800)
  • 10297: Love's last shift (1750)
  • 10324: The pannel (1789)
  • 10334: The countess of Salisbury (1767)
  • 10538: Pizarro (1799)
  • 10723: Pyrrhus and Demetrius. An opera (1716)
  • 10820: The lawyers' panic (1785)
  • 10846: Lectures, upon the heart (1763)
  • 11016: A new favorite song. Called The lads of the village (1775)
  • 11088: Perseus and Andromeda (1731)
  • 11105: The cooper (1772)
  • 11347: Pizarro (1800)
  • 11348: Pizarro (1799)
  • 11349: Pizarro (1799)
  • 11406: The peruvian (1786)
  • 11418: Perseus and Andromeda. With the rape of Colombine (1728)
  • 11555: A pocket companion for Oxford (1756)
  • 11572: L'opera du gueux (1750)
  • 11582: The pocket remembrancer: or, historical and entertaining anecdotes (1800)
  • 11660: Phyrrus and demetrius. An opera. As it is perform'd at the King's Theatre in the Hay-market (1717)
  • 11953: The portrait; a burletta (1770)
  • 12453: The second and last act of Fitzgiggo (1763)
  • 12695: The school for lovers (1762)
  • 12696: The school for lovers (1763)
  • 12697: The school for lovers, a comedy. As it is acted at the Theatre Royal in Drury-Lane. By William Whitehead, Esq; poet laureat (1770)
  • 12701: The school for scandal (1785)
  • 12702: The school for scandal (1798)
  • 12703: The school for scandal (1798)
  • 12705: Pizarro (1799)
  • 12708: Pizarro (1799)
  • 12733: Doctor last in his chariot (1769)
  • 12755: Doctor Last in his chariot (1769)
  • 12763: The school of Roscius (1792)
  • 12868: Miss in her teens (1761)
  • 12869: The brave Irishman (1761)
  • 12877: The scripture doctrine of the resurrection (1736)
  • 12932: The recruiting officer (1759)
  • 13026: A new way to keep a wife at home (1786)
  • 13057: The qualifications and advantages of religious trust in times of danger (1757)
  • 13145: Much ado about nothing (1776)
  • 13171: The musical lady. A farce (1790)
  • 13176: The nabob (1794)
  • 13177: The mayor of Garratt (1794)
  • 13256: The duellist, a comedy (1774)
  • 13484: Tertullian's Prescription against hereticks (1722)
  • 13485: Mistake upon mistake, or, appearance is against them, a farce, in two acts, as it is acted at the Theatre Royal, Covent-Garden (1785)
  • 13497: The school for lovers (1766)
  • 13502: The she-gallants (1732)
  • 13534: She stoops to conquer (1790)
  • 13686: A short account of the situations and incidents exhibited in the pantomime of Robinson Crusoe (1789)
  • 13705: The shipwreck (1780)
  • 13706: A letter to a worthy and learned gentleman in the law, concerning some passages of the life and death of Mrs Sarah Tilly, his near relation, lately deceas'd; ... written, by William Tilly, (1739)
  • 13731: Pizarro (1799)
  • 13742: A short account of the situations and incidents exhibited in the pantomime of Robinson Crusoe (1797)
  • 13802: My grandmother (1794)
  • 13803: My grandmother (1794)
  • 13821: No song no supper (1794)
  • 14193: The humours of the times (1799)
  • 14259: The revenge (1735)
  • 14355: The stage-coach (1709)
  • 14381: The distrest mother (1790)
  • 14396: Perseus and Andromeda (1730)
  • 14416: The statesman foil'd (1768)
  • 14443: The scottish volunteers (1795)
  • 14529: Silvia; or, the country burial. An opera (1731)
  • 14844: Pizarro (1799)
  • 14919: The spleen, or, Islington Spa (1776)
  • 14922: The spoil'd child (1795)
  • 14946: A sermon preach'd before the University of Oxford, at St. Mary's, on Act Sunday in the afternoon, July 8. 1733. By Thomas Secker, L.L.D. Prebendary of Durham, Rector of St. James's Westminster, and Chaplain in Ordinary to His Majesty. Publish'd at the Request of the Vice-Chancellor, and Heads of Houses (1733)
  • 14949: Twelfth-night (1791)
  • 14955: Twelfth-night: or, What you will. A comedy. As it is performed at the Theatre in Crow-street. Written by Mr. William Shakespear (1759)
  • 14976: A sermon preach'd before the University of Oxford, at St. Mary's, on Act Sunday in the afternoon, July 8. 1733. By Thomas Secker, L.L.D. Prebendary of Durham, Rector of St. James's Westminster, and Chaplain in Ordinary to His Majesty. Publish'd at the Request of the Vice-Chancellor, and Heads of Houses (1733)
  • 15073: Songs, duets, trios, &c. in The duenna (1786)
  • 15093: The songs, duets, chorusses, &c. in the musical entertainment of The farmer. As performed at the Theatre Royal, Covent Garden. The musick composed and selected by Mr. Shield (1787)
  • 15094: Songs, duets, choruses, &c. in The mountaineers; a play, in three acts. Performed at the Theatre Royal, Hay-Market (1793)
  • 15096: Songs, duets, choruses, &c: in The mysteries of the castle: a dramatic tale, in three acts. Performed at the Theatre Royal Covent-Garden (1795)
  • 15098: Songs, duets, choruses, &c. in the children in the wood (1793)
  • 15112: The songs, chorusses, &c. &c. in The honey moon (1797)
  • 15112: The songs, chorusses, &c. &c. in The honey moon (1797)
  • 15117: Songs, chorusses, &c. which are introduced in the new entertainment of The jubilee, at the Theatre Royal, in Drury-Lane (1769)
  • 15119: Songs and chorusses in the comic opera of Love in the East; or, adventures of twelve hours. As performed at the Theatre Royal Drury Lane (1788)
  • 15148: A sermon preached in Lambeth chapel (1756)
  • 15150: A sermon preached in Lambeth-chapel, at the consecration of ... John Lord Bishop of Bristol, on Sunday, Dec. 23. 1750. By Francis Webber, (1751)
  • 15176: Songs, duets, trios, chorusses, &c. in The pirates, an opera, in three acts, now performing at the Theatre Royal, Drury-Lane (1795)
  • 15179: Songs, duetts, chorusses, &c. in the new musical entertainment of The embarkation. As performed at the Theatre-Royal, Drury-Lane. The music composed by Mr. Reeve (1799)
  • 15314: Songs, &c. in The deserter of Naples; or, royal clemency: to which is added, An ode to friendship, A tale from Baker's chronicle, Address for the Marine Society, Mr. Lee Lewes's farewell address, and other favorite pieces, performed at the Royalty Theatre (1788)
  • 15318: Songs, duets, trios, chorusses, &c. in Virginia, an opera, in three acts. Now performing at the Theatre Royal, Drury Lane. The melodies composed by the authour of the dialogue, and harmonized by Doctor Arnold (1800)
  • 15320: The songs of The beggar's opera (1789)
  • 15328: Songs, choruses, &c. in Jack of Newbury. A comic opera, with a masque in honour of the royal nuptials, performed by Their Majesties servants at the Theatre Royal, Drury Lane. The music entirely new, composed by Mr. Hook (1795)
  • 15690: Seeing is believing (1787)
  • 15710: Surgery and anatomy. The schools of surgery and practical anatomy, under the direction of the Royal College of Surgeons in Ireland, will open at the Theatre, in Mercer-street, on Monday the 5th of November, at one o'clock; when courses of lectures will commence on. (1792)
  • 15720: The surrender of Calais (1792)
  • 15721: The surrender of Calais (1792)
  • 15738: The peruvian (1786)
  • 15830: Syllabus or general heads of a course of lectures on the theory and practice of midwifery: including the nature and treatment of diseases incident to women and children. For the clearer Demonstration of Operative Midwifery; the several Methods of assisting in laborious and preternatural Labours, will not only be described according to the most approved modern Practice, but likewise distinctly shewn by artificial Representation of each difficult Case, on Machines of a new Construction. The whole will be illustrated by Anatomical Preparations, with various Practical Observations, extraordinary Cases, and necessary Cautions; but particularly by real Labours. For the Use of Medical Students. By John Leake, M. D. Member of the Royal College of Physicians, and Physician to the Westminster Lying-in Hospital; at his Theatre, Craven-Street, London (1787)
  • 15951: The [s]uspicious husband (1780)
  • 15967: The songs in the opera of Nina (1787)
  • 15968: Songs and chorusses in The tempest (1777)
  • 16022: The sultan: or, a peep into the seraglio (1790)
  • 16121: Shakspeare's King John, a historical tragedy, revised by J. P. Kemble. And now first published as it is acted by Their Majesties servants of the Theatre Royal, Drury Lane. November 15, 1800 (1800)
  • 16202: The principles of Christian loyalty (1749)
  • 16205: The summer's day (1795)
  • 16205: The summer's day (1795)
  • 16206: The summer's tale (1771)
  • 16242: Midas. An English Burletta, in Two acts. As it is performed at the Theatre Royal in Covent-Garden (1768)
  • 16244: The walking statue (1709)
  • 16293: Senocrita: drama. Per musica. Da rappresentarsi sopra il Teatro di S. M. B. = Zenocrita: an opera. Set to music. As it is represented at the King's Theatre in the Hay-Market (1764)
  • 16367: Wit's last stake: a farce (1769)
  • 16376: Wives as they were (1797)
  • 16400: A woman's revenge (1758)
  • 16446: The widow's vow (1786)
  • 16540: Shakspeare's King Lear: as altered by N. Tate, newly revised by J. P. Kemble, and acted by Their Majesties servants, at the Theatre Royal, Drury Lane (1788)
  • 16540: Shakspeare's King Lear: as altered by N. Tate, newly revised by J. P. Kemble, and acted by Their Majesties servants, at the Theatre Royal, Drury Lane (1788)
  • 16542: Shakspeare's Much ado about nothing. Revised by J. P. Kemble, Esq. and acted by Their Majesties servants, at the Theatre Royal, Drury-Lane (1799)
  • 16542: Shakspeare's Much ado about nothing. Revised by J. P. Kemble, Esq. and acted by Their Majesties servants, at the Theatre Royal, Drury-Lane (1799)
  • 16573: The wanton wife, a comedy (1762)
  • 16682: Wilmore Castle (1800)
  • 16812: The amorous widow (1751)
  • 16816: The wedding ring. A comic opera (1773)
  • 16939: The world in a village (1793)
  • 17096: The West Indian (1771)
  • 17097: The West Indian (1774)
  • 17187: The wise man of the East. A play, in five acts (1799)
  • 17366: The welsh opera (1731)
  • 17367: The welsh opera (1731)
  • 17527: The roman father, a tragedy (1760)
  • 17528: The Roman father, a tragedy (1766)
  • 17529: The roman father, a tragedy (1776)
  • 17534: The reparation: a comedy (1784)
  • 17568: The summer's tale (1771)
  • 17797: The reasons and necessity of publick worship (1753)
  • 17810: A paper having been distributed, called "Reasons why the bill for licensing the Royalty Theatre should not pass into a law," (1794)
  • 17911: The turnpike gate (1799)
  • 18058: Frank Hayman; a tale (1798)
  • 18195: Cymon (1792)
  • 18208: Comus: a masque from Milton (1766)
  • 18235: Camilla (1706)
  • 18261: The judgment of Paris (1759)
  • 18302: He's much to blame (1798)
  • 18330: Case, Mr. Macklin late of Covent-Garden Theatre (1775)
  • 18338: Gretna Green, a comic opera (1783)
  • 18435: Cicero on old age, a dialogue (1716)
  • 18440: The confederacy (1735)
  • 18441: The confederacy (1790)
  • 18537: The ambitious step-mother (1702)
  • 18582: The commissary (1765)
  • 18598: The castle of Montval (1799)
  • 18651: The confederacy (1735)
  • 18718: The common people taught to defend their communion with the Church of England, against the attempts and insinuations of popish emissarys (1727)
  • 19184: The tragedy of Julius Cæsar; with the death of Brutus and Cassius (1719)
  • 19215: Two dissertations (1747)
  • 19225: The tragedy of the Lady Jane Gray (1771)
  • 19257: The brothers: a comedy (1770)
  • 19265: The court of Alexander (1770)
  • 19345: The artful husband (1717)
  • 19368: The count of Burgundy (1799)
  • 19435: The country girl. A comedy. (Altered from Wycherley.) As it is acted at the Theatre Royal in Drury-lane (1766)
  • 19456: The country wife (1790)
  • 19460: The contrast (1789)
  • 19466: Julia (1787)
  • 19688: The country wife (1735)
  • 19716: The cottagers (1768)
  • 19755: The Christian faith asserted against Deists, Arians, and Socinians; in eight sermons (1732)
  • 19845: A new prologue spoken at the Theatre in Lincoln's-Inn-Fields (1704)
  • 20009: The comical lovers (1736)
  • 20192: Dido (1792)
  • 20203: The dragon of Wantley (1755)
  • 20207: A day in Turkey (1792)
  • 20217: The character and doom of false teachers (1721)
  • 20367: Daphne and Amintor (1766)
  • 20501: The country wedding (1739)
  • 20536: The London merchant (1790)
  • 20550: The Death of Captain Faulknor; or, British heroism (1795)
  • 20551: The death of Captain Cook (1790)
  • 20573: At the Mechanic Theatre, No. 38, Norfolk-Street, Strand, will be exhibited, the androides. (1790)
  • 20591: The london merchant (1754)
  • 20594: The country-wife (1729)
  • 20599: Isabella: or The fatal marriage. A play alter'd from Southern. As it is now performing at the Theatre Royal in Drury-Lane (1769)
  • 20624: The London merchant: or The history of George Barnwell (1770)
  • 20655: The london merchant (1737)
  • 20834: Isabella (1789)
  • 20839: The London hermit (1793)
  • 20908: Deborah (1744)
  • 20934: L'inglese in Italia (1786)
  • 20997: The accomplish'd maid (1773)
  • 21057: Additional songs in the opera of Robin Hood, now performing at the Theatre Royal, Covent Garden (1788)
  • 21090: An address to honest English hearts (1763)
  • 21534: Alceste (1786)
  • 21583: Argentina strega per amore (1726)
  • 21614: L'allegro ed il pensieroso (1797)
  • 21635: Almeyda; Queen of Granada (1796)
  • 21668: Answers for Robert McIntosh, musician in Edinburgh (1795)
  • 21862: Artaxerxes (1792)
  • 21976: Directions for using the new invented electrical machine (1770)
  • 22019: Camilla. An opera. As it is perform'd at the Theatre Royal in Drury-Lane, by Her Majesty's servants (1708)
  • 22030: Camilla (1709)
  • 22240: A bold stroke for a husband (1784)
  • 22290: An apology for the life of George Anne Bellamy (1785)
  • 22295: The apprentice (1780)
  • 22296: An apology for the life of George Anne Bellamy (1785)
  • 22586: The Earl of Essex (1760)
  • 22628: Arsinoe, Queen of Cyprus (1705)
  • 22643: Love for love. A comedy (1790)
  • 22671: La contadina in corte (1782)
  • 22685: Love for love. A comedy (1704)
  • 22687: An apology for the life of George Anne Bellamy (1785)
  • 22737: A dramatick entertainment, call'd Harlequin a sorcerer (1725)
  • 22737: A dramatick entertainment, call'd Harlequin a sorcerer (1725)
  • 22910: The desireableness of peace, and the duty of a nation upon the recovery of it (1751)
  • 22944: The German hotel; a comedy, as performed at the Theatre Royal, Covent Garden (1790)
  • 22980: The cheats of Scapin (1790)
  • 22981: A description of the painting in the Theatre (1756)
  • 23053: The capricious lovers (1764)
  • 23130: Love a-la-mode (1782)
  • 23137: The island princess (1734)
  • 23176: Il curioso indiscreto (1784)
  • 23184: Love in a village; a comic opera (1763)
  • 23196: Love in a village; a comic opera (1763)
  • 23207: Love in a village: a comic opera (1765)
  • 23218: Love in a village; a comic opera (1764)
  • 23219: The lyar (1776)
  • 23227: Love in a village; a comic opera (1771)
  • 23249: Love in a village. A comic opera (1787)
  • 23270: Love in a village; a comic opera (1766)
  • 23313: Fatal curiosity (1737)
  • 23314: The fatal curiosity. A true tragedy of three acts. As it is acted at the New Theatre in the Hay-market. By Mr. Lillo (1737)
  • 23333: Love in a village: a comic opera (1765)
  • 23354: Love in a village: a comic opera (1765)
  • 23430: Don Quixote in England (1755)
  • 23484: The fatal extravagance. A tragedy (1721)
  • 23494: Love in a village; or, the happy pair, a comic opera (1763)
  • 23549: Christian fortitude. A sermon preached before the University of Oxford, at St. Mary's Church, on St. Paul's Day, Jan. 25. 1757 (1757)
  • 23565: The fair penitent (1797)
  • 23618: Judas Macchabaeus (1798)
  • 23623: Isabella (1790)
  • 23750: L'inganno fortunato: or, the happy delusion (1727)
  • 23778: Cyrus (1768)
  • 23789: Cyrus (1769)
  • 23829: The French constitution decreed by the National Constituent Assembly during the years 1789, 1790 and 1791. Translated into English by Thomas Christie (1791)
  • 23922: Cato (1790)
  • 24173: Crotchet Lodge (1795)
  • 24203: Cymon (1767)
  • 24282: La buona figliuola (1767)
  • 24361: La buona figliuola (1775)
  • 24386: Love's last shift (1752)
  • 24397: Love's last shift (1747)
  • 24408: Love's last shift (1730)
  • 24410: Ben Johnson's last legacy to the sons of wit, mirth, and jollytry (1756)
  • 24423: A bold stroke for a husband (1784)
  • 24452: Love's last shift (1735)
  • 24538: Les brigands de?masque?s (1796)
  • 24641: The beaux stratagem. A comedy, as it is acted at the Theatre Royal by His Majesty's servants (1786)
  • 24663: Hamlet (1797)
  • 24698: Bays in council: or, A picture of a green-room (1751)
  • 24711: Douglas (1789)
  • 24748: Don Juan; or, The libertine destroy'd (1789)
  • 24748: Don Juan; or, The libertine destroy'd (1789)
  • 24770: The modern wife (1745)
  • 24823: Love's frailties (1794)
  • 24852: Miss in her teens (1789)
  • 25007: Acis and Galatea (1799)
  • 25012: A briton, the son of a Briton (1762)
  • 25074: The fugitive: a comedy (1792)
  • 25085: The fugitive: a comedy (1793)
  • 25158: The beggar's wedding (1729)
  • 25159: The beggar's wedding (1729)
  • 25333: The honest Yorkshire-Man (1736)
  • 25334: The honest Yorkshire-Man (1736)
  • 25389: The history of rebellion and civil wars in England (1706)
  • 25632: The lying valet (1760)
  • 25841: The gamester: a comedy (1734)
  • 25873: The gamester, a tragedy (1789)
  • 25894: The gamester. A tragedy (1790)
  • 26059: The london merchant (1785)
  • 26113: Lovers' vows. A play in five acts, performing at the Theatre Royal, Covent Garden. From the German of Kotzebue: by Mrs. Inchbald (1799)
  • 26191: The lady's last stake (1747)
  • 26205: Esther, an oratorio (1732)
  • 26516: A dramatic sketch, called That's your sort! (1792)
  • 26539: Ways and means (1790)
  • 26540: The poor soldier (1786)
  • 26952: Wit without mony, a comedy (1707)
  • 27025: A letter from the most renown'd pastors and professors of the Church and University of Geneva (1707)
  • 27048: The critic (1781)
  • 27052: The critic (1781)
  • 27133: Mariamne (1726)
  • 27221: Midas (1768)
  • 27333: Abra-Mule (1708)
  • 27352: Manon Lescaut ou la courtisane vertueuse (1774)
  • 27476: Monsieur Tonson (1795)
  • 27978: L'eroe cinese; drama da rappresentarsi sopra it Teatro di S.M.B. musica del Signor Galuppi detto it Buranello= (1766)
  • 28072: The weakness and wickedness of being righteous over-much; the folly of affected wisdom; and the ruin consequent upon both, asserted (1759)
  • 28078: A welcome to the medal; or an excellent new song; call'd The constitution restor'd, in 1711. To the tune of Mortimer's-Hole (1711)
  • 28090: The West Indian (1771)
  • 28362: Wit without money (1771)
  • 28567: The upholster (1795)
  • 28574: Woman's wit (1736)
  • 28703: Samson. An oratorio (1785)
  • 28821: The siege of Damascus (1720)
  • 28874: The surprising life and death of Doctor John Faustus. To which is now added, The necromancer, or, Harlequin Doctor Faustus; as performed at the Theatre Royal in Covent-Garden. Truly translated from the original copies (1766)
  • 28876: The surrender of Calais (1792)
  • 28892: Siroe re di Persia (1764)
  • 29014: Shakspeare's Much ado about nothing. Revised by J. P. Kemble, and acted by Their Majesties servants, at the Theatre Royal, Drury-Lane (1797)
  • 29014: Shakspeare's Much ado about nothing. Revised by J. P. Kemble, and acted by Their Majesties servants, at the Theatre Royal, Drury-Lane (1797)
  • 29133: Solimano: drama da rappresentarsi sopra il Teatro di S. M. B. la musica delle arie e? di varj autori. = Soliman: an opera. As it is represented at the King's Theatre in the Hay-Market. The music by different masters (1765)
  • 29393: The historical register (1738)
  • 29558: Songs, duets, & chorusses, in What a blunder! A comic opera, in three acts (1800)
  • 29561: Songs, duets, chorusses, &c (1795)
  • 29562: Songs, duets, choruses, &c (1794)
  • 29572: Songs, duets, choruses, &c (1793)
  • 29574: The songs, duets, chorusses, &c. in the musical entertainment of The farmer. Performed at the Theatre Royal, Covent Garden. The musick composed and selected by Mr. Shield (1788)
  • 29575: Songs, duetts, chorusses, &c. in an occasional entertainment called Cape St. Vincent (1797)
  • 29575: Songs, duetts, chorusses, &c. in an occasional entertainment called Cape St. Vincent (1797)
  • 29576: Songs, duets and chorusses, in The turnpike gate (1799)
  • 29576: Songs, duets and chorusses, in The turnpike gate (1799)
  • 29579: The songs, duets, &c, in The ruling passion, a comic opera (1778)
  • 29581: Songs, duets, &c. in The ring; or, love me for myself (1800)
  • 29581: Songs, duets, &c. in The ring; or, love me for myself (1800)
  • 29584: Songs, duets, &c. in The pavilion (1799)
  • 29584: Songs, duets, &c. in The pavilion (1799)
  • 29585: Songs, chorusses, &c. in the new drama of Windsor Castle (1795)
  • 29669: The sullen lovers (1720)
  • 29703: Songs, chorusses, and finale, in The birth day (1787)
  • 30032: La sposa fedele (1775)
  • 30149: A sermon preach'd before the University of Oxford on Act--Sunday July 12. 1713. By Tho. Bisse (1713)
  • 30166: Cross partners (1792)
  • 30376: The poor soldier (1788)
  • 30377: The poor soldier (1786)
  • 30667: Verses to the memory of Garrick (1779)
  • 30675: L'allegro ed il pensieroso (1792)
  • 30732: The proceedings of the visitors of University College (1723)
  • 30821: The double-Dealer (1706)
  • 30970: The sacred oratorio (1749)
  • 31136: Songs, duets, choruses, &c: in the pantomime of Harlequin & Faustus; or, the Devil will have his own. Performed at the Theatre Royal, Covent-Garden (1793)
  • 31141: Peeping Tom of Coventry (1796)
  • 31327: The poll of the freeholders of Oxfordshire, taken at Oxford, on the 17th, 18th, 19th, 20th, 22d and 23d of April 1754 (1754)
  • 31464: Fitz-giggo, a new English uproar (1763)
  • 31746: Philoclea (1755)
  • 31807: Douglas (1790)
  • 32246: The old cheese (1798)
  • 32420: A description of the painting in the Theatre (1774)
  • 32442: The prisoner at large (1788)
  • 32495: Man and wife; or, the Shakespeare Jubilee (1770)
  • 32514: The negro slaves; or, The blackman and blackbird (1799)
  • 32529: A reply to a quære concerning confirmation (1756)
  • 32548: Poverty and wealth (1799)
  • 32570: Pyrrhus and Demetrius. An opera (1710)
  • 32806: Midas. A Burletta. Writen by Kane O'Hara, Esq. Taken from The manager's book, at the Theatre Royal, Convent-Garden (1790)
  • 32927: Merope (1790)
  • 33034: A proper reply to a pamphlet, entitled, A defence of the Rector and Fellows of Exeter College, &c (1755)
  • 33090: The maid of the mill. A comic opera (1765)
  • 33124: The maid of the mill (1765)
  • 33125: Two charges delivered to the clergy of the diocese of Worcester, in the years 1763 and 1766 (1766)
  • 33135: The maid of the mill (1765)
  • 33146: The maid of the mill. A comic opera (1790)
  • 33157: The maid of the mill. A comic opera (1783)
  • 33763: Robbery (1794)
  • 33766: Giulio Cesare in Egitto. Drama. Da rappresentarsi nel Regio Teatro di Hay-Market (1732)
  • 34450: The old women weatherwise, an interlude (1788)
  • 34483: Ode for music, as performed at the Theatre in Oxford, on the second of July, 1751 (1751)
  • 34604: The necessity of a standing ministry to promote and preserve virtue ... By J. Edwards (1745)
  • 34651: The new London city jester (1794)
  • 35139: Oroonoko (1739)
  • 35159: The order of a concert to be perform'd for Mr. Lampe's benefit (1729)
  • 35229: An ode in praise of musick (1707)
  • 35241: Myrtillo (1716)
  • 35256: An ode to be performed on the Chancellor's taking his seat in the Theatre (1763)
  • 35419: Daphne and Amintor (1778)
  • 35736: For the benefit of Mr. Christopher Smart (1759)
  • 35960: A day in Turkey; or, The Russian slaves (1792)
  • 36023: Case of the Royalty Theatre (1788)
  • 36031: Arlequin balourd, comedie italienne, en cinq actes, comme elle a e?te? represente?e sur le Theatre Roial de Hay-Market, (1719)
  • 36519: Mary, Queen of Scots, a tragedy (1789)
  • 36550: Mary, Queen of Scots, a tragedy (1789)
  • 36752: Il barbiere di Siviglia (1789)
  • 36814: The castle spectre: A drama. In five acts (1798)
  • 36959: The beaux stratagem (1780)
  • 36969: The maid of the oaks (1794)
  • 37034: The mayor of Garratt (1790)
  • 37223: Mariamne (1726)
  • 37267: The maid of Normandy (1794)
  • 37271: Case of the theatre in Well-Street, in the liberty of the Tower-Hamlets (1790)
  • 37279: The maid of Bath. A comedy (1794)
  • 37300: The cobler of Preston (1775)
  • 37404: By command of the King of Kings (1774)
  • 37461: Mahomet the impostor (1790)
  • 37740: The masquerade (1719)
  • 37848: Concerto spirituale (1765)
  • 37898: The jolly water-man. A new song sung in the entertainment of The water-man. At Covent Garden Theatre (1775)
  • 38098: The miser (1788)
  • 38141: The miser (1790)
  • 38281: For the benefit of Mr. Rogers (1724)
  • 38296: Miss in her teens (1771)
  • 38341: Miss in her teens (1787)
  • 38617: Aurelio and Miranda (1799)
  • 38853: The whole book of the play of The deuce is in him (1763)
  • 38879: Macbeth (1785)
  • 38934: Love a-la-mode (1793)
  • 38967: The airs, chorusses, &c. in the new pantomime, called Harlequin captive; or, the magick fire. As performed by His Majesty's servants, at the Theatre-Royal, Drury-Lane. The musick by Mr. W. Linley. (1796)
  • 39372: Demophontes King of Thrace (1737)
  • 39476: The jovial jester; or Tim. Grin's delight (1793)
  • 39557: A critical balance of the performers at Drury-Lane Theatre (1766)
  • 39567: Songs, duets, & choruses, in the pantomimical drama of Obi (1800)
  • 39567: Songs, duets, & choruses, in the pantomimical drama of Obi (1800)
  • 39649: Songs, duets, &c. in Vertumnus and Pomona (1782)
  • 39664: The songs airs duets & chorusses in the Masque of King Arthur (1770)
  • 40035: The Spartan dame (1721)
  • 40055: King Henry the Vii (1746)
  • 40198: The deaf lover (1781)
  • 40665: King's Theatre. Mr. Harrison most respectfully acquaints the nobility, gentry, and his friends in general, that his annual concert will be performed in the Great Room, King's Theatre, on Friday next, the 11th of May. The performance will be on the same grand scale as heretofore. (1792)
  • 40710: The mountaineers (1794)
  • 40732: The fairy festival (1797)
  • 40732: The fairy festival (1797)
  • 40847: The mistake (1734)
  • 40909: A narrative of the rise and progress of the disputes subsisting between the patentees of Covent-Garden Theatre (1768)
  • 40981: A discourse delivered in the Theatre at Oxford (1759)
  • 41026: The lyar (1793)
  • 41136: The nature and reasonableness of the inward call and outward mission to the holy ministry consider'd (1754)
  • 41149: Tamerlane: a tragedy (1790)
  • 41159: The Carmelite (1785)
  • 41178: The recruiting officer (1709)
  • 41298: The critic or A tragedy rehearsed a dramatic piece in three acts as it is performed at the Theatre Royal in Drury Lane by Richard Brinsley Sheridan Esqr[.] (1795)
  • 41366: Tis well if it takes. A comedy. As it is acted at the Theatre in Lincolns-Inn-Fields. Written by Mr. Taverner (1719)
  • 41419: Songs, trios, &c. and finales (1797)
  • 41477: The history of the Scottish stage (1793)
  • 41491: Scipio africanus: a tragedy (1718)
  • 41626: Cymon (1793)
  • 41700: The country girl (1791)
  • 41897: The mock doctor (1790)
  • 41919: New and familiar phrases and dialogues in French and English (1736)
  • 41941: The mock lawyer (1733)
  • 42062: Cyrus (1728)
  • 42157: The royal convert (1791)
  • 42166: Rule Britannia! (1794)
  • 42196: I viaggiatori felici (1782)
  • 42213: The tragical history of King Richard III (1793)
  • 42326: A Volume of plays (1785)
  • 42360: Four ballads sung by Mrs. Barbier (1728)
  • 42391: Artaxerxes (1792)
  • 42443: Arthur and Emmeline (1790)
  • 42459: A dramatick entertainment, call'd The necromancer (1724)
  • 42461: Venceslao (1731)
  • 42555: Pizarro (1799)
  • 42633: Five sermons preach'd at Oxford (1753)
  • 42669: Poverty and wealth (1799)
  • 42746: As you like it (1791)
  • 42817: A crust for the critics (1761)
  • 42868: The reprisal: or, the tars of Old England (1757)
  • 43605: De Monfort (1800)
  • 43677: No fools like wits (1721)
  • 44552: Demofoonte. Drama per musica (1765)
  • 44553: A concise statement of transactions and circumstances respecting the King's Theatre, in the Haymarket (1791)
  • 44553: A concise statement of transactions and circumstances respecting the King's Theatre, in the Haymarket (1791)
  • 44594: Reflections upon declamation; or, the art of speaking in publick (1741)
  • 45005: The citizen. A farce (1766)
  • 45016: The citizen. A farce (1790)
  • 45070: The new and complete English spouter (1781)
  • 45200: The fall of Mortimer (1731)
  • 45321: High life below stairs (1780)
  • 46380: Concerts of antient music (1798)
  • 46414: Concerts of antient music (1800)
  • 46640: Virginia. A new serious opera, in two acts. As performed at the King's Theatre in the Hay-Market. The music by signor Angelo Tarchi, a celebrated Neapolitan composer. Under the direction of signor Cherubini (1786)
  • 46999: The impostors (1789)
  • 47181: The fall of Mortimer (1731)
  • 47782: I zingari in fiera (1793)
  • 47815: The itinerary (1768)
  • 47851: Arbace (1733)
  • 48010: Songs, duets, trios, and finales in Ramah Droog, or, wine does wonders (1798)
  • 48017: Songs, duos, trios, chorusses, &c, in the comic opera of The carnival of Venice, as it is performed at the Theatre Royal, Drury Lane (1781)
  • 48018: The lady of the manor (1795)
  • 48034: The lady's triumph; a comi-dramatic opera: as it is now perform'd at the Theatre in Lincoln's-Inn-Fields. With all the entertainments of musick, and the whole description of the scenes and machinary, &c. By E.S (1718)
  • 48097: The imprudent counsel. A comic opera, in one act. As represented at the King's Theatre, in the Hay-market. By L. Da Ponte, ... The music entirely new, and composed by Signor F. Bianchi, (1796)
  • 48606: [A] description of the painting in the Theatre (1764)
  • 48763: Catherine and Petruchio. A comedy. Altered from Shakespeare, by David Garrick, Esq. Taken from the manager's book at the Theatre Royal, Covent-Garden (1790)
  • 48939: A volume of plays (1786)
  • 48957: Theodosius: or, the force of love: a tragedy (1735)
  • 49055: The court of Alexander (1770)
  • 49085: Two speeches made in the Theatre at Oxford (1714)
  • 49297: La locanda. A comic opera, as represented at the King's Theatre, Pantheon (1791)
  • 49300: La camiera astuta (1788)
  • 49318: Don Sebastian (1727)
  • 49378: The London merchant (1788)
  • 49380: The london merchant (1776)
  • 49385: The London merchant (1747)
  • 49404: The loyal brother; or, the Persian prince (1713)
  • 49859: Orpheus and Eurydice; an opera (1740)
  • 49860: Orpheus and Eurydice. An opera (1740)
  • 49861: Oscar & Malvina (1795)
  • 49880: The rehearsal (1709)
  • 49977: The recruiting officer (1783)
  • 50095: The poetical work of Mr. James Barber late of Christ-Church College, Oxford (1740)
  • 50198: Blue-beard; a female curiosity! A dramatic romance, first represented at the Theatre Royal Drury-Lane. Written by George Colman, the younger (1800)
  • 50629: The artful husband (1718)
  • 50992: The trial of James Hadfield (1800)
  • 51414: Nitteti, a serious opera (1785)
  • 51591: Admeto (1727)
  • 51961: An Act for the better securing a fund, belonging to certain persons of the Theatre Royal in Drury-lane, applicable to charitable uses (1776)
  • 51981: An Act for securing a fund, belonging to certain persons of the Theatre Royal, Covent-garden, applicable to charitable uses (1776)
  • 52836: The contrivances (1761)
  • 53245: An apology for the life of George Anne Bellamy (1785)
  • 53289: The hills of Hybla (1767)
  • 53698: The impostors (1790)
  • 53709: The impostors (1789)
  • 53750: The conscious lovers (1723)
  • 53751: The conscious lovers (1723)
  • 53986: Anti-Thespis (1767)
  • 54482: Laura et Lenza (1800)
  • 54993: The minor (1790)
  • 55377: A mock opera, call'd Venus and Adonis (1713)
  • 55377: A mock opera, call'd Venus and Adonis (1713)
  • 55380: Miss in her teens: or, The medley of lovers (1772)
  • 55660: The chaplet (1750)
  • 55663: The beaux's of pleasure's recreation (1740)
  • 55846: I viaggiatori (1768)
  • 56125: The New English Theatre in eight volumes (1776)
  • 56179: The New English Theatre Vol. VI. Oroonoko, George, Barnwell, Venice preserved, Tamerlane, distrest mother (1776)
  • 56181: The New English Theatre Vol. III (1776)
  • 56183: The New English Theatre Vol. II (1776)
  • 56244: Pamela: or, Virtue triumphant (1741)
  • 56298: The revenge. A tragedy (1735)
  • 56851: Ernelinda (1715)
  • 57144: Saul, an oratorio (1738)
  • 57144: Saul, an oratorio (1738)
  • 57221: The conscious lovers (1723)
  • 57639: A prologue in the opera call'd Camilla (1706)
  • 57656: The unhappy favourite (1709)
  • 57878: Every one has his fault (1793)
  • 58277: The contrivances (1759)
  • 58510: The London merchant (1750)
  • 58563: The pleasures of gratitude and benevolence improved by church-musick (1769)
  • 58697: The beaux stratagem (1749)
  • 58889: The fathers (1778)
  • 58907: The noble pedlar: or, The fortune hunter (1771)
  • 58962: Gli schiavi per amore (1788)
  • 59012: The dramatist (1790)
  • 59023: The songs, duets, chorusses, &c. in the musical entertainment of the farmer (1788)
  • 59042: The most know[ing] least understanding. Or, Harlequin's metamorphosis (1726)
  • 59042: The most know[ing] least understanding. Or, Harlequin's metamorphosis (1726)
  • 59062: The devil to pay; or, the wives metamorphos'd (1790)
  • 59160: Il matrimonio segreto (1794)
  • 59427: A dramatick entertainment, call'd The necromancer (1724)
  • 59427: A dramatick entertainment, call'd The necromancer (1724)
  • 59509: The Blessings of p****, and a Scotch excise: or The humbug resignation (1762)
  • 59570: Three weeks after marriage (1793)
  • 59593: The Theatre turned upside down: or, The mutineers (1733)
  • 59786: The maid of the mill. A comic opera (1767)
  • 59889: Songs, duets, & choruses, in The review (1800)
  • 59926: The Negro slaves (1799)
  • 60358: A sketch of who wins? or, the widow's choice (1800)
  • 60468: A sketch of begone dull care, or how will it end (1800)
  • 60498: Selima & Azore (1776)
  • 60613: A woman's revenge: or, a match in Newgate (1735)
  • 60736: The generous conquerour (1702)
  • 60956: Rinaldo, a new serious opera, as performed at the King's Theatre in the Hay-Market. The music entirely new, by the celebrated Signor Sacchini (1780)
  • 60984: Eihgth [sic] night. Theatre Royal, Drury-Lane, a grand selection of sacred music, from the works of G.F. Handel (1789)
  • 60984: Eihgth [sic] night. Theatre Royal, Drury-Lane, a grand selection of sacred music, from the works of G.F. Handel (1789)
  • 60984: Eihgth [sic] night. Theatre Royal, Drury-Lane, a grand selection of sacred music, from the works of G.F. Handel (1789)
  • 61639: Esther, an oratorio (1733)
  • 61639: Esther, an oratorio (1733)
  • 61674: The trial of Mr. John Palmer, comedian (1787)
  • 61736: Who's the dupe? (1779)
  • 61793: The Words of the favourite catches and glees, which with the elegant and humorous music (1771)
  • 61832: He's much to blame (1798)
  • 61912: What a blunder! (1800)
  • 61950: The minor (1798)
  • 61951: The way to keep him (1760)
  • 62076: Alexander the Graet [sic]: an opera· (1715)
  • 62123: The Messiah (1798)
  • 62189: The hypocrite (1769)
  • 62279: Retaliation, a farce, in two acts (1782)
  • 62303: For the benefit of Mr. R. Palmer. Theatre Royal, Drury-Lane, this present Friday, May, 29, 1795 (1795)
  • 62400: Theatre-Royal, Covent-Garden, this present Wednesday, Nov. 12, 1794, will be presented a comedy, called Much ado about nothing (1794)
  • 62456: Theatre-Royal, Covent-Garden, this present Monday, Feb. 23, 1795, will be presented a historical play, in five acts, called England Preserv'd. ... After which, (25th time) will be performed a pantomime, call Mago and dago; or, Harlequin the hero. (1795)
  • 62458: By His Majesty's company. At the Theatre Royal in Drury Lan[e], this present Saturday, being the 26th of February, the Discovery (1762)
  • 62458: By His Majesty's company. At the Theatre Royal in Drury Lan[e], this present Saturday, being the 26th of February, the Discovery (1762)
  • 62490: New Theatre Royal, Covent-Garden (1792)
  • 62553: At the Theatre Royal in Covent-Garden, this present Thursday, being the 21st of February, will be presented a tragedy, call'd Theodosius: or, The force of love (1754)
  • 62553: At the Theatre Royal in Covent-Garden, this present Thursday, being the 21st of February, will be presented a tragedy, call'd Theodosius: or, The force of love (1754)
  • 62617: For the benefit of Mr. Fosbrook, box-book and house-keeper. Theatre Royal Drury Lane, on Thursday next, May the 30th. 1799, their Majesties servants will perform a new comedy in five acts called the Secret. With new dresses, and decorations. The characters by Mr, R. Palmer, ... Miss Pope. To which will be added the dramatick romance of Blue Beard; or, female curiosity. (1799)
  • 62617: For the benefit of Mr. Fosbrook, box-book and house-keeper. Theatre Royal Drury Lane, on Thursday next, May the 30th. 1799, their Majesties servants will perform a new comedy in five acts called the Secret. With new dresses, and decorations. The characters by Mr, R. Palmer, ... Miss Pope. To which will be added the dramatick romance of Blue Beard; or, female curiosity. (1799)
  • 62631: Variety; containing original and selected songs in that favourite entertainment (1790)
  • 62646: The disbanded officer (1786)
  • 62746: Artaxerxes (1792)
  • 62755: Flora; or, hob in the well (1787)
  • 62777: Flora; an opera (1729)
  • 63083: The duenna or Double elepement (1775)
  • 63087: The druriad (1798)
  • 63093: The power of harmony, an ode (1754)
  • 63153: Flora; an opera (1749)
  • 63332: L'eroe cinese (1782)
  • 63357: The fourteenth night. By His Majesty's company. At the Theatre Royal in Drury-Lane. This present Saturday, being the 26th of February, ... the Discovery. The characters by Mr. Garrick, ... Miss Bride, and Mrs. Pritchard. To which will be reviv'd a ballad farce, (acted but once these 20 years) called Phebe or, the Beggar's Wedding. (1762)
  • 63527: Flora; or, Hob in the well (1775)
  • 63864: Flora; an opera (1750)
  • 64068: Cymon (1767)
  • 64145: The nature and excellency of Christian zeal considered (1761)
  • 64162: The death of Abel (1768)
  • 64162: The death of Abel (1768)
  • 64264: Eliza; an English opera (1757)
  • 64357: Gretna Green, a comic opera (1783)
  • 64420: The german hotel; a comedy (1791)
  • 64476: He would be a soldier (1786)
  • 64485: An essay on satirical entertainments (1772)
  • 64555: The honest Yorkshire-man. A ballad farce. Refus'd to be acted at Drury-Lane playhouse: but now perform'd at the New Theatre in goodman's fields, with great applause. Written by Mr. Carey (1736)
  • 64555: The honest Yorkshire-man. A ballad farce. Refus'd to be acted at Drury-Lane playhouse: but now perform'd at the New Theatre in goodman's fields, with great applause. Written by Mr. Carey (1736)
  • 64595: The happy lovers: or, the beau metamorphos'd. An opera (1736)
  • 64603: The government of the heart. A sermon preached before the University of Oxford, at St. Peter's, on Sunday, February 26. 1758. By Francis Webber, (1758)
  • 64691: The history of King Lear (1768)
  • 64716: The double gallant (1707)
  • 64800: The history and fall of Caius Marius (1703)
  • 64846: The fatal vision (1716)
  • 64948: The double disguise (1784)
  • 65066: The haunted tower (1790)
  • 65127: The inconstant (1751)
  • 65151: Ignez de Castro (1800)
  • 65180: Epilogue: spoken by Mrs. Mountfort at the Theatre Royal in Drury Lane (1705)
  • 65218: The intriguing chambermaid (1780)
  • 65227: The foundling (1790)
  • 65230: Five thousand a year, a comedy (1799)
  • 65312: Julius Cæsar (1751)
  • 65362: The Grecian daughter. A tragedy (1790)
  • 65418: The history of the life and reign of the valiant Prince Edward (1739)
  • 65458: Falstaff's wedding (1766)
  • 65594: The fair penitent, a tragedy (1790)
  • 65708: The family guide to health (1767)
  • 65742: Iphigenia in Aulis (1793)
  • 65852: Esther, an oratorio (1732)
  • 65852: Esther, an oratorio (1732)
  • 65964: The fair Circassian. A tragedy (1781)
  • 66108: Isabella (1800)
  • 66125: The irish widow (1772)
  • 66141: The history and chronology of the fabulous ages considered (1764)
  • 66279: A discourse made by the Right Reverend Dr. Sprat (1761)
  • 66281: A discourse of church-government (1753)
  • 66392: The Earl of Essex (1780)
  • 66689: The life and death of Doctor Faustus made into a farce (1724)
  • 66709: An enquiry into the origin of the Cherokees (1762)
  • 66866: An essay on satirical entertainments (1772)
  • 66919: The island princess (1724)
  • 67274: Fifteen sermons preach'd on various occasions (1743)
  • 67275: Fifteen sermons preach'd before the University of Oxford (1741)
  • 67385: Flora; an opera (1729)
  • 67386: Flora; an opera (1729)
  • 67465: The padlock (1770)
  • 67466: The padlock (1790)
  • 67543: Nancy; or, the country-girl at court (1781)
  • 67652: The agreeable surprise (1796)
  • 67918: The particulars of a leasehold estate, situate in Took's-Court, Chancery-Lane (1795)
  • 68740: the triumph of love (1713)
  • 69450: The plan of the boxes at the King's Theatre Hay-market (1794)
  • 69450: The plan of the boxes at the King's Theatre Hay-market (1794)
  • 69631: Mahomet the impostor (1796)
  • 70594: The Resurrection, a sacred oratorio (1770)
  • 70595: Alfred the Great; an oratorio (1740)
  • 70920: The critic (1781)
  • 71182: The Theatre (1720)
  • 72068: The Theatre (1720)
  • 72158: The Morning herald (1786)
  • 72216: Ayre's Sunday London gazette, and weekly monitor (1783)
  • 72509: The British magazine. Or Monthly repository for gentlemen & ladies (1760)
  • 72656: The Dramatic censor; or, Weekly theatrical report (1800)
  • 72705: The Cambridge journal, and weekly flying-post (174u)
  • 73072: The Middlesex journal, and evening-post (17uu)
  • 73074: The Middlesex journal, and London evening-post (1783)
  • 73384: The Whigg (1718)
  • 75390: An account of the late persecution of the Protestants in the vallys of Piemont; by the Duke of Savoy and the French King, in the year 1686 (1688)
  • 75675: The man of mode, or, Sr Fopling Flutter (1684)
  • 75712: The history and fall of Caius Marius (1680)
  • 75771: The orphan: or, The unhappy-marriage (1680)
  • 75772: The souldiers fortune (1681)
  • 75812: The ambitious slave: or, a generous revenge (1694)
  • 75814: The plain-dealer (1677)
  • 75885: Don Carlos Prince of Spain (1679)
  • 75932: Fatal love: or, The forc'd inconstancy (1680)
  • 75977: The sullen lovers: or, The impertinents (1693)
  • 75988: Love and revenge (1675)
  • 76003: Alcibiades (1675)
  • 76004: Alcibiades (1687)
  • 76041: The heir of Morocco (1682)
  • 76060: The atheist: or, The second part of The souldiers fortune (1684)
  • 76061: Don Carlos Prince of Spain (1676)
  • 76086: A sermon preached at Guilford in Surrey June the 22d, 1691. at the Lord Bishop of Winchester's visitation. By T. Spark D.D. rector of Ewhurst in Surrey, and late student of Christ Church in Oxford (1691)
  • 76090: Cæsar Borgia; son of Pope Alexander the Sixth (1680)
  • 76091: The rambling justice, or The jealous husbands (1678)
  • 76142: The loving enemies (1680)
  • 76147: The jealous husbands (1680)
  • 76148: The Princess of Cleve (1689)
  • 76154: The revenge: or, A match in Newgate (1680)
  • 76260: The unhappy favourite: or The Earl of Essex (1682)
  • 76309: The traytor (1692)
  • 76400: A prologue spoken at Mithridates King of Pontus, the first play acted at the Theatre Royal this year, 1681 (1681)
  • 76404: The she-gallants: a comedy (1700)
  • 76487: The fatal jealousie (1673)
  • 76496: Julius Cæsar (1695)
  • 76547: The morning ramble, or, The town-humours (1673)
  • 76588: The old batchelor· (1693)
  • 76800: The mock-tempest: or The enchanted castle (1675)
  • 76844: She ventures, and he wins (1696)
  • 76846: The world in the moon (1697)
  • 76865: The Spanish fryar or, the double discovery (1681)
  • 76981: Sir Salomon; or, The cautious coxcomb (1671)
  • 77020: The maids last prayer: or, any, rather than fail (1693)
  • 77170: The injur'd lovers: or, The ambitious father (1688)
  • 77203: The old batchelour (1693)
  • 77214: The mourning bride (1697)
  • 77225: Love for love (1695)
  • 77317: The Usurper, a tragedy (1668)
  • 77457: The destruction of Troy (1679)
  • 77484: The woman turn'd bully (1675)
  • 77517: Vertue betray'd: or, Anna Bullen (1682)
  • 77662: Mithridates King of Pontus (1678)
  • 77692: The loyal brother or the Persian prince (1682)
  • 77753: The comical revenge; or, love in a tub (1669)
  • 77754: The comical revenge; or, Love in a tub (1667)
  • 77769: The city lady: or, folly reclaim'd (1697)
  • 78085: Four conferences (1688)
  • 78326: The gentleman dancing-master (1673)
  • 78496: Caligula (1698)
  • 78807: Juliana or The princess of Poland (1671)
  • 78917: Agnes de Castro (1696)
  • 78934: The virtuoso (1676)
  • 78992: The odes, satyrs, and epistles of Horace. Done into English (1684)
  • 79056: The London cockolds (1682)
  • 79058: Tom Essence: or, The modish wife (1677)
  • 79088: Catiline his conspiracy· (1669)
  • 79578: The misery of civil-war (1680)
  • 79589: Antony and Cleopatra (1677)
  • 79631: The tragical history of King Richard III (1700)
  • 79642: The London cuckolds· (1697)
  • 79660: The rape of Europa by Jupiter· (1694)
  • 79764: The volunteers, or the stock-jobbers (1693)
  • 79960: Macbeth (1695)
  • 80016: Macbeth (1687)
  • 80029: The successfull straingers (1690)
  • 80231: The tempest, or The enchanted island (1690)
  • 80666: The history of King Lear (1689)
  • 80766: The history of King Lear (1699)
  • 81139: Vittoria Corombona, or, The white devil (1672)
  • 81199: Tyrannick love; or, the royal martyr (1686)
  • 81202: The history of King Richard the Second (1681)
  • 81225: The man of Newmarket· (1678)
  • 81253: Julius Cæsar (1684)
  • 81403: Enquiries into human nature (1680)
  • 81465: K. Henry IV (1700)
  • 81487: A fond husband: or, The plotting sisters (1685)
  • 81543: A fond husband: or, The plotting sisters (1678)
  • 81571: Aureng-Zebe (1692)
  • 81574: Macbeth (1674)
  • 81699: Love for money: or, The boarding school (1691)
  • 81713: Brutus of Alba: or, The enchanted lovers (1678)
  • 81834: The kind keeper; or, Mr. Limberham (1680)
  • 81839: Measure for measure, or Beauty the best advocate (1700)
  • 81877: Theodosius: or, The force of love (1697)
  • 81902: Sr. Hercules Buffoon: or The poetical squire (1684)
  • 81920: Oedipus (1687)
  • 82116: Troilus and Cressida, or, Truth found too late (1679)
  • 82136: Love in the dark, or the man of bus'ness· (1675)
  • 82214: The Spanish fryar, or, The double discovery (1690)
  • 82361: The elder brother (1678)
  • 82520: Don Sebastian, King of Portugal (1690)
  • 82570: The banish'd duke: or, The tragedy of Infortunatus (1690)
  • 82708: The Spanish fryar: or, The double discovery (1695)
  • 82762: Amphitryon; or, the two Socia's (1690)
  • 82859: The history of Timon of Athens, the man-hater (1688)
  • 82860: Pastor fido: or, The faithful shepherd (1677)
  • 82877: Archæologiæ græcæ: or, The antiquities of Greece (1699)
  • 82900: Tamerlane the Great (1681)
  • 83083: Othello, the Moor of Venice (1687)
  • 83084: Othello, the Moor of Venice (1695)
  • 83134: The tempest, or The enchanted island (1670)
  • 83264: Tyrannick love; or, the royal martyr (1695)
  • 83284: Titus Andronicus, or The rape of Lavinia (1687)
  • 83370: The tragedy of Hamlet Prince of Denmark (1676)
  • 83490: Squire Oldsapp: or, the night-adventurers (1679)
  • 83492: The tragedy of Hamlet Prince of Denmark (1683)
  • 83623: The island princess, or The generous Portuguese (1699)
  • 83663: The siege of Babylon (1678)
  • 83701: Flora's vagaries (1670)
  • 83792: Bonduca: or, The British heroine (1696)
  • 83881: Rule a wife, and have a wife (1697)
  • 83986: Love triumphant; or, Nature will prevail· (1694)
  • 84042: The siege of Constantinople (1675)
  • 84158: The conquest of China, by the Tartars (1676)
  • 84245: She wou'd if she cou'd (1668)
  • 84384: Xerxes (1699)
  • 84496: Don Carlos Prince of Spain (1686)
  • 84620: Epsom-Wells (1673)
  • 84662: The history of Timon of Athens, the man-hater (1678)
  • 84770: Rare en tout (1677)
  • 84882: The London cuckolds· (1683)
  • 85034: Herod and Mariamne (1673)
  • 85111: The loves of Mars & Venus· (1696)
  • 85111: The loves of Mars & Venus· (1696)
  • 85385: The counterfeit bridegroom: or the defeated widow (1677)
  • 85419: The changeling (1668)
  • 85475: The double-dealer (1694)
  • 85553: Love without interest: or, The man too hard for the master (1699)
  • 85766: King Arthur: or, The British vvorthy (1691)
  • 85767: Albion and Albanius (1685)
  • 85810: Aureng-Zebe: a tragedy (1676)
  • 85836: Cleomenes, the Spartan heroe (1692)
  • 85879: The forc'd marriage: or, The jealous bridegroom (1690)
  • 86473: The conspiracy or The change of government (1680)
  • 86693: The history of King Lear (1681)
  • 86728: Epsom-wells (1676)
  • 86737: The loyal general (1680)
  • 86739: The fatal discovery; or, Love in ruines (1698)
  • 86743: The devil of a wife, or a comical transformation (1686)
  • 86800: Catalogus librorum bibliothecæ selectissimæ Doctiss Rev, Viri D. Joannis Arthurii Londinensis (1683)
  • 86805: The tempest, or The enchanted island (1674)
  • 86808: The Italian husband (1698)
  • 87000: Friendship in fashion (1678)
  • 87025: A pindarick ode, upon the death of His late sacred Majesty King Charles the Second (1685)
  • 87056: Philaster: or, Love lies a bleeding (1695)
  • 87085: The forc'd marriage, or The jealous bridegroom (1688)
  • 87244: The old batchelour (1693)
  • 87518: The country-wife (1675)
  • 87838: The tempest, or The enchanted island (1676)
  • 87929: The siege of Rhodes (1663)
  • 87987: Courtship a-la-mode (1700)
  • 88037: The theory and regulation of love· (1688)
  • 88085: The comical revenge; or, love in a tub (1664)
  • 88149: The royalist· (1682)
  • 88152: Wits interpreter: the English Parnassus. Or, A sure guide to those admirable accomplishments that compleat our English gentry, in the most acceptable qualifications of discourse or writing (1671)
  • 88159: A common-wealth of vvomen· (1686)
  • 88187: Oedipus (1679)
  • 88265: The ambitious statesman, or The loyal favourite (1679)
  • 88390: Wits interpreter, the English Parnassus. Or, A sure guide to those admirable accomplishments that compleat our English gentry, in the most acceptable qualifications of discourse or writing (1662)
  • 88637: The anatomist: or, The sham doctor (1697)
  • 88782: Ibrahim the illustrious Bassa (1677)
  • 88819: Psyche (1675)
  • 88902: The countrey wit· (1675)
  • 88941: The comical history of Don Quixote (1694)
  • 88946: Theodosius: or, The force of love (1692)
  • 88947: Theodosius: or, The force of love (1684)
  • 88956: The mock-duellist, or, The French vallet (1675)
  • 88966: Theodosius: or, The force of love (1680)
  • 89019: The unhappy favourite: or The Earl of Essex (1685)
  • 89055: Pyrrhus King of Epirus (1695)
  • 89066: Boadicea Queen of Britain (1697)
  • 89077: Friendship improv'd; or, the female warriour (1700)
  • 89170: All mistaken, or the mad couple (1672)
  • 89220: The provok'd wife (1697)
  • 89293: T. Lucretius Carus. The Epicurean philosopher, his six books De natura rerum (1683)
  • 89301: Macbeth (1687)
  • 89542: The imposture defeated: or, A trick to cheat the devil (1698)
  • 89645: Prologue to His Royal Highness, upon his first appearance at the Duke's Theatre since his return from Scotland. Written by Mr. Dryden. Spoken by Mr. Smith (1682)
  • 89987: The prophetess: or, The history of Dioclesian. Written by Francis Beaumont and John Fletcher. With alterations and additions, after the manner of an opera. Represented at the Queen's Theatre, by Their Majesties Servants (1690)
  • 90257: Enquiries into human nature (1697)
  • 90620: The island princess: or the generous Portugal (1669)
  • 90680: Miscellany poems and translations by Oxford hands (1685)
  • 91325: Albion and Albanius (1691)
  • 91394: The factious citizen, or, The melancholy visioner (1685)
  • 91453: The rambling justice, or the jealous husbands (1678)
  • 91468: Macbeth (1674)
  • 91604: A king and no king (1676)
  • 91956: Bibliotheca realis & instructissima, sive, Catalogus variorum librorum (1690)
  • 92021: The mourning bride (1697)
  • 92950: Abdelazer: or, The Moor's revenge (1693)
  • 93317: A most excellent eloquent speech (1683)
  • 93561: Tartuffe: or The French Puritan (1670)
  • 93734: The old batchelour (1693)
  • 93774: Love for money: or, The boarding school (1691)
  • 94308: A joviall crew: or the merry beggars (1661)
  • 94332: Certain sermons or homilies appointed to be read in churches in the time of Queen Elizabeth of famous memory (1683)
  • 94806: The Oxford almanack for the year of our Lord God 1673 (1673)
  • 95009: Henry the Sixth, the first part (1681)
  • 95145: The Richmond heiress: or, A woman once in the right (1693)
  • 95313: Prologue to a new play called Venice preserv'd, or, The plot discovered (1682)
  • 95461: The scornfull lady (1691)
  • 95467: Of education· (1683)
  • 95470: The history of Henry the Fifth (1677)
  • 95721: A jovial crew: or, The merry beggars· (1684)
  • 95890: The countrey wit (1693)
  • 95920: The old batchelour (1693)
  • 96282: Womans wit: or, The lady in fashion (1697)
  • 96454: The kind keeper; or, Mr. Limberham (1690)
  • 96456: Prologue to His Royal Highness, upon his first appearance at the Duke's Theatre since his return from Scotland. Written by Mr. Dryden. Spoken by Mr. Smith (1682)
  • 96937: Titus Lucretius Carus his six books of Epicurean philosophy, done into English verse, with notes (1683)
  • 97086: The destruction of Jerusalem by Titus Vespasian (1677)
  • 97155: The devil of a wife, or A comical transformation (1693)
  • 97503: The Holy Bible (1682)
  • 97785: The liee and death of Doctor Faustus, made into a farce· (1697)
  • 97895: A fool's preferment, or, The three Dukes of Dunstable (1688)
  • 97904: The innocent mistress (1697)
  • 98090: The destruction of Jerusalem by Titus Vespasian (1693)
  • 98118: Amphitryon; or, the two Sosia's (1694)
  • 98125: Tyrannick love: or, the royal martyr (1677)
  • 98132: Love for money: or, The boarding school (1696)
  • 98583: The history of Timon of Athens, the man-hater (1688)
  • 98731: The fatal marriage: or, The innocent adultery (1694)
  • 98790: The false friend, or, the fate of disobedience· (1699)
  • 98974: A new opera; called, Brutus of Alba: or, Augusta's triumph (1697)
  • 99017: The souldiers fortune (1695)
  • 99018: Venice preserv'd, or, A plot discover'd (1696)
  • 99180: Flora's vagaries (1677)
  • 99183: The massacre of Paris (1690)
  • 99360: Vertue betray'd: or, Anna Bullen (1692)
  • 99374: The maids tragedy (1686)
  • 99461: Alphonso King of Naples· (1691)
  • 99517: Bussy D'Ambois, or The husbands revenge (1691)
  • 99609: Mithridates King of Pontus (1685)
  • 99784: Amphitryon; or, the two Sosia's (1691)
  • 99887: The provok'd wife (1698)
  • 99930: The false count, or, A new way to play an old game (1682)
  • 99970: Wits led by the nose; or, A poet's revenge (1678)
  • 100028: The marriage-hater match'd (1692)
  • 100132: Agrippa King of Alba: or, The false Tiberinus (1675)
  • 100239: Tyrannick love, or the royal martyr (1670)
  • 100279: The feign?d curtizans, or, A nights intrigue (1679)
  • 100281: The declamations of Quintilian (1686)
  • 100284: The female prelate (1689)
  • 100289: Tyrannick love: or, the royal martyr (1672)
  • 100325: Troilus and Cressida, or, Truth found too late (1695)
  • 100357: Sir Patient Fancy (1678)
  • 100361: Troilus and Cressida, or, truth found too late (1679)
  • 100375: The younger brother: or, The amorous jilt (1696)
  • 100459: The Spanish fryar, or, The double discovery (1686)
  • 100566: Sr Martin Mar-all, or, The feign'd innocence (1678)
  • 100612: Sr Martin Mar-all, or The feign'd innocence (1669)
  • 100676: Aureng-Zebe (1685)
  • 100731: Aureng-Zebe (1694)
  • 100733: Don Sebastian, King of Portugal (1692)
  • 100962: Piso's conspiracy (1676)
  • 101137: Wits interpreter, the English Parnassus. Or, A sure guide to those admirable accomplishments that compleat our English gentry, in the most acceptable qualifications of discourse, or writing (1655)
  • 101355: The tragedy of Hamlet Prince of Denmark (1695)
  • 101571: Fathers own son (1660)
  • 101917: The tragedy of Hamlet Prince of Denmark (1676)
  • 101926: A sermon preached before the King at White-hall November 23. 1684 (1685)
  • 101940: The argument of the Letter concerning toleration, briefly consider'd and answer'd (1690)
  • 102271: A prologue by Mr. Settle to his new play, called The Emperor of Morocco, with the life of Gayland (1682)
  • 102389: The siege of Rhodes (1670)
  • 102397: Oedipus (1695)
  • 102399: Oedipus (1692)
  • 102459: Oedipus (1682)
  • 102705: The town--shifts, or, The suburb-justice (1671)
  • 102807: King Arthur: or, The British worthy (1695)
  • 102858: The grove, or, Love's paradice (1700)
  • 103301: The history and fall of Caius Marius (1696)
  • 103303: The orphan or, The unhappy-marriage (1696)
  • 103355: The souldiers fortune (1687)
  • 103403: Mamamouchi, or The citizen turn'd gentleman (1675)
  • 103479: The lost lover; or, the jealous husband (1696)
  • 103607: The orphan or, The unhappy-marriage (1691)
  • 103691: The English lawyer (1678)
  • 103833: Anacreon done into English out of the original Greek (1683)
  • 103914: Sr Martin Mar-all, or the feign'd innocence (1668)
  • 103991: The generous choice (1700)
  • 104065: A fond husband: or, The plotting sisters (1677)
  • 104115: Achilles: or, Iphigenia in Aulis (1700)
  • 104173: Andromache (1675)
  • 104421: Love in a wood, or, St James's Park (1672)
  • 104510: Circe (1677)
  • 104536: Julius Cæsar (1691)
  • 104603: The white devil, or, Vittoria Corombona a lady of Venice (1665)
  • 104755: Pausanias the betrayer of his country· (1696)
  • 104761: Wits led by the nose; or, A poet's revenge (1678)
  • 104884: Phaeton: or, The fatal divorce (1698)
  • 104895: The way of the world (1700)
  • 105068: Prologue to a new play, called Venice preserv'd; or The plot discoverd (1682)
  • 105110: The history and fall of Caius Marius (1692)
  • 105237: Love for love (1695)
  • 105239: The generous enemies or The ridiculous lovers (1672)
  • 105428: T. Lucretius Carus the Epicurean philospher, his six books De natura rerum (1682)
  • 105444: Herod and Mariamne (1674)
  • 105533: The siege of Rhodes (1672)
  • 105706: The souldiers fortune (1683)
  • 105992: The carnival (1664)
  • 106092: Venice preserv'd, or, a plot discover'd (1682)
  • 106152: Titus and Berenice, a tragedy (1677)
  • 106346: A new opera, call'd, Cinthia and Endimion: or, The loves of the deities (1697)
  • 106447: The counterfeits (1679)
  • 106486: The French conjurer (1678)
  • 106548: Albumazar (1668)
  • 106621: Romulus and Hersilia; or, the Sabine war (1683)
  • 106960: The loves of Mars & Venus (1697)
  • 107826: A choice collection of ayres for the harpsichord or spinett (1700)
  • 108675: Love for love (1695)
  • 108899: Psyche (1675)
  • 108925: Henry the Sixth, the second part. Or The misery of civil vvar (1681)
  • 108952: The fatal marriage: or, The innocent adultery (1694)
  • 109494: Virtuoso (1676)
  • 110411: The Lancashire vvitches, and Teague o Divelly the Irish priest (1691)
  • 110886: A briefe introduction to geography (1685)
  • 118782: The comical history of Don Quixote (1694)
  • 119697: Tyrannick love; or, The royal martyr. A tragedy (1694)
  • 119981: A new opera, call'd, Cinthia and Endimion: or, The loves of the deities (1697)
  • 120157: At the Theatre Royall, this present Tuesday being the twenty second day of February, will be presented, a play called, A king and no king (1687)
  • 120269: Titus Lucretius Carus his six books of Epicurean philosophy, done into English verse, with notes (1683)
  • 120529: The whole book of Psalms, collected into English metre, by Thomas Sternhold, John Hopkins, and others, conferred with the Hebrew: set forth and allowed to be sung in all churches, of all the people together, before and after morning and evening prayer, and also before and after sermons; and moreover in private houses, for their godly solace and comfort, laying apart all ungodly songs and ballads, which tend onely to the nourishing of vice and corrupting of youth (1685)
  • 120918: Bibliotheca Oweniana, sive Catalogus librorum plurimis facultatibus insignium, instructissimæ bibliothecæ Rev. Doct. vir. D. Joan. Oweni, (quondam Vice-Cancellarii & Decani Edis-Christi in Academia Oxoniensi) nuperrime? defuncti (1684)
  • 120936: Bibliotheca mathematica optimis libris diversarum linguarum refertissima: una? cum variis philologicis, historicis, & geographicis adornata: Honoratissim. Equitis Jonæ Mori, (Supervisoris generalis instrumentorum bellicorum Regis Angliæ) nuper defuncti (1684)
  • 120942: Bibliotheca VVarneriana, sive Catalogus librorum plurimis disciplinis insignium, selectissimæ bibliothecæ Reverendissimi in Christo Patris Joan. Warneri (olim Roffensis Episcopi) magnifici fundatoris spectatissimi hospitii apud Bromley in Comitatu Cantii (1685)
  • 120954: A catalogue of several sorts of Bibles, Testaments, Common Prayers, singing Psalms, Book of homilies, &c. (all printed at the Theatre in Oxford) that are to be exposed to sale (by way of auction or who bids most) (1685)
  • 120960: Bibliotheca Maynardiana: sive Catalogus variorum librorum bibliothecæ selectissimæ Rev. viri D. Maynard, de Mayfield in comitatu Sussexiæ (1687)
  • 121017: The marriage-hater match'd (1692)
  • 121534: The book of common prayer and administration of the sacraments (1683)
  • 122385: Circe (1685)
  • 122442: State & ambition (1684)
  • 123073: Archæologiæ græcæ: or, The antiquities of Greece (1699)
  • 123420: The idylliums of Theocritus (1684)
  • 123440: The London cuckolds (1688)
  • 124526: The Holy Bible (1687)
  • 124527: The book of common-prayer, and administration of the sacraments (1687)
  • 124874: To the no less vertuous than ingenious Mris Mary More (1674)
  • 125047: The virtuoso (1676)
  • 125270: Bodleius (1677)
  • 126335: Pastor fido: or, The faithful shepherd (1689)
  • 126473: Bibliotheca Lloydiana, sive Catalogus variorum librorum selectissimæ bibliothecæ Rev. Doct. viri D. Joan. Lloydii, B.D. Quondam de North mimmes in comitatu de Hertfordshire (1683)
  • 128297: Bibliotheca Whateliana: sive Catalogus variorum librorum bibliothecæ selectissimæ Rev. viri D. Whateley juxta Banbury in comitatu Oxoniensi (1683)
  • 128857: The English princess, or, The death of Richard the III (1667)
  • 129686: The empress of Morocco· (1673)
  • 130086: Catalogus libris exquisitissimis rarissimisque (1700)
  • 130198: The debauchee: or, The credulous cuckold (1677)
  • 130611: The Richmond heiress: or, A woman once in the right (1693)
  • 130719: The comical history of Don Quixote (1694)
  • 130969: The comical history of Don Quixote (1694)
  • 131300: King Arthur: or, The British vvorthy (1691)
  • 131738: The Spanish fryar or, the double discovery (1681)
  • 131743: Wits interpreter: the English Parnassus. Or, A sure guide to those admirable accomplishments that compleat our English gentry, in the most acceptable qualifications of discourse or writing (1671)
  • 132037: The comical revenge, or, love in a tub (1669)
  • 132146: Distress'd innocence: or, The Princess of Persia (1691)
  • 132147: The empress of Morocco· (1687)
  • 132148: The Empress of Morocco (1698)
  • 132151: The female prelate (1680)
  • 132153: The female prelate (1689)
  • 132245: The island-princess (1687)
  • 132274: A preservative against Socinianism. The first part (1698)
  • 132774: Love's last shift; or, The fool in fashion (1696)
  • 133518: Antony and Cleopatra (1696)
  • 133902: The wary widdow: or, Sir Noisy Parrat, a comedy· (1693)
  • 134196: The female vertuoso's (1693)
  • 134499: Venice preserv'd, or, A plot discover'd (1696)
  • 134542: Prologue design'd for the last new farce, call'd The Fool's expectation, or, The Wheel of fortune (1698)
  • 134584: Julius Cæsar (1695)
  • 134585: The tragedy of Hamlet Prince of Denmark (1695)
  • 134670: Belphegor: or The marriage of the Devil (1691)
  • 134777: The beau defeated: or, The lucky younger brother (1700)
  • 135132: Oxonii elogia (1673)
  • 135569: The comical revenge; or, love in a tub (1664)
  • 135777: Love in the dark, or The man of bus'ness· (1675)
  • 135963: Love's a jest (1696)
  • 136002: Philaster, or Love lies a bleeding (1687)
  • 136477: The treacherous brothers (1690)
  • 136772: The book of common-prayer, and administration of the sacraments (1686)
  • 136788: The book of common prayer and administration of the sacraments (1685)
  • 137321: Queen Catharine: or, The ruines of love (1698)
  • 137533: The unhappy kindness: or A fruitless revenge (1697)
  • 137539: Psyche (1690)
  • 137586: Cuckolds-Haven: or, An alderman no conjurer (1685)
  • 137587: Amintas (1698)
  • 137959: Belphegor: or The marriage of the Devil (1691)
  • 138066: The plain-dealer (1678)
  • 138148: The man of mode, or, Sr Fopling Flutter (1676)
  • 138368: Dame Dobson: or, The cunning woman (1684)
  • 138400: The Princess of Cleve (1697)
  • 139421: The Princess of Parma (1699)
  • 139622: The marriage-hater match'd (1693)
  • 139623: The marriage-hater match'd (1693)
  • 140430: The devil of a wife, or, A comical transformation (1695)
  • 141149: The Holy Bible (1680)
  • 141344: The siege of Rhodes (1663)
  • 141345: The siege of Rhodes (1663)
  • 141383: Julius Cæsar (1695)
  • 141400: The tragedy of Hamlet Prince of Denmark (1683)
  • 141550: The book of common prayer and administration of the sacraments (1683)
  • 143281: Troilus and Cressida, or, Truth found too late (1679)
  • 143409: The songs to the new play of Don Quixote (1694)
  • 143410: The songs to the new play of Don Quixote (1694)
  • 143601: Cæsar Borgia; son of Pope Alexander the Sixth (1680)
  • 143618: Theodosius: or, The force of love (1680)
  • 144677: Bibliotheca VVarneriana, sive catalogus librorum plurimis disciplinis insignium, selectissimæ bibliothecæ Reverendissimi in Christo Patris Joan. Warneri (olim Roffensis episcopi) magnifici fundatoris spectatissimi hospitii apud Bromley in comitatu Cantii (1685)
  • 145268: The innocent mistress (1697)
  • 146337: The rambling justice, or the jealous husbands (1694)
  • 146911: The tempest, or The enchanted island (1676)
  • 147392: The world in the moon (1697)
  • 147746: The successfull straingers (1690)
  • 147765: Certain sermons or homilies appointed to be read in churches, in the time of Queen Elizabeth of famous memory (1683)
  • 147903: Titus Lucretius Carus his six books of Epicurean philosophy (1683)
  • 148110: The royal conquest, or, the happy success against a potent enemy. As it was sung in the prophetess at the Queens Theatre. To a new play-house tune. Licensed according to order (1700)
  • 148497: The maids last prayer: or, Any, rather than fail (1693)
  • 148501: The disappointment, or The mother in fashion (1684)
  • 149026: The history of Timon of Athens, the man-hater (1678)
  • 149105: Friendship in fashion (1678)
  • 149111: The history and fall of Caius Marius (1692)
  • 149327: The whole book of Psalms, collected into English metre, by Thomas Sternhold, John Hopkins, and others, conferred with the Hebrew: set forth and allowed to be sung in all churches, of all the people together, before and after morning and evening prayer, and also before and after sermons; and moreover in private houses, for their godly solace and comfort, laying apart all ungodly songs and ballads, which tend only to the nourishing of vice, and corrupting of youth (1685)
  • 149363: The mourning bride (1697)
  • 149683: The plain-dealer. A comedy· (1677)
  • 149694: The songs in the new play call'd, The impostor [sic] defeated; or, a trick to cheat the devil. With the masque of Cinthia and Endimion in the last act, as it is perform'd at the Theatre Royal in Drury-Lane (1697)
  • 150477: An excellent new song: or, No kissing at all (1693)
  • 150500: An excellent new Scotch song, call'd, Jockey's complaint (1690)
  • 150947: The true lovers cruel tragedy (1685)
  • 151029: The loyal general (1681)
  • 153896: Macbeth (1674)
  • 154698: Some select songs as they are sung in the Fairy queen (1692)
  • 157689: The words of a new interlude, called The four seasons, or Love in every age (1699)
  • 158865: The London cuckolds· (1683)
  • 159020: The Princess of Cleve, as it was acted at the Queens Theatre in Dorset Garden (1689)
  • 159327: The devil of a wife, or A comical transformation (1695)
  • 159739: Certain sermons or homilies appointed to be read in churches, in the time of Queen Elizabeth of famous memory (1683)
  • 159753: Certain sermons or homilies appointed to be read in churches in the time of Queen Elizabeth of famous memory (1683)
  • 160117: The word of God the best guide (1689)
  • 162801: A catalogue of the subscribers names to the English atlas, now printing at the Theater in Oxford (1680)
  • 163179: The Holy Bible (1683)
  • 163183: The Holy Bible in sculpture or The History's mentioned in the Old and New Testament lively represented in copper cutts (1683)
  • 163563: The Richmond heiress: or, A woman once in the right (1694)
  • 164319: The old batchelor (1693)
  • 164467: Proposals for printing at the Theater in Oxford all M. T. Cicero's works in 12. vol. 8vo (1700)
  • 165573: The whole book of Psalms (1685)
  • 165804: A farce call'd The false count, or, A new way to play an old game (1682)
  • 166615: The morning ramble, a comedy. Acted at the Duke's Theatre (1673)
  • 166645: New songs in the third part of The comical history of Don Quixote (1696)
  • 167240: Charles R. Whereas complaint hath been made unto us, that divers persons do rudely press, and with evil language and blows force their way into our Royal Theatre, (1670)
  • 167807: The book of common-prayer (1684)
  • 167969: The Holy Bible (1686)
  • 168113: Friendship in fashion (1678)
  • 168120: Friendship in fashion (1678)
  • 168677: On the unhappy conflagration of the Theatre Royal, Jan. the 25th, 1671/2 (1672)
  • 168681: An Advertisement of several Bibles and Common-Prayer Books lately printed at the Theatre in Oxford (1685)
  • 169103: State and ambition (1684)
  • 169264: Certain sermons or homilies appointed to be read in churches in the time of Queen Elizabeth of famous memory (1683)
  • 169277: An account of the late persecution of the Protestants in the vallys of Piemont; by the Duke of Savoy and the French King, in the year 1686 (1689)
  • 170477: Love for money: or, The boarding school (1691)
  • 170487: Titus Andronicus, or The rape of Lavinia (1687)
  • 170625: Macbeth (1689)
  • 207651: Three sermons preach'd at St Mary's in Oxford (1745)
  • 207935: Songs, duets, choruses, &c: in the Irish mimic: or, Blunders at Brighton (1795)
  • 208130: The Lady's evening companion (1783)
  • 208209: The Town and country songster's companion (1780)
  • 208279: The catch club: :a collection of all the songs, catches, glees, duets, &c. as sung by Mr. Bannister, Mr. Leoni, Master Braham, Mr. Arrowsmith, Mr. Chapman, mr. Gaudry, &c. at the Royalty Theatre, Gooman's [sic] Fields: to which is added, Hippesley's Drunken-man, as altered and spoken by Mr. Le [sic] Lewis (1785)
  • 208279: The catch club: :a collection of all the songs, catches, glees, duets, &c. as sung by Mr. Bannister, Mr. Leoni, Master Braham, Mr. Arrowsmith, Mr. Chapman, mr. Gaudry, &c. at the Royalty Theatre, Gooman's [sic] Fields: to which is added, Hippesley's Drunken-man, as altered and spoken by Mr. Le [sic] Lewis (1785)
  • 208432: The orphan: or, The unhappy-marriage. :A tragedy. As it is acted at His Royal Highness the Duke's Theatre. Written by Tho. Otway (1705)
  • 208458: The overture[,] songs &c in the Deserter (1773)
  • 208461: The fairy prince, :a masque as performed at the Theatre Royal, Covent Garden; composed by Dr. Arne, for the German flute (1785)
  • 208463: Two to one; :a new comic opera. Now performing with universal applause, at the Theatre Royal in the Haymarket. Composed by Dr. Arnold, ... for the German flute (1787)
  • 208467: Music in the masque of Comus :adapted for the German flute as perform'd at the Theatre Royal in Covent Garden. Composed by Dr. Arne (1775)
  • 208475: The favorite overture & grand march in Lodoiska, :as performed at the Theatre Royal Drury Lane. Adapted for the piano forte, by Stephen Storace (1795)
  • 208777: The conscious lovers (1757)
  • 208780: Philoclea (1754)
  • 208807: A letter to Mr. Garrick on the opening of the Theatre, with observations on the conduct of managers, to actors, authors, and audiences: and particularly to new-performers (1758)
  • 208959: A general and particular account of the annular eclipse of the sun, which will happen on Sunday, April 1, 1764, in the forenoon. With a General and Particular map of the passage of the Moon's shade, or penumbra, over the earth, from the Entrance to the Exit of the same; and also over England and the neighbouring Dominions: Exhibiting All the various Appearances of this Eclipse in different Parts of the Earth. Likewise A Representation thereof for several eminent Cities and remarkable Places. The Times and Circumstances of this Eclipse correctly computed from Tables in the Royal Astronomer, improving all other Accounts, computed from Tables of less Authority. Humbly inscribed to the Royal Society (1764)
  • 209314: The sheep-sheering song (1760)
  • 209327: The comical gallant (1702)
  • 209469: A sermon preach'd before the University of Oxford on the tenth day of June 1702 (1702)
  • 209660: The comical lovers (1754)
  • 209738: Little Bingo. Sung with universal applause, by Mr. Swords, at the Theatre Royal, Haymarket (1785)
  • 209739: By hook, or by crook (1785)
  • 209970: The regent: a tragedy (1788)
  • 210011: An exact account of the favourite pantomime called (1790)
  • 210012: A correct account of the celebrated pantomime entertainment of Harlequin's museum; or, Mother Shipton triumphant. As now performing at Covent Garden Theatre, with universal applause. Containing a description of all the scenery, dresses, machinery, and decorations incident t this much admired performance, (1793)
  • 210407: An oration intended to have been spoken in the Theatre at Oxford, on the 9th of July 1773, by a member of the University (1773)
  • 211222: The duty of fasting with its appendages briefly considered (1757)
  • 211387: The natural effect, and religious improvement of extraordinary divine judgments, and of solemn fasts instituted in remembrance of them (1748)
  • 211529: The almighty glorified in judgment (1756)
  • 211595: The proper improvement of divine judgments (1756)
  • 211617: The doctrine of the divine visitation by earthquakes illustrated, confirmed, and applied. In two sermons preached on the fast-day and the preceding Sunday. By William Dodwell D.D. (1756)
  • 211837: A sermon on the late earthquakes (1756)
  • 211958: The qualifications and advantages of religious trust in times of danger (1757)
  • 211991: A concise statement of transactions and circumstances respecting the King's Theatre, in the Haymarket (1791)
  • 211991: A concise statement of transactions and circumstances respecting the King's Theatre, in the Haymarket (1791)
  • 212790: By authority of the Lord chamberlain, Lyceum, Strand (1794)
  • 212796: By particular desire. Positively the last time. By permission of the Right Worshipful the Vice-Chancellor, and the Worshipful the Mayor. At the Theatre, Stirbitch, this present Tuesday, the 26th of June, 1798, will be given an entertainment, in three parts, called Mirth's museum; (1798)
  • 212799: For three nights only and positively no longer. By permission of the Right Worshipful the Vice-Chancellor, and the Worshipful the Mayor of Cambridge (1793)
  • 212802: Sadler's Wells performance. Front seats 1s. ---- Middle seats 6d. ---- Children and servants 3d. By Royal authority. During the time of this fair, in a commodious booth Sieur Rea sen. and sons (1793)
  • 212819: This is to inform those that can read, and those that cannot read, but will hear. At the theatrical shew-shop, or butcher's shop, James-Street, Hay-Market (1780)
  • 212895: Acis and galatea: an English pastoral opera. In three acts. As it is perform'd at the New Theatre in the Hay-Market, set to musick by Mr. Handel (1732)
  • 212900: Acis and Galatea (1757)
  • 212909: Acis and Galatea (1780)
  • 212912: Theatre Royal, Drury-Lane, fifth night (1794)
  • 213086: Three hours after marriage (1717)
  • 213087: Three hours after marriage (1717)
  • 213102: The what d'ye call it (1716)
  • 213103: The what d'ye call it (1725)
  • 213364: The Athanasian creed defended and explain'd (1749)
  • 213419: The divinity of Christ asserted, and the censures in the Athanasian creed considered (1747)
  • 213440: The usual interpretation of daimones and daimonia, in the New Testament, asserted (1739)
  • 213520: The mourning bride. A tragedy (1703)
  • 213531: The conscious lovers (1746)
  • 213709: An enquiry into the sufficiency of reason in matters of religion. A sermon preach'd before the University of Oxford, at St. Mary's, on Sunday, December 17th. 1738. By Thomas Randolph, (1739)
  • 213722: The way of the world (1706)
  • 213728: Love for love, a comedy. Acted at the Theatre Royal in Dublin: by His Majesty's servants. Written by Mr. Congreve (1733)
  • 213737: The beaux stratagem (1755)
  • 213863: The proprietors of the Birmingham Theatre, having by one of their resolutions ... determined upon opening the new house for dramatic performances at the usual time next year, (1794)
  • 213863: The proprietors of the Birmingham Theatre, having by one of their resolutions ... determined upon opening the new house for dramatic performances at the usual time next year, (1794)
  • 213872: Proposals for publishing by subscription (1791)
  • 213880: Goodman's-Field's Theatre. To the Honourable House of Commons. The case of the company of comedians, belonging to the theatre in Goodman's-Fields (1735)
  • 214220: Memorandum, August, 1799 (1799)
  • 214222: The case concerning the late disturbance at Covent-Garden Theatre (1763)
  • 214657: Cre?u?sa, Queen of Athens (1754)
  • 214780: A journey to Bristol (1731)
  • 214835: Creu?sa, Queen of Athens (1754)
  • 214879: Blue-Beard (1798)
  • 215393: The use and antiquity of musick in the service of God (1737)
  • 215671: The speech that was intended to have been spoken by the Terr?-Filius (1713)
  • 215676: The terr? filius's speech (1733)
  • 215692: The danger of excesses in the pursuit of liberty (1737)
  • 215711: The spanish fryar (1717)
  • 215729: The maid of the mill. A comic opera (1765)
  • 215730: The maid of the mill. A comic opera (1766)
  • 215732: The maid of the mill. A comic opera (1771)
  • 215734: The unhappy favourite (1712)
  • 215735: Tunbridge-Walks: or, the yeoman of Kent (1703)
  • 215737: Songs, duos, trios, chorusses, &c (1781)
  • 215738: Mary, Queen of Scots, a tragedy (1789)
  • 215746: Vertue betray'd (1715)
  • 215752: The history of King Lear (1712)
  • 215755: Injur'd love: or, the cruel husband (1707)
  • 215757: Thomas and Sally (1767)
  • 215766: Mariamne (1759)
  • 216416: The minor (1795)
  • 216421: The lame lover (1794)
  • 216424: Edgar and Emmeline (1794)
  • 216426: Midas (1768)
  • 216432: La locandiera (1788)
  • 216433: A list of the subscribers to the boxes (1788)
  • 216628: Amelia (1732)
  • 216944: The use, value, and improvement of various readings shewn and illustrated, in (1761)
  • 217297: (second night.) With considerable alterations & additions (1789)
  • 217307: For the benefit of Mr. Hindmarsh and Miss Williams (1790)
  • 217308: The last night (1790)
  • 217310: Public breakfasting (1790)
  • 217312: (by permission.) (1790)
  • 217317: The publick is most respectfully informed that Mr. Palmer, who last night entertained hopes of being able to perform this evening in the farce of The swindlers. sill [sic] continues too indisposed to go upon the stage. Mr. Whitfield has undertaken the part, (1792)
  • 217318: By permission of the Right Worshipful the Vice-Chancellor, and the Worshipful the Mayor, this present Tuesday evening, February 5th, 1793, at the concert room at the Black Bear, Cambridge, Mr. Necks, will have the honor of presenting his celebrated effusions of fancy; or, dramatic mirror; an entertainment consisting of theatrical and vocal imitations, as performed by him at the Royalty Theatre, Hickford's room, free Mason's Hall, London Tavern, crown and anchor tavern, the Anacreontic Society, and at Oxford, where he received distinguished and very flattering marks of approbation from the noblemen and gentleman of that University (1793)
  • 217319: Order of the speakers in the Theatre (1793)
  • 217330: This day is published (1795)
  • 217333: At the theatre, Lyceum, in the Strand, this present evening, Monday, August 5, ... an attempt will be made at the restoration of plain old English humour, sense, and satire, from the peculiar and last production of the celebrated George Alexander Stevens, ... being a comic olio, ... called A cabinet of fancy, ... A prefatory exordium will be spoken, and the whole of the lecture given by Mr. Wilks, (1799)
  • 217394: Religion and learning capable of being rendered mutually serviceable (1762)
  • 217941: The brothers (1791)
  • 217944: The jew (1797)
  • 217945: The natural son (1785)
  • 217947: The west Indian (1785)
  • 217950: The West Indian (1790)
  • 217951: The fashionable lover: a comedy (1790)
  • 217953: Speculation (1800)
  • 217982: The patron (1764)
  • 217985: The minor (1760)
  • 217986: The minor (1760)
  • 217988: The lyar (1769)
  • 217989: The lyar (1764)
  • 217995: The orators (1767)
  • 217997: The patron (1774)
  • 218454: A volume of farces (1792)
  • 218486: The absent man (1768)
  • 218505: Abra-Mule (1704)
  • 218535: Aaron's intercession, and Korah's rebellion considered (1756)
  • 219401: Calypso and Telemachus (1712)
  • 219413: The camp (1795)
  • 219465: The capricious lovers (1764)
  • 219483: The captive of Spilburg in two acts (1799)
  • 219486: The capuchin (1794)
  • 219508: Careless husband (1705)
  • 219561: The case of authority consider'd as it respects religion, particularly the Christian (1742)
  • 219816: The case of the ministerial maintenance stated (1741)
  • 219856: The desireableness of peace (1749)
  • 219866: The case of the stage in Ireland (1758)
  • 219919: The castle of Montval (1799)
  • 220078: Christ and the Holy Ghost the supporters of the spiritual life. And repentance the forerunner of faith (1755)
  • 220088: The reasonableness of our belief in the doctrines of Christianity asserted (1756)
  • 220111: The use and extent of reason in matters of religion (1756)
  • 220146: The adopted child (1795)
  • 220148: Adriano in Siria (1765)
  • 220186: The abuse of miraculous powers in the church of Corinth considered (1755)
  • 220197: The gospel credibility defended against the objection of its decrease by length of time (1756)
  • 220347: The conduct of the four managers of Covent-Garden Theatre freely and impartially examined (1768)
  • 220347: The conduct of the four managers of Covent-Garden Theatre freely and impartially examined (1768)
  • 220349: The commissary (1782)
  • 220350: The commissary (1788)
  • 220356: The lyar (1786)
  • 220361: The minor (1798)
  • 220362: The orators (1788)
  • 220363: The patron (1781)
  • 220364: The patron (1794)
  • 220366: The orators (1780)
  • 220369: The minor (1781)
  • 220372: The cozeners (1778)
  • 220373: The maid of Bath (1778)
  • 220377: My grandmother (1797)
  • 220378: My grandmother (1796)
  • 220381: Lock and key (1796)
  • 220383: Blue-Beard (1798)
  • 220384: Blue-Beard (1798)
  • 220385: The mountaineers (1794)
  • 220389: Every one has his fault (1794)
  • 220395: Every one has his fault (1793)
  • 220396: Wives as they were (1797)
  • 220397: Wives as they were (1797)
  • 220398: Wives as they were (1797)
  • 220399: Every one has his fault (1793)
  • 220405: A letter from T. Harris (1768)
  • 220406: A narrative of the rise and progress of the disputes subsisting between the patentees of Covent-Garden Theatre (1768)
  • 220409: A true state of the differences subsisting between the proprietors of Covent-Garden Theatre (1768)
  • 220411: Braganza (1775)
  • 220412: Braganza (1775)
  • 220415: The west Indian (1771)
  • 220427: The west Indian (1771)
  • 220432: A fond husband: or, the plotting sisters. A comedy (1711)
  • 220434: Love at first sight (1704)
  • 220438: The jew (1795)
  • 220460: The carmelite (1785)
  • 220471: The brothers. A comedy (1777)
  • 220515: Amelia (1768)
  • 220526: The summer's tale (1765)
  • 220538: The West Indian (1771)
  • 220560: The West Indian (1771)
  • 220649: Retaliation (1782)
  • 220691: The deaf lover (1780)
  • 220702: The deaf lover (1780)
  • 220724: The West Indian (1775)
  • 220735: The disbanded officer (1786)
  • 220769: The patron (1729)
  • 220780: The smugglers (1729)
  • 220789: The agreeable surprise (1786)
  • 220832: Albina (1797)
  • 220841: Albumazar (1747)
  • 220854: Alcina. An opera. As it is perfom'd at the Theatre Royal in Covent-Garden (1735)
  • 220854: Alcina. An opera. As it is perfom'd at the Theatre Royal in Covent-Garden (1735)
  • 220860: Alessandro (1726)
  • 220864: Alexander Balus (1748)
  • 220872: Alexander the Great (1795)
  • 220900: Bell's Edition (1776)
  • 220914: All in the wrong (1787)
  • 220957: Almeyda, Queen of Granada (1796)
  • 220958: Almida (1771)
  • 220959: Almida (1771)
  • 220980: By Permission of R. B. O'Reilly, Esquire. an alphabetical list of the subscribers to the (1791)
  • 220993: Alzuma (1773)
  • 221045: Barataria (1793)
  • 221060: Barbarossa (1790)
  • 221067: Barnaby Brittle (1785)
  • 221091: The bath (1701)
  • 221092: The bath unmask'd (1725)
  • 221119: The bays miscellany (1730)
  • 221126: The beau's duel (1715)
  • 221155: The beaux stratagem (1748)
  • 221156: The beaux stratagem: a comedy. As it is acted at the Theatre Royal in Drury-Lane, by His Majesty's servants (1752)
  • 221212: Bell's British Theatre (1797)
  • 221217: Belshazzar (1745)
  • 221529: The ambitious step-mother (1720)
  • 221530: The ambitious step-mother (1727)
  • 221531: The ambitious step-mother (1733)
  • 221568: The amorous widow (1755)
  • 221572: Amphitryon: or, The two Socia's (1706)
  • 221621: Angelica and Medorus (1739)
  • 221623: Anglia Judaica (1738)
  • 221701: An answer, in behalf of Spranger Barry, the proprietor of the New Theatre in Crow-Street, to the case and petition of Thomas Sheridan, manager and lessee of the united theatres of Aungier-Street and Smock-Alley, ... humbly submitted to the consideration of the Honourable th Knights, Citizens and Burgesses in Parliament assembled (1756)
  • 221737: The eastern Theatre erected (1788)
  • 221961: Apollo and Daphne (1716)
  • 222012: The apparition (1715)
  • 222051: The musical entertainments in The virgin prophetess; or, the fate of Troy. A new opera. Perform'd at the Theatre Royal. Composed by Mr. Finger (1701)
  • 222063: The virgin prophetess (1701)
  • 222069: Appearance is against them (1785)
  • 222070: Appearance is against them (1786)
  • 222115: The arcadia (1754)
  • 222166: Ariadne in Crete (1733)
  • 222166: Ariadne in Crete (1733)
  • 222207: Arsaces (1737)
  • 222261: Artaserse (1724)
  • 222264: The artful husband (1735)
  • 222266: The artful wife (1718)
  • 222355: Astianatte (1727)
  • 222512: Atalanta (1736)
  • 222512: Atalanta (1736)
  • 222555: Aurelio and Miranda (1799)
  • 222606: The author (1757)
  • 222607: The author (1782)
  • 222761: A bold stroke for a husband, a comedy, as acted at the Theatre Royal, in Covent Garden (1784)
  • 222762: A bold stroke for a wife (1718)
  • 222771: Bon ton (1775)
  • 222859: The abuse of miraculous powers in the church of Corinth considered (1755)
  • 222872: A poem on the last day (1713)
  • 222888: Christian fortitude (1757)
  • 222909: Elmerick (1740)
  • 222980: A new musical interlude (1774)
  • 222981: Alzuma (1773)
  • 222983: Timanthes (1770)
  • 222984: The countess of Salisbury (1767)
  • 222995: A word to the wise (1775)
  • 222996: False delicacy (1768)
  • 223000: Oroonoko (1775)
  • 223003: The reprisal (1757)
  • 223008: Eliza (1754)
  • 223008: Eliza (1754)
  • 223382: The reasonableness and uses of commemorating King Charles's martyrdom (1753)
  • 223397: Elisha's visit to Gilgal (1759)
  • 223419: The castle spectre (1798)
  • 223430: Pizarro (1799)
  • 223433: The castle of Montval (1799)
  • 223472: The plain dealer (1735)
  • 223479: Love in a village (1765)
  • 223480: The belle's stratagem (1783)
  • 223495: The inconstant (1763)
  • 223502: The inconstant (1702)
  • 223504: The recruiting officer (1706)
  • 223505: The beaux stratagem (1707)
  • 223510: The twin-Rivals (1703)
  • 223518: The constant couple (1795)
  • 223528: 'squire Badger (1772)
  • 223529: The sot (1775)
  • 223558: A catalogue of the very curious and valuable library of the late Mr. James William Dodd (1797)
  • 224056: A bold stroke for a wife (1724)
  • 224058: The cruel gift (1734)
  • 224070: Perolla and Izadora (1706)
  • 224074: Love's last shift (1733)
  • 224078: Perolla and Izadora (1736)
  • 224080: The double gallant (1725)
  • 224081: The careless husband (1795)
  • 224090: She would and she would not (1795)
  • 224094: Love makes a man (1795)
  • 224095: Venus and Adonis (1736)
  • 224098: Xerxes (1736)
  • 224118: The conscious lovers (1732)
  • 224135: The old batchelor. A comedy. As it is acted at the Theatre Royal, By Her Majesty's Servants. Written by Mr. Congreve (1712)
  • 224136: The mourning bride. A tragedy (1711)
  • 224137: The way of the world (1711)
  • 224146: The way of the world (1710)
  • 224147: The double-dealer (1710)
  • 224149: The mourning bride (1710)
  • 224150: The old batchelor. A comedy. As it is acted at the Theatre Royal, By Her Majesty's Servants. Written by Mr. Congreve (1710)
  • 224918: Damon and Phillida (1729)
  • 224924: Damon and Phillida (1730)
  • 224928: The wonder (1736)
  • 224937: The gamester (1714)
  • 224939: A Bickerstaff's burying (1710)
  • 224943: Love at a venture (1706)
  • 224944: The stolen heiress or the Salamanca doctor outplotted (1703)
  • 224946: The platonick lady (1707)
  • 224949: The wonder (1734)
  • 224950: The wonder (1719)
  • 224952: The wonder (1714)
  • 224961: The gamester (1765)
  • 224974: The anatomist (1722)
  • 224978: Damon and Phillida (1768)
  • 224979: Damon and Phillida. Altered from Cibber into a comic opera. With the addition of new songs and chorusses. As it is performed at the Theatre Royal in Drury-Lane (1768)
  • 225120: A proposal for the better regulation of the stage (1732)
  • 225196: The false witness reproved. A sermon preached at St. Mary's in Oxford, at the assizes, ... on Friday, March 3. 1758. By William Dodwell, (1758)
  • 225214: The importance of religion to civil societies (1735)
  • 225248: Partenope. Drama (1730)
  • 225284: A narrative of an assault (1794)
  • 225292: A sequel to the opera of Flora (1732)
  • 225295: Flora (1732)
  • 225447: Remarks on Dr Clarke's introduction to his Scripture-doctrin [sic] of the Trinity. By Edward Wells (1713)
  • 225462: Love in a village (1763)
  • 225468: Love in a village (1776)
  • 225473: The lord of the manor (1781)
  • 225479: The fall of the Earl of Essex (1731)
  • 225481: The fashionable lady (1730)
  • 225482: Virtue betray'd (1727)
  • 225483: Virtue betray'd (1763)
  • 225488: The West Indian (1771)
  • 225497: The London merchant (1763)
  • 225502: Love in a mist (1752)
  • 225503: As you like it (1790)
  • 225585: To the Lovers of the Drama (1800)
  • 225633: Plan of a new work, shortly to be submitted to the public, under the title of The German Theatre. (1800)
  • 225674: A monody on the death of Mr. John Henderson (1787)
  • 225804: Christian fortitude (1757)
  • 225814: Christian fortitude (1757)
  • 225822: Love in a village (1763)
  • 225824: Love in a village; a comic opera (1765)
  • 225826: Love in a village (1767)
  • 225923: The history of the stage (1742)
  • 226132: The folly and guilt of satyrical slander (1763)
  • 226520: Man and wife (1770)
  • 226521: The deuce is in him (1763)
  • 226526: The jealous wife (1761)
  • 226530: The count of Narbonne (1781)
  • 226531: The count of Narbonne (1787)
  • 226533: The count of Narbonne (1782)
  • 226536: Wives as they were (1797)
  • 226537: Wives as they were (1797)
  • 226539: I'll tell you what (1787)
  • 226543: Lock and key (1797)
  • 226544: Cyrus (1769)
  • 226553: Edward and Eleonora, a tragedy (1775)
  • 226557: Flora (1763)
  • 226558: The mountaineers (1795)
  • 226559: Blue-beard; or, Female curiosity! (1798)
  • 226562: The country wit (1735)
  • 226563: The Grecian daughter (1785)
  • 226571: La creanza (1762)
  • 226974: A catalogue of the library of John Henderson (1786)
  • 227048: The supremacy of the Crown, and the power of the church, asserted and adjusted (1714)
  • 227137: The catch club (1787)
  • 227137: The catch club (1787)
  • 227156: The catholick doctrine concerning the union of the two natures in the one person of Christ stated and vindicated (1719)
  • 227182: The causes of impenitence consider'd: as well in the case of extraordinary warnings, as under the general laws of providence, and grace (1755)
  • 227300: Jacob's return from London (1705)
  • 227326: The jealous wife (1789)
  • 227327: Jehoshaphat's charge (1711)
  • 227329: Jehoshaphat's charge (1711)
  • 227350: The jew of Venice (1701)
  • 227352: The jewish dispensation consider'd and vindicated (1738)
  • 227364: Job's expectations of a resurrection considered (1747)
  • 227477: Joshua (1756)
  • 227519: A jovial crew (1708)
  • 227532: The jubilee concert (1769)
  • 227539: Judas Macchabæus (1765)
  • 227540: Judas Macchabu?s (1768)
  • 227541: Judas Macchabæus (1768)
  • 227542: Judas Macchabæus (1770)
  • 227560: Judith (1761)
  • 227571: Julius Cæsar (1734)
  • 227572: Julius Cæsar (1741)
  • 227801: Knave, or not? A comedy: in five acts. As performed at the Theatre Royal, Drury-Lane. By Thomas Holcroft (1798)
  • 227900: Braganza (1775)
  • 227901: Braganza (1775)
  • 228068: The brothers. A comedy (1775)
  • 228115: The genuine trial of John B. Gawler (1795)
  • 228171: By desire of Sir John D'Oyly, Bart. A beautiful display of the heavens at the Theatre Royal, Cheltenham. The new Eidouranion; or grand transparent Orrey, with improvements on which Mr. Lloyd, will deliver his astronomical lecture; on ... July, 31, 1788. (1788)
  • 228563: A catalogue of several libraries of books (1784)
  • 228609: The folly and wickedness of misplacing our trust and confidence (1744)
  • 228728: A sermon preach'd before the House of Lords, in the Abby-Church of Westminster on Tuesday, June 11. 1751 (1751)
  • 228738: A sermon preach'd before the House of Lords (1751)
  • 228791: The chances (1777)
  • 228802: The chapter of accidents (1796)
  • 228876: The charge of George lord bishop of Bristol, at his primary visitation of his diocese Anno 1716. Published at the request of the clergy (1716)
  • 228895: Charity and compassion towards men the occasion of thanksgivings to God (1752)
  • 228965: The unsuccessfulness of repeated fasts consider'd and apply'd (1745)
  • 228983: The child of nature (1788)
  • 228984: The child of nature (1789)
  • 228985: The child of nature (1789)
  • 228998: The faithful pastor. A sermon preached before the University of Oxford, at St. Mary's, on Act-Sunday in the afternoon, July 7. 1745. By William Gardner, (1745)
  • 229055: Christ the light of the world (1750)
  • 229060: The christian apology (1755)
  • 229061: The christian apology (1755)
  • 229069: The Christian hero: a tragedy (1735)
  • 229070: The christian hero (1735)
  • 229189: Circe (1703)
  • 229202: The citizen (1763)
  • 229226: The city wives confederacy (1777)
  • 229242: The clandestine marriage (1770)
  • 229243: The clandestine marriage (1778)
  • 229244: The clandestine marriage (1785)
  • 229268: Cleone (1758)
  • 229270: Cleonice, princess of Bithynia: a tragedy. As it is performed at the Theatre Royal in Covent-Garden. By John Hoole (1775)
  • 229272: Cleonice (1775)
  • 229370: The commissary (1765)
  • 229389: The nature and reasonableness of the inward call and outward mission to the holy ministry consider'd (1746)
  • 229580: A concise statement of transactions and circumstances respecting the King' Theatre (1791)
  • 229580: A concise statement of transactions and circumstances respecting the King' Theatre (1791)
  • 229624: The confederacy (1734)
  • 229625: The confederacy (1734)
  • 229626: The confederacy (1751)
  • 229628: The confederacy (1705)
  • 229668: The connection between irreligion and immorality. A sermon preach'd at St. Mary's in Oxford, ... on March 1. 1743-4. By Edward Bentham (1744)
  • 229675: The conquest of Spain (1705)
  • 229676: The conquest of the golden fleece. An opera. As perform'd at the Theatre Royal in the Hay-Market. Composed by John Baptist Pescetti. (1738)
  • 229679: The conscious lovers (1777)
  • 229740: Epicoene (1776)
  • 230099: The constant couple (1777)
  • 230217: A descriptive plan of the new opera house (1791)
  • 230222: The deserted daughter (1795)
  • 230227: The desireableness of the Christian faith illustrated and applied (1744)
  • 230248: The deuce is in him (1764)
  • 230257: The Devil to pay: or, The wives metamorphos'd (1736)
  • 230351: Dido (1771)
  • 230563: Damon and Phillida (1769)
  • 230577: The danger of excesses in the pursuit of liberty (1744)
  • 230597: Daphne and Amintor (1765)
  • 230598: Daphne and Amintor (1766)
  • 230626: A day in Turkey; or, The Russian slaves (1792)
  • 230865: Demetrius (1737)
  • 230907: The earl of Essex (1753)
  • 230916: The earl of Warwick (1766)
  • 231001: Edwin (1724)
  • 231012: The egyptian festival (1800)
  • 231043: Electra (1777)
  • 231149: An elegy (1787)
  • 231178: Elfrid (1710)
  • 231185: Elisa (1726)
  • 231193: Elmerick (1740)
  • 231196: Elvira (1763)
  • 231275: Doctor King's apology (1755)
  • 231333: An enquiry into the medicinal virtues of Bristol-water: and the indications of cure which it answers. By George Randolph, (1745)
  • 231498: Epsom-Wells (1704)
  • 231499: The equal and impartial discharge of justice, with respect both to the guilty and the innocent, recommended (1755)
  • 231511: Ernelinda (1713)
  • 231516: Almeyda; Queen of Granada (1796)
  • 231524: The smugglers (1796)
  • 231526: The man of ten thousand (1796)
  • 231537: The scornful lady (1710)
  • 231539: The royal merchant (1706)
  • 231543: The royal merchant (1768)
  • 231961: An essay on satirical entertainments (1772)
  • 232148: Esther (1733)
  • 232148: Esther (1733)
  • 232149: Esther (1765)
  • 232162: The eternity of future punishment asserted and vindicated. In Answer to Mr Whiston's late Treatise on that Subject (1743)
  • 232163: The eternity of future punishment proved and vindicated (1708)
  • 232177: Eumene (1765)
  • 232221: Every one has his fault (1793)
  • 232222: Every one has his fault (1794)
  • 232461: The expediency and advantages of an early education in piety and virtue (1750)
  • 232468: The expediency of some divine interpositions (1749)
  • 232863: Coriolanus (1749)
  • 232869: Coriolanus (1780)
  • 232901: The count of Narbonne (1781)
  • 232902: The count of Narbonne (1788)
  • 232909: The countess of Salisbury (1767)
  • 232910: The countess of Salisbury (1767)
  • 233040: The court of Alexander (1770)
  • 233089: The creation (1800)
  • 233090: The creation (1800)
  • 233098: Cricket (1771)
  • 233118: The critic (1781)
  • 233143: Croesus King of Lydia (1714)
  • 233155: Crotchet Lodge (1795)
  • 233161: The cruel gift (1717)
  • 233191: The cunning-Man (1766)
  • 233193: Cupid triumphant (1785)
  • 233204: A cure for jealousie (1701)
  • 233247: Cymbeline (1759)
  • 233266: Cymon (1795)
  • 233267: Cymon (1792)
  • 233268: Cymon (1792)
  • 233272: Cyrus (1768)
  • 233273: Cyrus (1772)
  • 233274: Cyrus (1795)
  • 233441: The distress'd baronet (1788)
  • 233459: The distrest mother (1734)
  • 233478: The divine authority of the New Testament prov'd and vindicated (1712)
  • 233518: Doctor King's apology (1755)
  • 233520: Doctor King's apology (1755)
  • 233531: The doctrine of a future state necessary to the welfare and support of civil government (1739)
  • 233549: The doctrine of the Trinity prov'd from scripture (1711)
  • 233569: Don Carlos, Prince of Spain (1704)
  • 233573: Don Juan (1789)
  • 233606: Double falshood; or, The distrest lovers (1767)
  • 233608: The double gallant (1707)
  • 233619: Douglas (1778)
  • 233757: The duellist (1773)
  • 233758: The duellist (1773)
  • 233762: The duellist (1773)
  • 233763: The duellist (1774)
  • 233766: The duenna: a comic opera. In three acts. As performed at the Theatre Royal, Covent Garden: ... By R. B. Sheridan, Esq (1794)
  • 233767: The duenna (1785)
  • 233858: The duty of giving thanks for national deliverances (1747)
  • 233867: The duty of not conforming to this world (1733)
  • 233945: The fair penitent (1703)
  • 234000: The faithful bride of Granada (1704)
  • 234029: The fall of Egypt (1774)
  • 234032: The fall of Mortimer (1731)
  • 234033: The fall of Mortimer (1731)
  • 234034: The fall of Mortimer (1732)
  • 234043: False appearances (1789)
  • 234046: False colours (1793)
  • 234047: False colours (1793)
  • 234052: False impressions (1797)
  • 234054: False impressions (1798)
  • 234069: Falstaff's wedding (1766)
  • 234151: The farm house (1789)
  • 234152: The farm house (1789)
  • 234153: The farm house (1789)
  • 234167: The farmer's return from London (1762)
  • 234218: Fatal curiosity (1737)
  • 234295: A few lines on the late happy and miraculous escape of His most sacred and excellent Majesty King George the 3d (1800)
  • 234355: The first floor (1787)
  • 234356: The first floor (1789)
  • 234358: First love (1795)
  • 234429: Il floridante (1733)
  • 234436: Florizel and Perdita (1758)
  • 234581: The governour of Cyprus (1703)
  • 234596: Grace considered in it's operations on the understanding (1756)
  • 234631: A grand selection of sacred music. From the works of Handel. As performed at the Theatre Royal, Covent Garden, 1798. Under the direction of Mr. Ashley (1798)
  • 234632: A grand selection of sacred music, from the works of Handel. As performed at the Theatre Royal, Covent-Garden, 1799. Under the direction of Mr. Ashley, Sen (1799)
  • 234637: Granny's prediction revealed to the widow Brady (1773)
  • 234696: The grecian daughter (1777)
  • 234725: Grullo and moschetta (1737)
  • 234737: The guardian out-witted (1795)
  • 234762: Gustavus Vasa (1796)
  • 234798: Hannah (1764)
  • 234858: Harlequin Mungo (1788)
  • 234858: Harlequin Mungo (1788)
  • 234874: Harvest-home. A new song sung by Mr. Beard, at Covent Garden Theatre (1780)
  • 234894: He would be a soldier (1786)
  • 234917: Hecuba (1762)
  • 234921: Heigh-ho! for a husband (1794)
  • 235001: Herminius and Espasia (1754)
  • 235005: Hero and Leander (1787)
  • 235005: Hero and Leander (1787)
  • 235029: He's much to blame (1798)
  • 235030: He's much to blame (1798)
  • 235031: He's much to blame (1798)
  • 235032: He's much to blame (1798)
  • 235286: The history of King Lear (1729)
  • 235290: The history of King Lear, acted at the Queens Theatre. Revived with alteration. By N. Tate (1702)
  • 235412: The history of the Scottish stage (1793)
  • 235509: The honest Yorkshire-Man (1770)
  • 235510: The honest Yorkshire-Man (1736)
  • 235511: The honest Yorkshire-Man (1736)
  • 235789: Hurlothrumbo (1729)
  • 235911: Ignoramus (1725)
  • 235918: I'll tell you what (1786)
  • 235919: I'll tell you what (1786)
  • 235998: The importance of religion to civil societies (1745)
  • 236001: The importance of the Christian faith illustrated in the explanation of St. Paul's wish of being accursed for his brethren (1752)
  • 236013: The impostors: A comedy. Performed at the Theatre Royal Drury Lane. By Richard Cumberland, Esq (1789)
  • 236014: The impostors: A comedy. Performed at the Theatre Royal Drury Lane. By Richard Cumberland, Esq (1789)
  • 236109: Infidelity without excuse (1735)
  • 236117: The influence of education justified (1744)
  • 236230: The inspiration of the moral parts of scripture asserted. A sermon preached at the triennial visitation ... held at the Cathedral-church, in Lichfield, on Wednesday, Aug. 29. 1744. ... By Matthew Horbery, (1745)
  • 236335: L'ipermestra (1797)
  • 236339: Irene (1796)
  • 236351: The irish widow (1772)
  • 236352: The irish widow (1772)
  • 236382: The island of St. Marguerite (1789)
  • 236383: The island princess (1701)
  • 236384: The island princess (1701)
  • 236390: Israel in Babylon (1768)
  • 236390: Israel in Babylon (1768)
  • 236395: Israel in Egypt (1777)
  • 236404: The italian monk (1797)
  • 236405: The italian monk (1797)
  • 236432: Lady Jane Gray (1776)
  • 236449: The lady's last stake (1707)
  • 236450: The lady's last stake (1795)
  • 236456: The lady's revenge (1734)
  • 236458: The lady's triumph (1718)
  • 236486: The lamentations of the people of France (1759)
  • 236541: The last new prologues and epilogues, relating to the life of the Observator and the death of the Royal-Oak lottery, as they were spoken at the New Theatre in Little Lincoln's Inn Eields [sic]; with what was then left-out. Publish'd in opposition to some spurious copies tha have crept abroad (1703)
  • 236577: Laugh when you can (1799)
  • 236583: The law not made for a righteous man (1754)
  • 236642: Lecture on heads, as delivered by Mr. Palmer, at the Royalty Theatre (1787)
  • 236642: Lecture on heads, as delivered by Mr. Palmer, at the Royalty Theatre (1787)
  • 236692: Lethe (1790)
  • 237076: A letter to David Garrick, Esq (1759)
  • 237249: A letter to the electors of Westminster (1749)
  • 237618: Leucippo (1764)
  • 237626: Love a-l-amode [sic]; a comedy: as it is acted at the Theatre, Smoke-Alley, Dublin (1786)
  • 237627: Love a-la-mode (1786)
  • 237670: Love in a village (1763)
  • 237671: Love in a village (1763)
  • 237672: Love in a village (1763)
  • 237673: Love in a village (1764)
  • 237679: Love in many masks (1790)
  • 237680: Love in the city (1767)
  • 237681: Love in the city (1767)
  • 237689: Love makes a man (1716)
  • 237690: Love makes a man (1722)
  • 237691: Love makes a man: or, The Fop's fortune (1735)
  • 237692: Love makes a man (1701)
  • 237715: Love the leveller (1704)
  • 237742: Lover's vows (1798)
  • 237746: Love's last shift (1702)
  • 237747: Love's last shift (1773)
  • 237750: The lover his own rival (1736)
  • 237791: A loyal song sung by Mr. Beard at the Theatre Royal in Covent Garden (1746)
  • 237800: Lucio Papirio dittatore (1732)
  • 237802: Lucio Vero (1727)
  • 237806: Lucius Junius Brutus (1796)
  • 237831: The lyar (1793)
  • 237863: The mad captain, an opera. As it is acted at the New Theatre in Goodman's-Fields (1733)
  • 237904: The maid of the mill (1767)
  • 237905: The maid of the mill (1765)
  • 237907: The maid of the mill (1765)
  • 237908: The maid of the mill (1765)
  • 237911: The maid of the mill. A comic opera (1780)
  • 237921: The maid the mistress (1708)
  • 237956: The man of mode (1733)
  • 238027: Mariamne (1723)
  • 238029: Mariamne (1777)
  • 238033: Marina (1738)
  • 238061: The married man. A comedy, in three acts. From Le philosophe marie? of M. Nericault Destouches. As performed at the Theatre Royal, Hay-Market. By Mrs. Inchbald. (1789)
  • 238062: The married man (1789)
  • 238071: Mary Queen of Scots (1789)
  • 238072: Mary (1789)
  • 238093: The master of the opera (1737)
  • 238108: A matrimonial breakfast (1787)
  • 238108: A matrimonial breakfast (1787)
  • 238141: The means of redressing, and the duty of forgiving injuries consider'd (1755)
  • 238160: Medea (1777)
  • 238197: Memoirs of Mrs. Sophia Baddeley, late of Drury-lane Theatre. To the wholesale booksellers, gentlemen, Dr. I. Trusler having on Saturday last, with an effrontery peculiar to himself, ... circulated a scurrilous hand-bill, (1787)
  • 238329: The mermaid (1792)
  • 238330: The mermaid (1792)
  • 238387: The metamorphosis (1704)
  • 238428: The midnight hour (1787)
  • 238429: The midnight hour (1788)
  • 238478: The minor (1760)
  • 238479: The minor (1764)
  • 238480: The minor (1767)
  • 238481: The minor (1760)
  • 238609: Miss in her teens (1789)
  • 238617: Miss in her teens (1777)
  • 238626: The mistake (1778)
  • 238627: The mistake (1796)
  • 238791: The nature and obligation of oaths (1755)
  • 238798: The nature, evidences, and importance of truth considered. A sermon preached before the University of Oxford, at St. Mary's, on St. Andrew's day, 1754. By William Parker (1754)
  • 238802: The nature extent and support of human laws considered (1750)
  • 238805: The nature, mischiefs, and remedy of superstition illustrated (1754)
  • 238852: Neck or nothing (1766)
  • 238853: Neck or nothing (1767)
  • 239306: La frascatana (1781)
  • 239436: The fugitive (1792)
  • 239437: The fugitive (1792)
  • 239439: The fugitive (1792)
  • 239506: The funeral (1776)
  • 239561: Gallic gratitude (1779)
  • 239585: The gamester. An interlude. Performed by Signora Anna Maria Faini, and Signor Antonio Lottini, at the King's Theatre in the Hay-Market. The musick is composed by Sig. Giuseppe Maria Orlandini, (1737)
  • 239690: Letters which have passed between John Beard (1767)
  • 239694: A garland of new songs (1775)
  • 239948: The gospel credibility defended against the objection of its decrease by length of time (1756)
  • 239956: The genuine arguments of the council (1774)
  • 240012: Gibraltar: or, The Spanish adventure (1705)
  • 240016: Gil Blas (1788)
  • 240016: Gil Blas (1788)
  • 240019: Gilpin's rig (1785)
  • 240020: Gilpin's rig; or the wedding day kept (1785)
  • 240079: Liberty asserted (1704)
  • 240101: The life (1746)
  • 240117: The life and death of David Garrick (1779)
  • 240343: The livery rake (1733)
  • 240397: The London merchant (1745)
  • 240398: The london merchant (1751)
  • 240399: The london merchant (1760)
  • 240401: The London merchant (1757)
  • 240469: The lord of the manor (1781)
  • 240610: Momus (1767)
  • 240642: Monsieur de Pourceaugnac (1704)
  • 240673: The mosaick history of the fall consider'd (1750)
  • 240711: The mother-in-Law (1734)
  • 240786: Mr. Flockton's Theatre. [At] the [blank] in this town. This present evening, will be exhibited his grand exhibition, in the same manner as performed before the royal family and most of the nobility in the kingdom. (1780)
  • 241213: Ode for music, as performed at the Theatre in Oxford, on the second of July, 1751 (1751)
  • 241384: Oedipus (1733)
  • 241385: Oedipus (1701)
  • 241422: Of speaking as the oracles of God (1720)
  • 241483: The old mode & the new (1703)
  • 241491: The farmer's return from London (1762)
  • 241504: L'Olimpliade. Drama per musica: da rappresentarsi sopra il teatro di S.M.B. La musica n?uova ed intera produzione del Singtomaso Angustino Arne, dottoe di musica. La poesia orginariamente d?el Signor Metastasio, alla quale Giovan Gualberto Bottarelli, senza pregiudizio dell' azione principale, ha dato intieramente un nuovo giro, cambiato alcune arie, alterato varj recitativi, ed aggiunto il quarterto, ed il duettino del terzo attl (1765)
  • 241517: Phædra & Hippolytus (1777)
  • 241520: Phaedra and Hippolitus (1707)
  • 241527: Pharamond an opera. As perform'd at the Theatre Royal in the Hay-Market (1737)
  • 241647: Pizarro (1799)
  • 241684: The plain dealer (1766)
  • 241685: The plain dealer (1767)
  • 241785: The players turn'd academicks (1703)
  • 242064: A poetical epistle from Shakespear in Elysium (1752)
  • 242143: A proper reply to a pamphlet (1755)
  • 242157: The reasonableness and uses of commemorating King Charles's martyrdom (1753)
  • 242385: A prologue on comic poetry (1753)
  • 242570: Queries to be answer'd by the manager of Drury-Lane Theatre (1743)
  • 242573: An impartial examen of the present contests between the town and the manager of the Theatre. With some proposals for accommodating the present misunderstandings between the town and the manager, ... By Mr. Neither-side (1744)
  • 242579: A review of the present contest between the managers of the winter theatres, the Little Theatre in the Hay-market, and the Royalty Theatre in Well-Close Square. (1787)
  • 242580: A vindication of a right in the public to a one shilling gallery either at the New Theatre Royal in Covent-Garden, or somewhere else (1792)
  • 242660: The contrast. By Mr. Lockman. On occasion of the play, for the benefit of the Middlesex Hospital, for sick, and lame, and lying-in women, on Wednesday the 16th inst. at the Theatre Royal in Covent-Garden (1755)
  • 242786: The lady's revenge: or, the rover reclaim'd. A comedy. As it is acted at the Theatre Royal in Covent-Garden (1734)
  • 242838: A letter of expostulation from the manager of the theatre in Tottenham-Court (1760)
  • 242924: New hay at the old market (1795)
  • 242925: The mountaineers (1795)
  • 242926: Songs, duets, choruses, &c. in The mountaineers; a play, in three acts. Performed at the Theatre Royal, Hay-Market (1793)
  • 242927: Blue-beard (1798)
  • 243269: The cobler of Preston (1767)
  • 243333: A sermon preached before the University of Oxford, at St. Mary's, on Wednesday, Febr. 4. 1740-1 (1741)
  • 243399: The doctrine of justification by faith explained in a sermon preached before the University of Oxford (1768)
  • 243400: Jephthah's vow considered (1766)
  • 243401: The use of reason in matters of religion stated and explain'd in a sermon Preached before the University of Oxford (1762)
  • 243402: The witness of the spirit (1768)
  • 243437: The magistrate's duty to honour God, set forth in (1733)
  • 244241: A very plain state of the case (1787)
  • 244243: Dublin in an uproar (1747)
  • 244697: The evidence of prophecy superior to the evidence of miracles (1761)
  • 244925: The amiableness and advantage of making suitable provision for the education and employment of poor children (1755)
  • 244958: The reasonableness and advantage of national humiliations (1740)
  • 244959: The union and harmony of reason (1737)
  • 244969: The usual interpretation of daimones and daimonia (1738)
  • 245129: Old England for ever! (1792)
  • 245418: The cobler's opera (1729)
  • 245418: The cobler's opera (1729)
  • 245739: The government of the heart (1758)
  • 245745: Ridicule, so far as it affects religion, consider'd and censur'd (1735)
  • 245750: The divine right of prerogative royal (1728)
  • 245990: Prologue written for the re-opening of the Theatre at Brandenbourgh House (1795)
  • 246045: The duenna: a comic opera (1794)
  • 246089: The critic (1781)
  • 246131: Acis and Galatea (1792)
  • 246153: The critic (1781)
  • 246164: The summer's tale (1765)
  • 246175: The carmelite (1784)
  • 246187: The oxonian in town (1770)
  • 246198: Man and wife; or, the Shakespeare Jubilee (1770)
  • 246204: Punch's petition to Mr. S----n, to be admitted into the Theatre Royal (1758)
  • 246220: The critic (1781)
  • 246242: Man and wife; or, the Shakespeare Jubilee (1770)
  • 246248: To the Honourable the K*****s, C******s and B******s in P********t assembled. The humble petition of Thomas Punch, Esq; principal performer and sole manager of the Still-Life-Theatre in Caple-Street (1756)
  • 246309: Pharnaces (1765)
  • 246385: The family party (1789)
  • 246429: Athelstan (1756)
  • 246810: The advantages of publick education (1733)
  • 246817: At Punch's Theatre. For the entertainment of the four Indian Kings, viz. (A) The Emperor Tee Yee Neen Ho Ga Row. (B) King Sa Ga Yean Qua Rah Tow. (C) King E Tow oh Koam. (D) King Oh Nee Yeath Tow no Riow This present Munday, May 1. at seven a-clock (1710)
  • 246876: A seasonable admonition to the Church of England (1755)
  • 246940: Athelstan (1756)
  • 247081: La buona figliuola (1775)
  • 247153: The man with two wives (1798)
  • 247153: The man with two wives (1798)
  • 247154: The dissembled wanton (1787)
  • 247155: The roman father, a tragedy (1750)
  • 247158: A trip to Scotland (1770)
  • 247159: Songs, chorusses, &c (1770)
  • 247714: La governante (1779)
  • 247714: La governante (1779)
  • 247715: Britain's glory (1794)
  • 247735: Songs in Lodoiska (1794)
  • 247735: Songs in Lodoiska (1794)
  • 247736: Lodoiska (1794)
  • 247737: The turnpike gate (1799)
  • 247747: The sicilian romance (1794)
  • 247952: Cleone (1765)
  • 247988: The commemorative sacrifice (1737)
  • 248029: An essay (1767)
  • 248104: The west Indian (1792)
  • 248126: Retaliation (1782)
  • 248171: The deserted daughter: a comedy (1795)
  • 248204: Philoclea (1754)
  • 248248: The mountaineers; a play, in three acts (1795)
  • 248416: The maid the mistress (1732)
  • 248436: Some observations tending to illustrate the Book of Job (1747)
  • 248610: The comedy of errors (1770)
  • 248696: Jacob's return from London (1789)
  • 248706: Blue-Beard (1799)
  • 248707: A bold stroke for a husband (1784)
  • 248710: The cunning-Man (1766)
  • 248715: King Henry V (1789)
  • 248716: The tempest (1789)
  • 248841: Love in a village; a comic opera (1763)
  • 248992: The recruiting officer (1709)
  • 248993: The recruiting officer (1707)
  • 249138: Sadler's Wells (1788)
  • 249139: Sadler's Wells. This and the following evenings, great variety of entertainments, particularly a favourite comic dance, called The merry reapers. ... Performances on the slack wire, (1791)
  • 249140: Sadler's Wells (1797)
  • 249149: Seventh night (1794)
  • 249152: Sixth night (1794)
  • 249157: The second night (1794)
  • 249161: Theatre Royal, Covent Garden. Oratorios on the six Fridays in Lent, at play-house prices. This present Friday, February 27, 1789, the season will open with the coronation anthem, God save the King. (1789)
  • 249162: Theatre Royal, Covent Garden. Oratorios, or selections, on the six Fridays in Lent. At play-house prices. This present Friday March 6, 1789, a grand selection of sacred music, from the works of Handel, (1789)
  • 249163: Theatre Royal, Covent Garden, oratorios, or selections, on the six Fridays in Lent. At play-house prices. This present Friday March 20, 1789, a second grand selection of sacred music, from the works of Handel, (1789)
  • 249164: [Theatre Royal, Covent Garden.] This present Wednesday evening, March the 18th, 1789, Eidouranion, or, large transparent orrery. ... Mr. Walker, jun. will deliver his astronomical lecture, at the place and time above mentioned. (1789)
  • 249164: [Theatre Royal, Covent Garden.] This present Wednesday evening, March the 18th, 1789, Eidouranion, or, large transparent orrery. ... Mr. Walker, jun. will deliver his astronomical lecture, at the place and time above mentioned. (1789)
  • 249165: Theatre Royal, Covent Garden. This present Wednesday evening, March the 25th, 1789, Eidouranion, or, large transparent orrery. ... Mr. Walker, jun. will deliver his astronomical lecture, at the place and time above mentioned. (1789)
  • 249166: Theatre Royal (1794)
  • 249168: Third night (1794)
  • 249172: To the public. Theatre-Royal, Covent-Garden, May 16, 1797 (1797)
  • 249308: Le congre?s (1748)
  • 249365: The twelfth and last time this season. At the theatre, Lyceum, in the Strand, this present evening, Monday, Aug. 19, 1799, an attempt will be made at the restoration of plain old English humour sense, and satire, from the peculiar and last production of the celebrated George Alexander Stevens, (never published) being a comic olio, adapted to the times, called a cabinet of fancy, which will be exemplified in an original collection of transparent paintings, sketches, & designs, as they were represented at the Theatre Royal Hay-Market, with universal applause. (1799)
  • 249365: The twelfth and last time this season. At the theatre, Lyceum, in the Strand, this present evening, Monday, Aug. 19, 1799, an attempt will be made at the restoration of plain old English humour sense, and satire, from the peculiar and last production of the celebrated George Alexander Stevens, (never published) being a comic olio, adapted to the times, called a cabinet of fancy, which will be exemplified in an original collection of transparent paintings, sketches, & designs, as they were represented at the Theatre Royal Hay-Market, with universal applause. (1799)
  • 249367: Theatre Royal (1798)
  • 249586: Tales of the castle (1785)
  • 249699: Songs (1795)
  • 249995: At play house prices. At the Theatre-Royal, Covent-Garden, this present Friday, March 26, 1790, will be presented the favorite songs and chorusses from The Messiah, and the several grand selections; with additional songs. (1790)
  • 249996: At play house prices. At the Theatre-Royal, Covent-Garden, this present Wednesday, February 24, 1790, will be performed the first grand selection of sacred music, (1790)
  • 249997: At play house prices. At the Theatre-Royal, Covent-Garden, this present Wednesday, March 10, 1790, will (by particular desire) be repeated, for the last time this season, the first grand selection, from the performances in Westminster Abbey. (1790)
  • 249998: At play-house prices at the Theatre Royal, Drury-Lane, this present Friday, April 1, 1791, will be performed Acis and Galatea. A favourite serenata, composed by Handel. (1791)
  • 249999: At play-house prices. At the Theatre Royal, Drury-Lane, this present Friday, March 11th. 1791, will be performed a grand selection, from the works of Handel. (1791)
  • 250000: At play-house prices. At the Theatre Royal, Drury-Lane, this present Friday, March 11th. 1791, will be performed a grand selection, from the works of Handel. (1791)
  • 250001: At play-house prices. At the Theatre Royal, Drury-Lane, this present Friday, March 18th. 1791, will be performed a sacred oratorio, called Judas Macchabæus composed by G. F. Handel. (1791)
  • 250002: At play-house prices. At the Theatre Royal, Drury-Lane, this present Friday, March 25th. 1791, will be performed, for the last time this season, a grand selection, from the works of Handel. (1791)
  • 250003: At play-house prices. At the Theatre Royal, Drury Lane, this present Wednesday Feb. 24, 1790, will be performed a grand selection from the works of Handel, (1790)
  • 250004: At play-house prices. At the Theatre Royal, Drury-Lane, this present Wednesday, March 10, 1790, will be performed a grand selection from the works of Handel, (1790)
  • 250005: At play-house prices. At the Theatre Royal, Drury-Lane, this present Wednesday, March 16th. 1791, will be performed a sacred oratorio, called The Messiah. Composed by G. F. Handel. (1791)
  • 250006: At play-house prices. At the Theatre Royal, Drury-Lane, this present Wednesday, March 16th. 1791, will be performed a sacred oratorio, called The Messiah. Composed by G. F. Handel. (1791)
  • 250007: At play-house prices. At the Theatre Royal, Drury-Lane, this present Wednesday, March 23, 1791, will be performed (by particular desire) Redemption. A sacred oratorio, selected from the great and favourite works of Handel, (1791)
  • 250008: At play-house prices at the Theatre Royal, Drury-Lane, this present Wednesday March 30, 1791, will be performed (by particular desire) Redemption. A sacred oratorio, selected from the great and favourite works of Handel, (1791)
  • 250009: At play-house prices. At the Theatre Royal, Drury-Lane, to-morrow, Wednesday March 23, 1791, will be performed (by particular desire) Redemption, a sacred oratorio, selected from the great and favourite works of Handel, (1791)
  • 250010: At play-house prices at the Theatre Royal, Drury-Lane, to-morrow, Wednesday March 30, 1791, will be performed (by particular desire) Redemption. A sacred oratorio, selected from the great and favourite works of Handel, (1791)
  • 250012: At play-house prices. By particular desire. Being the last time of performing it this season. At the Theatre Royal, Drury-Lane, this present Friday, March 12, 1790, will be performed a grand selection from the works of Handel, (1790)
  • 250013: At play-house prices. By particular desire. Theatre Royal, Covent Garden. To-morrow, Friday, March 18, 1791, L'allegro il penseroso. Written by Milton, set to music by Handel. (1791)
  • 250013: At play-house prices. By particular desire. Theatre Royal, Covent Garden. To-morrow, Friday, March 18, 1791, L'allegro il penseroso. Written by Milton, set to music by Handel. (1791)
  • 250014: At Play-House prices, during Lent. At the New Theatre Royal, Covent-Garden, tomorrow Wednesday, February 20, 1793, (for the only time this season) Alexander's feast. Written by Dryden, and set to music by Handel. With a grand miscellaneous act. End of part II. A concerto on the violin by Madame Gautherot. (1793)
  • 250014: At Play-House prices, during Lent. At the New Theatre Royal, Covent-Garden, tomorrow Wednesday, February 20, 1793, (for the only time this season) Alexander's feast. Written by Dryden, and set to music by Handel. With a grand miscellaneous act. End of part II. A concerto on the violin by Madame Gautherot. (1793)
  • 250015: At Play House prices, during Lent. New Theatre Royal, Covent Garden, tomorrow, Wednesday, Feb 27, 1793, will be repeated (for the only time this season) the first grand selection. In which will be introduced captivity, a serious air, by Mrs. Crouch, (supposed to be written by an unfortunate Queen during her consinement). (1793)
  • 250015: At Play House prices, during Lent. New Theatre Royal, Covent Garden, tomorrow, Wednesday, Feb 27, 1793, will be repeated (for the only time this season) the first grand selection. In which will be introduced captivity, a serious air, by Mrs. Crouch, (supposed to be written by an unfortunate Queen during her consinement). (1793)
  • 250016: At play-house prices during Lent. Theatre Royal, Covent Garden, this present Friday, Feb. 19, 1796, will be performed the sacred oratorio of The Messiah. Composed by G. F. Handel. (1796)
  • 250016: At play-house prices during Lent. Theatre Royal, Covent Garden, this present Friday, Feb. 19, 1796, will be performed the sacred oratorio of The Messiah. Composed by G. F. Handel. (1796)
  • 250017: At play-house prices during Lent. Theatre Royal, Covent Garden, this present Friday, Feb. 26, 1796, will be performed a second grand selection of sacred music. From the works of Handel. (1796)
  • 250017: At play-house prices during Lent. Theatre Royal, Covent Garden, this present Friday, Feb. 26, 1796, will be performed a second grand selection of sacred music. From the works of Handel. (1796)
  • 250018: At play-house prices during Lent. Theatre Royal, Covent Garden, this present Friday, March 4, 1796, will be performed a grand selection of sacred music. From the works of Handel. (1796)
  • 250018: At play-house prices during Lent. Theatre Royal, Covent Garden, this present Friday, March 4, 1796, will be performed a grand selection of sacred music. From the works of Handel. (1796)
  • 250019: At play-house prices, during Lent. Theatre Royal, Covent-Garden, this present Friday, March 8, 1793, a third grand selection of music. (1793)
  • 250019: At play-house prices, during Lent. Theatre Royal, Covent-Garden, this present Friday, March 8, 1793, a third grand selection of music. (1793)
  • 250020: At play-house prices during Lent. Theatre Royal, Covent Garden, this present Wednesday, Feb. 17, 1796, will be performed L'allegro ed il pensieroso. Written by Milton, and set to music by Handel, (1796)
  • 250020: At play-house prices during Lent. Theatre Royal, Covent Garden, this present Wednesday, Feb. 17, 1796, will be performed L'allegro ed il pensieroso. Written by Milton, and set to music by Handel, (1796)
  • 250021: At play-house prices during Lent. Theatre Royal, Covent Garden this present, Wednesday, Feb. 24, 1796, will be performed a grand selection of sacred music. From the works of Handel. (1796)
  • 250021: At play-house prices during Lent. Theatre Royal, Covent Garden this present, Wednesday, Feb. 24, 1796, will be performed a grand selection of sacred music. From the works of Handel. (1796)
  • 250022: At play-house prices during Lent. Theatre Royal, Covent Garden, this present Wednesday, March 2, 1796, will be performed a grand selection of sacred music. From the works of Handel. (1796)
  • 250022: At play-house prices during Lent. Theatre Royal, Covent Garden, this present Wednesday, March 2, 1796, will be performed a grand selection of sacred music. From the works of Handel. (1796)
  • 250023: At play-house prices, during Lent. Theatre-Royal, Covent-Garden, this present Wednesday, March 6, 1793, a second grand selection of music. (1793)
  • 250024: At play-house prices, during Lent. Theatre-Royal, in Covent Garden, this present Friday, March 14. 1794, will be performed (for the only time this season) Alexander's feast, written by Dryden, and set to music by Handel. With a grand miscellaneous act. (1794)
  • 250025: At play-house prices, during Lent. Theatre-Royal, in Covent Garden, this present Friday, March 21, 1794, L'allegro ed il pensieroso. The words by Milton, and set to music by Handel. With a grand miscellaneous act. (1794)
  • 250026: At play-house prices, during Lent. Theatre-Royal, in Covent Garden, this present Wednesday, March 12, 1794, a second grand selection of sacred music, from the works of Handel. (1794)
  • 250027: At play-house prices, during Lent. Theatre-Royal, in Covent Garden, this present Wednesday, March 26, 1794, a third grand selection of sacred music, from the works of Handel, (1794)
  • 250028: At play-house prices, during Lent. Theatre-Royal, in Covent Garden, to-morrow, Wednesday, March 19. 1794, a grand selection of sacred music. (1794)
  • 250029: At play-house prices during Lent. This present Friday, Feb. 12, 1796, will be performed (for the only time this season) at the Theatre Royal, Covent Garden, the favorite ode of Alexander's feast; or, the power of music. Written ... by Dryden, and set to music by Handel. (1796)
  • 250029: At play-house prices during Lent. This present Friday, Feb. 12, 1796, will be performed (for the only time this season) at the Theatre Royal, Covent Garden, the favorite ode of Alexander's feast; or, the power of music. Written ... by Dryden, and set to music by Handel. (1796)
  • 250030: At play-house prices. For the benefit of Mess. G. I. C & R. Ashleys Theatre Royal, Covent Garden, on Saturday next May 31. 1800, will be performed a grand selection of sacred music. (1800)
  • 250030: At play-house prices. For the benefit of Mess. G. I. C & R. Ashleys Theatre Royal, Covent Garden, on Saturday next May 31. 1800, will be performed a grand selection of sacred music. (1800)
  • 250031: At play-house prices. King's Theatre, Hay-market. Professional oratorios, and grand selections. On Friday next, Feb. 15th. 1793. will be performed a grand selection, ... (1793)
  • 250031: At play-house prices. King's Theatre, Hay-market. Professional oratorios, and grand selections. On Friday next, Feb. 15th. 1793. will be performed a grand selection, ... (1793)
  • 250032: At play-house prices. King's Theatre, Hay-market. Professional oratorios. This present Friday Feb. 22. 1793, will be performed a sacred oratorio called Redemption. (1793)
  • 250032: At play-house prices. King's Theatre, Hay-market. Professional oratorios. This present Friday Feb. 22. 1793, will be performed a sacred oratorio called Redemption. (1793)
  • 250033: At play-house prices. King's Theatre, Hay-market. Professional oratorios. This present Wednesday Feb. 20th. 1793, will be performed a sacred oratorio called The Messiah. (1793)
  • 250033: At play-house prices. King's Theatre, Hay-market. Professional oratorios. This present Wednesday Feb. 20th. 1793, will be performed a sacred oratorio called The Messiah. (1793)
  • 250034: At Play-House prices. Oratorios & selections of sacred music. At the Theatre Royal, Covent Garden. The season will commence on Friday next, with a performance of sacred music. (1791)
  • 250034: At Play-House prices. Oratorios & selections of sacred music. At the Theatre Royal, Covent Garden. The season will commence on Friday next, with a performance of sacred music. (1791)
  • 250035: At play-house prices. Oratorios and selections of sacred music, from the works of Handel; on the Wednesdays and Fridays during Lent. At the Theatre-Royal, Covent-Garden, this present Friday, February 19, 1790, will be performed the Coronation anthem, (1790)
  • 250036: At play-house prices. The last time of performing it this season, at the Theatre Royal, Drury-Lane, this present Wednesday, April 6th, 1791, will be performed, a sacred oratorio called The Messiah. Composed by G. F. Handel. (1791)
  • 250037: At play-house prices. The last time of performing it this season. At the Theatre Royal, Drury-Lane, this present Wednesday April 6th. 1791, will be performed a sacred oratorio, called The Messiah. Composed by G. F. Handel. (1791)
  • 250038: At play-house prices. Theatre Royal, Covent Garden. On Wednesday next, March 16, 1791, the sacred oratorio of The Messiah. (For the only time this season.) (1791)
  • 250038: At play-house prices. Theatre Royal, Covent Garden. On Wednesday next, March 16, 1791, the sacred oratorio of The Messiah. (For the only time this season.) (1791)
  • 250039: At play-house prices. Theatre Royal, Covent Garden. On Wednesday next, March 23, 1791, a second grand selection of sacred music, from the works of Handel. (No part of which has been performed this season.) (1791)
  • 250039: At play-house prices. Theatre Royal, Covent Garden. On Wednesday next, March 23, 1791, a second grand selection of sacred music, from the works of Handel. (No part of which has been performed this season.) (1791)
  • 250040: [At play-house prices.] Theatre Royal, Covent Garden. This present Friday, April 1, 1791, the favorite grand selection, from the works of Handel. (Will be repeated for the only time this season) (1791)
  • 250040: [At play-house prices.] Theatre Royal, Covent Garden. This present Friday, April 1, 1791, the favorite grand selection, from the works of Handel. (Will be repeated for the only time this season) (1791)
  • 250041: At play-house prices. Theatre Royal, Covent Garden. This present Friday, March 11, 1791, a grand selection of sacred music, from the works of Handel. (1791)
  • 250041: At play-house prices. Theatre Royal, Covent Garden. This present Friday, March 11, 1791, a grand selection of sacred music, from the works of Handel. (1791)
  • 250042: At play-house prices. Theatre Royal, Covent Garden. This present Friday, March 25, 1791, Alexander's feast. Written by Dryden. And set to music by Handel. (1791)
  • 250042: At play-house prices. Theatre Royal, Covent Garden. This present Friday, March 25, 1791, Alexander's feast. Written by Dryden. And set to music by Handel. (1791)
  • 250043: At play-house prices. Theatre Royal, Covent Garden. This present Wednesday, March 16, 1791, the sacred oratorio of The Messiah. (For the only time this season.) (1791)
  • 250043: At play-house prices. Theatre Royal, Covent Garden. This present Wednesday, March 16, 1791, the sacred oratorio of The Messiah. (For the only time this season.) (1791)
  • 250044: [At play-house prices.] Theatre Royal, Covent Garden. This present Wednesday, March 30, 1791, (by desire of very many ladies and gentlemen) for the last time this season, L'allegro, ed il pensieroso. Written by Milton. And set to music by Handel. (1791)
  • 250044: [At play-house prices.] Theatre Royal, Covent Garden. This present Wednesday, March 30, 1791, (by desire of very many ladies and gentlemen) for the last time this season, L'allegro, ed il pensieroso. Written by Milton. And set to music by Handel. (1791)
  • 250045: At play-house prices. Theatre Royal, Covent Garden. To-morrow, Friday, April 1, 1791, the favorite grand selection, from the works of Handel. (Will be repeated for the only time this season) (1791)
  • 250045: At play-house prices. Theatre Royal, Covent Garden. To-morrow, Friday, April 1, 1791, the favorite grand selection, from the works of Handel. (Will be repeated for the only time this season) (1791)
  • 250046: At play-house prices. Theatre Royal; Covent Garden, tomorrow, Friday, April 15, 1791, L'allegro, ed il pensieroso. With a new grand miscellaneous act. (1791)
  • 250046: At play-house prices. Theatre Royal; Covent Garden, tomorrow, Friday, April 15, 1791, L'allegro, ed il pensieroso. With a new grand miscellaneous act. (1791)
  • 250047: At play-house prices. Theatre Royal, Covent Garden. Tomorrow, Friday, March 11, 1791, a grand selection of sacred music, from the works of Handel. (1791)
  • 250047: At play-house prices. Theatre Royal, Covent Garden. Tomorrow, Friday, March 11, 1791, a grand selection of sacred music, from the works of Handel. (1791)
  • 250048: At play-house prices. Theatre Royal, Covent Garden. Tomorrow Friday, March 25, 1791, Alexander's feast. Written by Dryden. And set to music by Handel. (1791)
  • 250048: At play-house prices. Theatre Royal, Covent Garden. Tomorrow Friday, March 25, 1791, Alexander's feast. Written by Dryden. And set to music by Handel. (1791)
  • 250049: At play-house prices. Theatre Royal, Covent Garden. Tomorrow Wednesday, March 23, 1791, a second grand selection of sacred music, from the works of Handel. (No part of which has been performed this season.) (1791)
  • 250049: At play-house prices. Theatre Royal, Covent Garden. Tomorrow Wednesday, March 23, 1791, a second grand selection of sacred music, from the works of Handel. (No part of which has been performed this season.) (1791)
  • 250050: At play-house prices. Theatre Royal, Covent Garden. Tomorrow, Wednesday, March 30, 1791, (by desire of very many ladies and gentlemen) for the last time this season, L'allegro, ed il pensieroso. Written by Milton. And set to music by Handel. (1791)
  • 250050: At play-house prices. Theatre Royal, Covent Garden. Tomorrow, Wednesday, March 30, 1791, (by desire of very many ladies and gentlemen) for the last time this season, L'allegro, ed il pensieroso. Written by Milton. And set to music by Handel. (1791)
  • 250051: At play-house prices. Theatre-Royal, Drury-Lane. This present Friday, February 19, 1790. will be performed the Coronation anthem, God save the King. After which the sacred oratorio of The Messiah. (1790)
  • 250052: At play-house prices. Theatre-Royal in Drury-Lane, this present Friday, Feb. 26, 1790. will be performed Redemption, a sacred oratorio. Selected from the great and favourite works of Handel, (1790)
  • 250057: At the New Theatre Royal, Covent Garden, oratorios and selections of sacred music. At play-house prices, during Lent. First performance on Friday next, February 15, 1793. (1793)
  • 250057: At the New Theatre Royal, Covent Garden, oratorios and selections of sacred music. At play-house prices, during Lent. First performance on Friday next, February 15, 1793. (1793)
  • 250058: At the New Theatre Royal, Covent Garden, oratorios and selections of sacred music. At play-house prices, during Lent. This present Friday, February 15, 1793. (1793)
  • 250058: At the New Theatre Royal, Covent Garden, oratorios and selections of sacred music. At play-house prices, during Lent. This present Friday, February 15, 1793. (1793)
  • 250059: At the particular desire of several persons of high distinction. At play-house prices, during Lent. Theatre-Royal, in Covent Garden, this present Friday, March 28, 1794, the sacred oratorio of The Messiah. (1794)
  • 250064: At the theatre, Lyceum, in the Strand, this present evening, Friday, Aug. 9, an attempt will be made at the restoration of plain old English humour, sense, and satire, ... by Mr. Wilks, (1799)
  • 250065: At the theatre, Lyceum, in the Strand, this present evening, Monday, Aug. 12, ... 1799. An attempt will be made at the restoration of plain old English humour, sense, and satire, ... by Mr. Wilks, (1799)
  • 250066: At the theatre, Lyceum, in the Strand, this present evening, Monday, July 22, 1799, an attempt will be made at the restoration of plain old English humour, sense, and satire, ... by Mr. Wilks, (1799)
  • 250067: At the theatre, Lyceum, in the Strand, this present evening, Monday, July 29, 1799, ... an attempt will be made at the restoration of plain old English humour, sense, and satire, ... by Mr. Wilks, (1799)
  • 250068: At the theatre, Lyceum, in the Strand, this present evening, Wednesday, Aug. 7, an attempt will be made at the restoration of plain old English humour, sense, and satire, ... by Mr. Wilks, (1799)
  • 250069: At the theatre, Lyceum, in the Strand this present evening, Wednesday, Aug. 14, ... 1799. An attempt will be made at the restoration of plain old English humour, sense, and satire, ... by Mr. Wilks, (1799)
  • 250070: At the theatre, Lyceum, in the Strand, this present evening, Wednesday, July 24, 1799. An attempt will be made at the restoration of plain old English humour, sense, and satire, ... by Mr. Wilks, (1799)
  • 250071: At the theatre, Lyceum, in the Strand, this present evening, Wednesday, July 31, ... 1799, an attempt will be made at the restoration of plain old English humour, sense, and satire, ... by Mr. Wilks, (1799)
  • 250072: At the Theatre-Royal, Covent-Garden, on Wednesday next, March 13, 1776, will be performed Messiah. A sacred oratorio. Composed by Mr. Handel. (1776)
  • 250073: At the Theatre-Royal, Covent-Garden, this present Friday, February 26, 1790, will be performed the second grand selection of sacred music, from the performances in Westminster-Abbey. (1790)
  • 250074: At the Theatre-Royal, Covent-Garden, to-morrow, Friday, February 23, 1776, will be performed Judas Macchabæus. An oratorio, composed by Mr. Handel. (1776)
  • 250075: At the Theatre-Royal, Covent-Garden, to-morrow, Friday, March 1, 1776, will be performed The Messiah. A sacred oratorio. Composed by Mr. Handel. (1776)
  • 250076: [At the] Theatre-Royal, Covent-Garden, to-morrow, Friday, March 8, 1776, will be performed Samson. An oratorio, composed by Mr. Handel. (1776)
  • 250077: At the Theatre-Royal, Covent-Garden, to-morrow, Wednesday, March 6, 1776, will be performed a concerto spirituale. (1776)
  • 250078: At the Theatre Royal, Drury-Lane, on Friday next, February 23, 1787, will be performed Redemption a sacred oratorio. Selected from the great and favourite works of Mr. Handel. That were performed at his commemoration in Westminster-Abbey, and at the Pantheon (1787)
  • 250079: At the Theatre Royal, Drury-Lane, to-morrow, Friday, February 23, 1787, will be performed Redemption. A sacred oratorio. Selected from the great and favourite works of Mr. Handel. (1787)
  • 250080: At the Theatre Royal, Drury-Lane, tomorrow, [sic] Wednesday, Feb.28, 1787, will be performed Redemption a sacred oratorio. Selected from the great and favourite works of Mr. Handel, (1787)
  • 250081: At the Theatre Royal in Drury-Lane, on Friday next, February 8, 1788, will be performed Redemption. A sacred oratorio. Selected from the great and favourite works of Mr. Handel, (1788)
  • 250082: At the Theatre Royal in Drury-Lane, on Friday next, March 3, 1775, will be performed Judas Maccabæus. An oratorio. (1775)
  • 250083: At the Theatre Royal in Drury-Lane, on Friday next, March 15, 1782, will be performed Alexander's feast. To which will be added Bonduca. By the late Mr. Henry Purcell. (1782)
  • 250084: At the Theatre Royal in Drury-Lane, on Wednesday next, Feb. 20, 1788, will be performed Alexander's feast. Set to music by Mr. Handel. (1788)
  • 250085: At the Theatre Royal in Drury-Lane, on Wednesday next, Feb 27, 1788, will be performed Judas Maccabæus. An oratorio. Set to music by Mr. Handel. (1788)
  • 250086: At the Theatre Royal in Drury Lane, on Wednesday next, Feb. 27, 1788, will be performed Judas Maccabæus. An oratorio. Set to music by Mr. Handel (1788)
  • 250087: At the Theatre Royal in Drury-Lane, on Wednesday next, Feb. 28, 1776, will be performed Judas Maccabæus. An oratorio. (1776)
  • 250088: At the Theatre Royal in Drury-Lane, on Wednesday next, February 13, 1788, will be performed Messiah. A sacred oratorio. Set to music by Mr. Handel (1788)
  • 250089: At the Theatre Royal in Drury-Lane, on Wednesday next, March 5, 1788, will be performed Acis and Galatea. A serenata. Set to music by Mr. Handel (1788)
  • 250090: At the Theatre Royal in Drury-Lane, on Wednesday next, March 6, 1776, will be performed Jeptha. An oratorio, composed by Mr Handel. (1776)
  • 250091: At the Theatre Royal in Drury-Lane, on Wednesday next, March 29, 1775, will be performed The fall of Egypt. An oratorio. Written by the late Dr. Hawksworth, and composed by Mr. Stanley. (1775)
  • 250092: At the Theatre Royal in Drury-Lane, to-morrow, Friday, Feb. 22, 1788, will be performed Acis and Galatea. A serenata. Set to music by Mr. Handel. (1788)
  • 250093: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, Feb. 13 1788, will be performed Messiah. A sacred oratorio. Set to music by Mr. Handel. (1788)
  • 250094: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, Feb. 20, 1788, will be performed Alexander's feast. Set to music by Mr. Handel (1788)
  • 250095: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, Feb. 27, 1788, will be performed Judas Maccabæus. An oratorio. Set to music by Mr. Handel. (1788)
  • 250097: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, March 6, 1782, will be performed Samson. An oratorio. Set to music by Mr. Handel. (1782)
  • 250098: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, March 13, 1776, will be performed L'allegro ed il pensoroso. To which will be added an anthem. Composed by Mr. Handel, for the late Duke of Chandois. (1776)
  • 250100: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, March 20, 1776, will be performed a lyric ode on the witches, fairies, and aerial beings of Shakespear. The music entirely new. (1776)
  • 250101: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, March 20, 1782, will be performed Messiah. A sacred oratorio. Set to music by Mr. Handel. (1782)
  • 250102: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, March 22, 1775, will be performed L'allegro il pensoroso. With two of the Coronation anthems, (1775)
  • 250103: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, March 27, 1776, will be performed Messiah. A sacred oratorio. Composed by Mr. Handel. (1776)
  • 250104: At the Theatre Royal in Drury-Lane, to-morrow, Wednesday, March 29, 1775, will be performed The fall of Egypt. An oratorio. Written by the late Dr. Hawkesworth. And set to music by Mr. Stanley. (1775)
  • 250135: By authority of the Lord Chamberlain. Lyceum, Strand. Every Monday, Tuesday, Thursday, and Saturday evening, during Lent only, will be presented an entire new species of entertainment, in three parts, under the direction of Mr. Reeve, called, Mirth's museum, or the country club: consisting of introductory readings and recitals, (1794)
  • 250136: By authority of the Lord Chamberlain. Lyceum, Strand. This present Saturday evening, the 5th of April, 1794, will be presented, (in three parts,) Mr. Reeve's new entertainment, with additions, called Mirth's museum, or the country club: consisting of introductory readings and recitals, (1794)
  • 250137: By command of Their Majesties. At the Theatre Royal in Drury-Lane, on Friday next, Feb. 23, 1776, will be performed Acis and Galatea. (1776)
  • 250138: By command of Their Majesties. At the Theatre Royal in Drury-Lane, to-morrow, Friday, March 1, 1776, will be performed Alexander's feast. And the Coronation anthems. (1776)
  • 250139: By command of Their Majesties. At the Theatre Royal in Drury-Lane, to-morrow, Friday, March 8, 1776, will be performed Acis and Galatea. To which will be added an ode, written by Dryden, and set to music by Mr. Handel. (1776)
  • 250140: By command of Their Majesties. At the Theatre Royal in Drury-Lane, to-morrow, Friday, March 9, 1781, will be performed the oratorio of Deborah. Composed by Mr. Handel. (1781)
  • 250141: By command of Their Majesties. At the Theatre Royal in Drury-Lane, to-morrow, Friday, March 15, 1776, will be performed Alexander's feast. With the Coronation anthems. (1776)
  • 250143: By command of Th